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'The Retaliators', an incredibly violent revenge thriller, asks how far we will go to avenge our loved ones.
Gia Elliot's feature 'Take Back The Night' is a poignant commentary on the struggles faced by sexual assault survivors.
'Superhost' is satisfactory in ways all solid thrillers should be, but never quite commits to its premise or its disparate genre…
Jennifer Zhang made 'Charon' on her iPhone during the first months of the pandemic. The results are both intimate and…
We check out Tormented Souls, an old-school throwback to the days of fixed camera, tank controls, and residences full of…
We take a look at Aliens: Fireteam Elite and decide that it redeems pretty much everything bad in the Aliens…
We look at the early access shooter Kur, and get to go back to the 90's to experience how shooters…
Mecha Knights: Nightmare contains giant robots and plenty of enemies to shoot at. Is this enough? Read our review to…
As Canadian horror cinema continues to define itself, the chilly Indigenous horror 'Don't Say Its Name' helps light the way.
Horror in 'The Righteous' comes from the corners of the room. It favors a nuanced depiction of anxiety over traditional…
Decades in the making, Phil Tippet's stop-motion epic 'Mad God' is a hypnotic cinematic experience and a filmmaking marvel.
Nia DaCosta's airtight storytelling and bold stylistic choices make the social commentary in her 'Candyman' eerily resonant.
Depending on what kind of horror fan you are, Rob Jabbaz's "The Sadness" might just be your new favorite zombie…
A political thriller with horror undertones, 'The Devil’s Deal' is a sensationally unpredictable dive into the dark side of Korean…
Neill Blomkamp's 'Demonic' is an experiment in fusing new technology with a possession story. The results are mixed.