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'We Might As Well Be Dead' is claustrophobic, warm, funny, and makes you really examine the idea of a gated…
'Rondo and Bob' is a heartfelt documentary full of passion, but sorely lacking in execution. Read Tyler Doupé's review.
Travis Stevens' third feature film 'A Wounded Fawn,' made it's debut at Tribeca 2022 and it's somehow weirder than you…
Check out our review of Spencer Squire's 'Abandoned,' a haunted house horror movie starring Emma Roberts and John Gallagher Jr.
Ana Lily Amirpour's 'Mona Lisa and the Blood Moon' is a kaleidoscopic look at NOLA nightlife, with a splash of…
While the blood starts to flow a little late, well-drawn characters make 'Who Invited Them?' an entertaining home invasion tale.
With 'Swallowed', director Carter Smith proves the importance of dirty, transgressive queer horror that refuses to cater to a straight…
'Crimes of the Future' is surprisingly funny, expansive, and as Cronenbergian as ever. Read the full review on Dread Central.
'Attachment' is an essential queer love story with its complex horrors rooted in the fascinating trenches of Orthodox Judaism.
'Next Exit' arrives at some profound revelations, though along the way, it loses part of its distinct identity.
You're familiar with Frankenstein, but are you familiar with 'The Last Frankenstein"? Because it's a new movie.
Hammer’s light erotic vampire thriller may not deliver all the goods but it's one of their more notorious titles and…
Dark Night of the Scarecrow 2 has none of the charm of the original and feels like it was made…
Haunt-based horror film ‘Scare Zone’ is a misguided effort with no redeeming value, whatsoever. Read Tyler Doupe’s review.
Packed with content and featuring the sharpest home video transfer yet, Arrow has produced the ultimate 'RoboCop' package for fans.