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We screened the horror thriller ‘He Never Left’ during its world premiere at FilmQuest and we have mixed feelings.
We watched ‘The Deep Dark’ during its FilmQuest run and are now weighing in on this creature feature’s efficacy.
We checked out dark comedy, ‘Me, Myself & The Void during FilmQuest and are weighing in on whether it’s worth checking out.
For the second year running, Dread Central has meticulously mapped out The Best Horror Festivals in the World. Here’s our 2022 list.
‘Dawn Breaks Behind the Eyes’ is a gothic psychedelic trip that’s disorienting, chaotic, bizarre, and beautiful.
‘Not Alone’ Director Cezil Reed on Subverting Horror Fans’ Expectations, Working With Richard Lawson
Cezil Reed, co-writer-director of ‘Not Alone,’ shares how he made the film, and how it subverts expectations surrounding supernatural cinema.
‘The Free Fall’ is a remarkable work of psychological horror that may alter your perspective of how a so-called “monster” behaves.
‘Code Name: Nagasaki’ will stay with you long after the credits roll, and leave you pondering its timeless themes of friendship and family.
‘Alien on Stage’ delightfully pulls back the curtains to show how a theatrical production of Ridley Scott’s ‘Alien’ was so lovingly made.
Although it’s rather predictable, ‘Ghosts of the Ozarks’ strengthens its slow-burn horror western story with top-notch acting and set design.
The black-and-white horror ‘The Parker Sessions’ isn’t clear in what it wants to say, but its killer lead performance makes that forgivable.
Devin Das and Josh Wallace’s debut feature, ‘Keeping Company,’ is a solid workplace dark comedy that’s not afraid to get its hands bloody.
