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A24's 'Backrooms' adaptation makes every effort to save its cat when it should've let it die to make room for…
Victorian Psycho is a nasty, happy little surprise with grotesque kills and a staunch refusal to pull back on the…
![Team-Building Turns Into Vengeance on ‘Corporate Retreat’ Poster [Exclusive]](https://www.dreadcentral.com/cdn-cgi/image/width=428,height=232,fit=crop,quality=75,gravity=auto,metadata=none,format=auto,onerror=redirect/wp-content/uploads/2026/01/Screenshot-2026-01-20-at-9.05.24-AM.png)
'Corporate Retreat,' now playing in theaters, is a gruesome, mean-spirited horror movie that's neither funny nor scary enough to work.
‘Passenger’ pulls through with some striking direction, but dated plot mechanics and a goofy antagonist slow things down to a…
'Saccharine's' earnest attempt at tackling diet culture via body horror manages a few shocks, but its misguided ethos are past…
Aleshea Harris’ 'Is God Is', a star-studded revenge thriller, is an emotional rollercoaster that cuts deep, but wraps up neatly.
'Mortal Kombat II' delivers more of the bloody same, but with a batch of fun new characters. Read Matt Konopka's…
Renny Harlin's 'Deep Water' is an intermittently fun — if oddly sentimental— killer-shark flick. Read our review here.
'Apex,' Charlize Theron's Netflix survival thriller, gives the impression of a movie without the high-octane gusto to actually be one.
'Stranger Things: Tales from '85' just dropped on Netflix, but is it worth the watch or a nostalgia grab? Matt…
'Buffet Infinity' is innovative horror cinema that uses public-access channel-surfing to convey a cosmic apocalypse.
Lee Cronin’s 'The Mummy' delivers campy brutality, but its emotional core never lands, leaving the violence feeling gross but never…
!['Big Baby' Holds Big Promise [Panic Fest Review]](https://www.dreadcentral.com/cdn-cgi/image/width=428,height=241,fit=crop,quality=75,gravity=auto,metadata=none,format=auto,onerror=redirect/wp-content/uploads/2026/04/image_1776302356398.jpg)
Big Baby's meta-riff on tortured artists and big, uh, killer babies packs a mean and uncharacteristically mature punch.
David Lowery’s 'Mother Mary' blends pop spectacle with Gothic horror, anchored by stunning performances from Anne Hathaway and Michaela Coel.
![‘Frogman Returns’: Living in a Cryptid’s Paradise [Panic Fest Review]](https://www.dreadcentral.com/cdn-cgi/image/width=428,height=240,fit=crop,quality=75,gravity=auto,metadata=none,format=auto,onerror=redirect/wp-content/uploads/2026/04/Screenshot-2026-04-12-at-7.35.29-AM.png)
'Frogman Returns' is a riotous masterclass of cryptid horror. All hail the Frogman. Read our Panic Fest review here.