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Matt Konopka reviews the new 'Masters of the Universe', a bloated fantasy adventure that relies on nostalgia but delivers cartoonish…
Leviticus‘s queer erasure subtext is urgent and powerful. Unfortunately, its horror mechanics are far too messy and unoriginal to work.
Yeon Sang-ho's 'Colony' is 'Train to Busan' on steroids. It's a rip-roaring, terrifying zombie epic, and the best undead movie…
A24's 'Backrooms' adaptation makes every effort to save its cat when it should've let it die to make room for…
Victorian Psycho is a nasty, happy little surprise with grotesque kills and a staunch refusal to pull back on the…
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'Corporate Retreat,' now playing in theaters, is a gruesome, mean-spirited horror movie that's neither funny nor scary enough to work.
‘Passenger’ pulls through with some striking direction, but dated plot mechanics and a goofy antagonist slow things down to a…
'Saccharine's' earnest attempt at tackling diet culture via body horror manages a few shocks, but its misguided ethos are past…
Aleshea Harris’ 'Is God Is', a star-studded revenge thriller, is an emotional rollercoaster that cuts deep, but wraps up neatly.
'Mortal Kombat II' delivers more of the bloody same, but with a batch of fun new characters. Read Matt Konopka's…
Renny Harlin's 'Deep Water' is an intermittently fun — if oddly sentimental— killer-shark flick. Read our review here.
'Apex,' Charlize Theron's Netflix survival thriller, gives the impression of a movie without the high-octane gusto to actually be one.
'Stranger Things: Tales from '85' just dropped on Netflix, but is it worth the watch or a nostalgia grab? Matt…
'Buffet Infinity' is innovative horror cinema that uses public-access channel-surfing to convey a cosmic apocalypse.
Lee Cronin’s 'The Mummy' delivers campy brutality, but its emotional core never lands, leaving the violence feeling gross but never…