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Doctor Gash’s Top 10 Greatest Horror Movies… EVER! #4 – The Silence of the Lambs

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As we get down to the number four entry on the list, we find one of the few horror films that the critics enjoyed as much as the fans. It’s not often that true horrorphiles and starchy movie critics look at a film and both nod their heads and say, “Yeah, that’s the stuff.”

But with The Silence of the Lambs, that was exactly the case.

#4-The Silence of the Lambs
“I do wish we could chat longer, but…I’m having an old friend for dinner. Bye.”

That was the perfect ending line for the most critically-acclaimed horror film of all time. The film’s list of accolades includes five Academy Awards: Best Picture, Best Actor (which Anthony Hopkins won, despite being on the screen for only about 16 minutes of the two-hour film), Jodie Foster took Best Actress, Jonathan Demme was Best Director and the film also won Best Adapted Screenplay. Wow.

Doctor Gash's Top 10 Greatest Horror Movies... EVER! #4 - The Silence of the Lambs

Many consider The Silence of the Lambs to be more of a thriller than a true horror film, but don’t make that mistake. Anytime you reflect back on this film and consider that maybe it isn’t a pure horror movie, go back and watch it again…go through the whole experience from the beginning, and you’ll certainly be reminded of the power of the film and the brutality of the characters. Do you recall how Hannibal Lecter escaped police custody? I believe it involved removing a guard’s face in the most rudimentary of ways. This, my dear Dreadies, is a horror film.

The Silence of the Lambs, especially the scenes with Lecter, is a master class in suspense. Before her initial meeting with him, Agent Clarice Starling is repeatedly warned about the danger Lecter poses. And it is through these descriptive images of his crimes (especially those warnings of Dr. Frederick Chilton, describing how Lecter attacked a nurse and ate her tongue) that we are introduced to the monster that is Hannibal the Cannibal. And this is how the brilliant aura of Lecter is built. We hear all about his heinous crimes and see the fear he instills in those that have regular interactions with him. Even before we see Dr. Lecter in that cell at the end of the hall, he’s already crept into our psyche.

Hopkins is absolutely hypnotic in this, perhaps his most memorable role. You simply cannot look away while he is on the screen, even while re-watching the film. His portrayal of Lecter is brilliant. Every line is delivered perfectly, whether it be his probing of Agent Starling, his verbal assault of Senator Ruth Martin or his farewell to Sergeant Pembry, Lecter is played perfectly. It is hard to believe, as mentioned above, that Hopkins could create such an iconic character while being on the screen for just a shade over 15 minutes.

Doctor Gash's Top 10 Greatest Horror Movies... EVER! #4 - The Silence of the Lambs

Opposite him, Foster offers an excellent light to Lecter’s dark, allowing him to dig into her mind in exchange for his assistance in the “Buffalo Bill” murder case. Anthony Heald is also great as the smarmy doctor overseeing Lecter in prison. However, often overshadowed by the power of Hopkins’ performance and his chemistry with Foster, is the other monster in The Silence of the Lambs, Jame Gumb a.k.a. Buffalo Bill, played disturbingly by Ted Levine.

Yes, Lecter did utter the infamous line “I ate his liver with some fava beans and a nice Chianti,” which would go on to be the most memorable slogan from the film, but we mustn’t forget that Jame Gumb had some memorable moments of his own. If it wasn’t for the fact that he was up against one of the greatest antagonistic performances of all time in Hannibal Lecter, we can be pretty sure that The Silence of the Lambs would have been remembered for either 1) “It puts the lotion in the basket”; 2) Gumb’s crazy final scene and death image, crumpled on the floor like a dead spider, coughing up blood, with the night-vision goggles on; or (and this is the most likely) 3) Buffalo Bill’s wild dance scene. Yeah, you know the one. Hidden penis and the hard close-up on his extraordinarily creepy lipsticked mouth saying, “Would you fuck me? I’d fuck me. I’d fuck me hard,” in a voice that was very similar to former WWE wrestler Chyna or Ray Lewis.

The suspense never lets up. A great twist scene on the apprehension of Buffalo Bill wraps up an amazing adventure, and Lecter’s exclamation point in the final scene as he fades into anonymity is perfect. Off he goes to hide in plain sight. Not the scariest, not the goriest, but this may be the most perfectly polished horror movie of all time. It is a masterpiece.

Doctor Gash's Top 10 Greatest Horror Movies... EVER! #4 - The Silence of the Lambs

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Horror Movies to Be Thankful for on Thanksgiving

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After you’ve gorged on your Thanksgiving feast and the L-tryptophan is kicking in, you’re probably thinking about parking your carcass on the couch and watching movie after movie. But not just any movie – this is a holiday, so naturally you want to celebrate on-topic and gobble some gore.

We’ve got you covered with this curated list of choices from a 25-item menu of Native American-themed thrillers and chillers.

Death Curse of Tartu (1966)

A group of students on an archaeology assignment in the Everglades decide to throw a dance party one night. The spot they choose happens to be the burial site of an ancient Seminole shaman named Tartu. He returns from the dead to take his revenge on those who desecrated his grave site.


Stanley (1972)

A Seminole Vietnam vet (Chris Robinson) goes on the warpath when a leather goods merchant (Alex Rocco) tries to grab his pet snake Stanley to turn him into a belt. A William Grefe cult classic!


Hex (1973)

Set on the Nebraska prairie in the immediate aftermath of World War I, the story follows the spiritual clash between the daughters of a recently deceased shaman and a gang of ex-aviators. Christina Raines, Scott Glenn and Keith Carradine star in this largely unknown, bizarre body-count thriller.


Shadow of the Hawk (1976)

A Canadian Indian (Jan-Michael Vincent) and a newswoman (Marilyn Hassett) join his grandfather (Chief Dan George) on a tribal walk among evil spirits.


The Manitou (1978)

A psychic (Tony Curtis) recruits a witch doctor (Michael Ansara) to get a 400-year-old Indian medicine man off his girlfriend’s (Susan Strasberg) back…. literally. The demonic Native American spirit is a tumor trying to reincarnate.


Prophecy (1979)

When a dispute occurs between a logging operation and a nearby Native American tribe, Dr. Robert Verne (Robert Foxworth) and his wife, Maggie (Talia Shire), are sent in to mediate. Chief John Hawks (Armand Assante) becomes enraged when Robert captures a bear cub for testing, but he’s not as angry as the mutant grizzly mom! George Clutesi plays an Original Person who believes the monster is the personification of the god Katahdin and is there to protect the land.


Nightwing (1979)

A policeman (Nick Mancuso), his girlfriend (Kathryn Harrold) and a scientist (David Warner) track vampire bats on a Maski tribe reservation. Abner Tasupi (George Clutesi) is the shaman who helps them.


Wolfen (1981)

A New York cop (Albert Finney) investigates a series of brutal deaths that resemble animal attacks. His hunt leads him to Native American high worker Eddie Holt (Edward James Olmos) to see if there’s any connection between the killings and old myths and legends from the area. Finney’s character refers to as “the Crazy Horse of the Seventies… the only one of our local militants left alive who’s not making money off of Levi’s commercials.”


Scalps (1983)

Hapless college science students go on a dig around a sacred burial ground for artifacts. Unfortunately, one of them becomes possessed by the evil spirit of Black Claw… and that means only one thing: Now he must slaughter all of his friends.


Eyes of Fire (1983)

Almost lynched in 1750, a preacher (Dennis Lipscomb) leads his followers (Guy Boyd, Rebecca Stanley) west to a valley whose dirt holds a devil of Indian origin.


Firestarter (1984)

Pyrokinetic protagonist Charlie McGee (Drew Barrymore) is in trouble when an evil Native American named Rainbird (George C. Scott) wants to kill her because he is convinced her death would give him special power to take to the mystical other world of his ancestors.


Poltergeist 2: The Other Side (1986)

The Freeling family have a new house, but their troubles with supernatural forces are not over. Whoops, looks like it’s another haunted Native American resting place!


Creepshow 2 (1987)

In the anthology film’s first vignette, “Old Chief Wood’nhead,” thugs who terrorize small-store grocers played by Dorothy Lamour and George Kennedy are attacked in kind by the general store’s wooden Indian.


Pet Sematary (1989)

After moving to an idyllic home in the countryside, life seems perfect for the Creed family…but not for long. Louis and Rachel Creed and their two young children settle into a house that sits next door to a pet cemetery – built on an ancient Indian burial ground.


Ravenous (1999)

Capt. John Boyd (Guy Pearce) is sent to investigate reports of missing persons at Fort Spencer, a remote Army outpost on the Western frontier. After arriving at his new post, Boyd and his regiment aid a wounded frontiersman, F.W. Colghoun (Robert Carlyle), who recounts a horrifying tale of a wagon train murdered by its supposed guide — a vicious U.S. Army colonel gone rogue… and who’s developed a taste for human flesh.


Brotherhood of the Wolf (2001)

In 18th century France, the Chevalier de Fronsac and his Native American friend Mani (Mark Dascosos) of the Micmac tribe are sent by the King to the Gevaudan province to investigate the killings of hundreds by a mysterious beast.


The Wendigo (2001)

Director Larry Fessenden movie uses the Native American Wendigo legend to tell an eerie and hallucinogenic tale about a family trapped in the woods with a dark force.


“Masters of Horror: Deer Woman” (2005)

A burned-out cop believes that a recent string of murders prove that the killer might be a deer-like creature in the form of a beautiful woman (Cinthia Moura) come to life from a local Native American folklore legend.


Skinwalkers (2006)

A 12-year-old boy and his mother become the targets of two warring werewolf packs, each with different intentions and motives. Based on the folk legend from Utah about the spirits of murdered Indians returning to seek revenge upon those who disrespect the land.


The Burrowers (2008)

A search party – played by Clancy Brown, William Mapother and Doug Hutchison – sets out to find and recover a family of settlers that has mysteriously vanished from their home. Expecting the offenders to be a band of fierce natives, the group prepares for a routine battle. But they soon discover that the real enemy stalks them from below.


The Dead Can’t Dance (2010)

Three Native Americans discover they are immune to a zombie virus in this whacky indie comedy.


Savaged (2013)

After thugs brutalize a deaf-mute woman (Amanda Adrienne), the spirit of an Apache warrior takes over her lifeless body and sets out on a bloodthirsty quest for revenge.


Volcano Zombies (2014)

Danny Trejo as a Native American who warns campers about the legendary and very angry lava-laden “volcano zombies.”


The Darkness (2016)

Peter Taylor (Kevin Bacon), his wife and their two children return to Los Angeles after a fun-filled vacation to the Grand Canyon. Strange events soon start to plague the family, and the Taylors learn that Michael brought back some mysterious rocks that he discovered inside an ancient Native American cave.


Mohawk

Mohawk (2017)

After one of her tribe sets an American soldiers’ camp ablaze, a young female Mohawk finds herself pursued by a ruthless band of renegades bent on revenge. Fleeing deep into the woods, Mohawk youths Oak and Calvin confront the bloodthirsty Colonel Holt and his soldiers. As the Americans seem to close in from all sides, the trio must summon every resource both real and supernatural as the brutal attack escalates. Mohawk is a dark, political drama with horror undertones. “While set 203 years ago, Mohawk is unfortunately a timeless story,” says director Ted Geoghegan. “It’s about marginalized people being decimated simply because they exist and scared white men who fail to realize that their racism and bigotry will place them on the wrong side of history.

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Three 1970’s Horrors That Remind Us Why We Enjoy Getting Mental at the Movies

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Crazy is always creepy in horror movies, and it usually comes in two forms: insane escapees or the sane among the crazies.

It’s one storytelling technique when a mental patient escapes and enters our own ordered, peaceful world. It’s quite another when a film drops us in the middle of an asylum to cope with crazy people who, in those movies, always seem to want to stab us.

First off, let me say the mentally ill are one of the most misunderstood and scapegoated minorities in movie history. Other stereotypes have disappeared from the silver screen over the years, but it’s still convenient to blame a killing rampage on an escaped mental patient. We’ll just chalk this up to lazy writing and move on.

Yes, “mentally ill” has become shorthand for “bloodthirsty and lacking in social etiquette.” Kudos to “American Horror Story’s” second season, subtitled “Asylum,” for adding some subtlety to that convention. Seventies horror movies, though, were riddled with stereotypes, enough so that when we travel back to that groovy and dangerous time, we can merrily ignore them and enjoy the scare.

Silent Night, Bloody Night (1972) is a fairly standard who-is-the-killer flick that turns terrifying in the last 20 minutes, when all hell breaks loose and the inmates, quite literally, take over the asylum. There is a nice, icy buildup throughout.

The populace of a small town are suspiciously nervous when a local mansion that had once been a mental institution goes up for sale. Mary Woronov (Eating Raoul) plays it numbingly cool throughout, until the climax, adding punch to the big reveals.

Also known by Night of the Dark Full Moon and Death House, this film is directed by Theodore Gershuny and written by Gershuny, Jeffrey Konvitz and Ira Teller. It’s always a good sign for consistency of vision when the director is also a writer.

I don’t know a lot of people raving about this film. It’s certainly not perfect, but a solid effort in that ’70s B-movie category, seriously creepy, and worth watching. Recommended.

Asylum (1972) has everything I enjoy about well-done, early ’70s horror: a fairly simple premise, creepy sets, and solid acting. The anthology setup works well here, stringing four Robert Bloch stories together. Peter Cushing and Herbert Lom show up along with Britt Ekland and Barbara Parkins.

The effects are not at all bad. Hope you view a cut of this movie that shows a stagehand rather obviously moving a prop in the “Frozen Fear” segment because those kinds of mistakes are fun to see.

Directed by Roy Ward Baker, Asylum delivers like any of the Amicus horror movies: similar to Hammer in that you know you will be entertained. Recommended for classic pre-slasher horror movie fans.

Then there’s Don’t Look in the Basement (1973). I was smart enough to see this in a theater when it came out… but dumb enough to bring a date. What a terrible first date movie!

On the other hand, Don’t Look in the Basement is a very creepy horror film due to several elements that come together beautifully:

– First, it has that grainy, cheap look to it like many early ’70s B-movies that, for me, adds to the mood. That look tells me positively this is not a big studio production. “Oh, this is one of THOSE movies,” says my head. “Anything can happen!” Tension builds.

– Second, it has an obviousness to it that can be unnerving when filmed correctly. Hitchcock used to do this well: We in the audience know the danger, but the hero on screen is completely clueless. We know from the minute the blonde nurse accepts her new job she shouldn’t be there — heck, we knew she shouldn’t even have come into the house!

– Third, most all of the characters may be insane, but that doesn’t mean they don’t have their own distinct stories, personalities and phobias. Crazy is not random. As Grant Morrison wrote in Batman: Arkham Asylum, the thoughts of the insane are not unpatterned. Each person has his or her own complex view of reality, no matter how wrong that perception might be.

There’s also a good deal of blood. And a surprise reveal. Don’t Look in the Basement has been recognized as a B-movie classic, and I enthusiastically recommend it here.

Three 1972 to 1973 horror movies and all three recommended! You may or may not disagree, and if so, I want to hear why! What are your favorite asylum flicks? Comment below or on social media.

Gary Scott Beatty’s graphic novel Wounds is available on Amazon and Comixology. Is madness a way to survive the zombie apocalypse? The strangest zombie story ever written, Wounds throws us into a world where nothing is beyond doubt, except a father’s concern for his wife and daughter. If you enjoy that “What th-?” factor in graphic novels, you’ll enjoy Wounds. For more from Gary Scott Beatty, visit him on Twitter and Facebook.

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Fearsome Fates: Top 10 Deaths from the Nightmare on Elm Street Franchise

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Nightmare 4

How can you escape death when all it does is wait for you to fall asleep? This question of human vulnerability led the late filmmaker Wes Craven on a journey that culminated in one of cinema’s most deleterious and recognizable horror film icons: Freddy Krueger. The man in the Christmas sweater and dirty brown hat is every bit as important to the horror genre as Darth Vader is to science fiction.

What ultimately separated the Elm Street ventures from other macabre movie franchises like Friday the 13th and Halloween was the creativity with which Krueger disposed of his victims, and the fantasy-based elements of the kids’ extravagant nightmares. The gimmick of dying in the dream world equating to death in reality spelled doom for those trying to outrun Krueger’s wrath.

After nine feature films and a calamitous television series that is best left buried in the past, the Elm Street series was more hit than miss.

With that in mind, here are the Fearsome Fates: Top 10 Deaths from the Nightmare on Elm Street Franchise.

10. Freddy’s Dead: The Final Nightmare (Carlos)

“Nice hearing from you, Carlos” – Only Wes Craven’s New Nightmare (1994) was worse in the Elm Street saga than Freddy’s Dead: The Final Nightmare (1991). However, the lackluster sixth installment of the franchise gives fans one very memorable, bone-chilling death sequence. Carlos (Ricky Dean Logan) is attacked by Freddy and the youth has his ears cleansed courtesy of a monstrous Q-tip. Carlos is deaf and loses his hearing aid in the scuffle. Carlos manages to retrieve it only to have the hearing aid meld with his head and ear.

Everything Carlos hears is amplified thanks to Freddy’s torturous hearing aid. Krueger pulls out a chalkboard and then scrapes his sharp claws across it to create an unbearably loud symphony of screeching, which results in Carlos’ head exploding. Freddy blows the kid’s mind, literally.

9. A Nightmare on Elm Street 3: Dream Warriors (Taryn)

“Let’s get high” – Director Chuck Russell and writer Frank Darabont’s much-needed assistance on the Elm Street series marked the beginnings of much more creative carnage, in terms of Freddy’s surreal means of disposing of his victims. While trying to join Kristen (Patricia Arquette) in the dream world, young Taryn (Jennifer Rubin) is separated from her fellow Dream Warriors. With her punk-rock hairdo and knives, the former junkie does battle with Krueger.

Just as Taryn thinks she has gained the upper hand, Freddy turns the tables on her. Krueger reveals that all of his fingers have been replaced with drug-filled syringes. Taryn gasps when she finds tiny little mouths have replaced her drug scars. Freddy injects all of the needles into her arm and pumps her full of the fatal cocktail. Taryn’s screams, as Freddy smirks, “What a rush.”

8. A Nightmare on Elm Street (Glen)

“I’m your boyfriend now, Nancy” – Johnny Depp made his acting debut in the original Nightmare (1984), but his character of Glen didn’t fair too well. Skeptical of the existence of child killer Fred Krueger, Glen comes to the same grisly fate as the other children of Elm Street even though his stalwart girlfriend Nancy (Heather Langenkamp) implores that he doesn’t go to sleep. Glen welcomes his nightly slumber anyway.

Freddy’s glove emerges from the youth’s mattress, latches onto Glen, and pulls him into the bed. Blood explodes from the hole and cascades like a violent waterfall. In uncut footage from the scene, the bed even spits Glen back up with his body slathered in blood.

Wes Craven felt the scene was scarier and more effective without knowing what Glen’s corpse looked like, and it certainly makes one of the following scenes, which occurs between Lt. Thompson (John Saxon) and his officer, much more eerie as they discuss the crime scene’s gruesome atmosphere.

7. A Nightmare on Elm Street 5: The Dream Child (Greta)

“Bon appetit, bitch” – Greta (Erika Anderson) is an aspiring model who watches her weight. When Greta’s mom throws a dinner party the teenager has absolutely no appetite, because her friend Dan Jordan (Danny Hassel) has been killed in an accident. Greta falls asleep during the dinner and Freddy takes full advantage. Krueger shows up in a chef’s hat and proceeds to force feed Greta, in a monstrous-looking high chair.

Greta tries to spit out the pulsating food, but Freddy continues to shove it down her throat. With each passing bite, Greta’s jowls grow more grotesque. Engorged, Greta falls into Freddy’s arms and she eventually chokes to death. This could easily have been No. 1 on our list, if the scene had not been butchered by censors.

The horrifying truth revealed in Stephen Hopkins’ director’s cut: Freddy is feeding Greta to herself! Greta’s stomach has been cut open and Freddy is scooping up her insides and forcing them down the teen’s throat. It’s a chilling and nauseating death sequence, in what is sadly one of the weaker installments of the franchise.

6. A Nightmare on Elm Street 4: The Dream Master (Debbie)

“You can check in, but you can’t check out” – What happens when you team the winsome actress Brooke Theiss with special effects artist “Screaming Mad” George – aka Joji Tani? You get one of the most bizarre death sequences in Nightmare history. Poor Debbie (Theiss), a fitness guru, is really only afraid of one little thing – cockroaches. Naturally, Freddy turns Debbie’s worst fear against her.

While working out, Deb dozes off. She seems to still be in her home gym when Freddy suddenly appears. In a test of strength, Freddy grabs the bar, loaded with weight Deb is trying to bench press, and slowly forces it down toward her. Deb loses the fight and her elbows bend and crack open, under the immense pressure. Her arms are quickly replaced by the legs of a cockroach.

Deb slowly continues her bizarre metamorphosis, until she becomes an oversized bug. Trapped in a roach motel, Deb watches in horror, as Freddy smashes the trap in his hand. Deb’s bug-like guts, and the innards of the roach motel, spew out as Krueger cackles in triumph.

5. A Nightmare on Elm Street 5: The Dream Child (Dan)

“Better not dream and drive” – In the tradition of surviving Elm Street children making it to the sequel, Dread Central presents for your approval Dan Jordan (Danny Hassel). After the events of The Dream Master, Alice (Lisa Wilcox) and her boyfriend Dan are expecting a little bundle of joy. But before they can celebrate the baby’s birth, the couple must endure the wrath of Freddy Krueger once more. Surprisingly, Alice begins dreaming while she is awake. While working a shift at the Crave Inn, Alice comes face to face with both Freddy and his mother, Amanda Kruger (Beatrice Boepple).

Frightened, Alice calls Dan and begs him to join her immediately. Dan ditches his friends at a high school swim party, jumps in his truck and races to his love. Dan falls asleep on route and is confronted by Freddy. The two engage in a high speed race down a busy highway, while Krueger drives like a bat out of hell. Freddy violently shifts gears and Dan is thrown through the windshield.

Frantic to get to Alice, Dan absconds with a motorcycle parked out front of the school gym. But the teen is still asleep and now at the mercy of Freddy’s demonic cycle. The bike begins to merge with Dan and the two become a weird cyborg/motorcycle concoction. Sadly, the nightmare and reality ends when Dan crashes just yards shy of reaching Alice. Like so many other horror film sequences, this one was mercilessly chopped by the ratings board.

4. A Nightmare on Elm Street (Tina)

“Tina, watch this” – Filmmaker Wes Craven’s original Nightmare remains the seminal work that spewed into a cavalcade of money-making sequels, merchandise and a brief series on television. And while the first Elm Street venture is much darker than many of the other films in the series, its first death scene did not lack creativity. Tina (Amanda Wyss) is having bad dreams. After a particularly scary nightmare, Tina, not wanting to be alone while her mother is out of town, invites her best friend Nancy (Heather Langenkamp) and her beau Glen (Johnny Depp) to spend the night.

Tina’s boyfriend Rod (Nick Corri, aka Jsu Garcia) shows up unannounced and takes her mind off those pesky dreams with a sexual romp. However, the hours following take a dark and ominous turn when the lovers fall asleep. Freddy returns to Tina’s nightmare but this time he does away with her. The sequence is one of pure fantasy and horrific brutality. Tina’s stomach is sliced opened. Blood spews and the teen screams for Rod’s help, as she is helplessly dragged up the walls and across the ceiling of her mother’s bedroom.

Rod is forced to watch, as his girlfriend is gutted like a fish and tossed around the room. Sadly, what is transpiring in Tina’s nightmare is happening in reality, too. Tina is slain and Rod is arrested, leaving it to Nancy to figure out how to stop Freddy before there’s no one left to sleep.

3. A Nightmare on Elm Street 4: The Dream Master (Joey)

“How’s this for a wet dream?” – After defeating Freddy in Dream Warriors, the three remaining Elm Street children quickly succumb to Krueger’s revenge. After Kincaid (Ken Sagoes) puts up a valiant, but ultimately useless effort, Freddy moves onto Joey (Rodney Eastman). Joey’s weakness has always been women and while he watches MTV from his waterbed, Joey doses off.

He seems to wake up, as his bed begins to violently thrash about. Joey pulls back his comforter to see the sexy and quite naked Hope Marie CarltonEnamored, Joey watches as Hope swims away into the unseen depths of the waterbed. Suddenly, Freddy comes exploding through the clear mattress.

He grabs Joey and cackles. The pair wrestle, but the best Joey can do is scream for fellow dream warrior Kristen (Tuesday Knight). Freddy slices and dices, as Joey vanishes and the water in his bed turns blood red. It’s one of the most creative deaths in the series and it comes with a great zinger.

2. A Nightmare on Elm Street 3: Dream Warriors (Jennifer)

“Welcome to prime time, bitch!” – Mental patient Jennifer (Penelope Sudrow) cons the orderly Max (Laurence Fishburne) into letting her watch a little T.V. after hours. Jennifer dreams of going to Hollywood and becoming an actress, but this time her nightmare man awaits.

The television screen is static, so Jennifer changes the channels. Without any success, she hits the T.V. A pair of mechanized Freddy arms bursts free from the side of the hanging television set and snatches up the frightened girl.

Krueger’s head then emerges from the top of T.V. He smiles and barks at her, “This is it, Jennifer – your big break in T.V.” After Jennifer screams some more, Mr. K utters that now most famous line, “Welcome to prime time, bitch,” as he slams her head into the television screen. Max returns to find Jennifer’s corpse hanging head-first from the T.V.

1. A Nightmare on Elm Street 3: Dream Warriors (Phillip)

“He was wide awake, all the way down” – Phillip (Bradley Gregg) is just another of the tortured teens incarcerated in Nightmare 3. Sadly, audiences do not have the chance to discover Phillip’s dream power, because he is immediately snuffed out by the guy in the dirty red and green sweater.

Phillip does exhibit an artistic talent for carving puppets, not to mention a proclivity for sleepwalking. Freddy exploits both. In Phillip’s nightmare, Freddy comes to life in the vessel of one of his unfinished puppets. Phillip watches in horror, as Kruger grows to his natural life-size form. Freddy then slashes open Phillip’s arms and legs, pulls out his bloody veins and transforms the boy into one grotesquely deformed puppet.

Krueger directs Phillip, as a puppet master would guide his marionette, and sends the teen hurling off the top of the mental hospital. The other kids watch as their friend plummets to his death, and the method suggests not murder but suicide.

***

Which deaths were your favorites? Were there any that didn’t make our list you’d like to have seen included? Sound off on social media!

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