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As Canadian horror cinema continues to define itself, the chilly Indigenous horror ‘Don’t Say Its Name’ helps light the way.
Decades in the making, Phil Tippet’s stop-motion epic ‘Mad God’ is a hypnotic cinematic experience and a filmmaking marvel.
Depending on what kind of horror fan you are, Rob Jabbaz’s “The Sadness” might just be your new favorite zombie film.
A political thriller with horror undertones, ‘The Devil’s Deal’ is a sensationally unpredictable dive into the dark side of Korean elections.
Director Ruth Platt’s ‘Martyrs Lane’ isn’t quite frightening, but its emotional impact shows how profoundly sad supernatural stories can be.
%%title%% . An old tale of forbidden love that still resonates today.
The star of the Southern Gothic slow-burner says you won’t see the takes that he had the most fun filming.
The directors of ‘The Spine of Night’ hope to see independents embrace hand-drawn horror on “smaller, weirder projects.”
Fantasia 2021 Interview: Edoardo Vitaletti Talks Influences in Gothic Horror THE LAST THING MARY SAW
%%title%% . Read Chad Collins’ exclusive interview with Edoardo Vitaletti, the writer/director of THE LAST THING MARY SAW!
%%title%% . Hellbender takes the occult into new territory.
%%title%% . In her 4.5 Star review out of Fantasia, Michelle Swope extolls WHAT JOSIAH SAW for its “overwhelming atmosphere of dread”!
%%title%% . One of the greatest discoveries of the 2021 Fantasia Film Fest.
