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The Walking Dead: Recap of Episode 3.16 – Welcome to the Tombs



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The Walking Dead: Recap of Episode 3.16 - Welcome to the TombsIn tonight’s “The Walking Dead” season finale, the two factions went to war. Did your favorite character survive? Were you devastated at the end of the episode? We already knew how many would die tonight. Keep your tissues handy for the recap.

“Welcome to the Tombs” was written by Glen Mazzara and directed by Ernest Dickerson.

SPOILER ALERT: Do not read any further if you haven’t watched the episode yet. This is a recap with specific details from this episode. Continue only if you have already watched it.

We open with the governor brutally beating Milton for torching his zombies. He then demands that Milton kill a still tied up Andrea, but he can’t do it, trying to turn on the Governor instead. But the Governor fatally stabs him and leaves Milton locked in the room with Andrea so that when he turns, he’ll have no choice but to kill her.

When we return from the opening, while everyone at the prison was getting ready, Carl put together a bag for baby Judith, filling it with keepsakes like the framed picture of his family that he retrieved from the bar, but he kept Rick’s old sheriff badge in his pocket instead. Leaving his cell with his bag, Carl seemed so much older than his age now.

They were all packing up their vehicles when Glenn commented to Rick that he had never seen Carl this mad. As Rick got into his car, he paused to take stock of the prison and saw a pregnant Lori looking down from a walkway above. He just shrugged and got in. Carol approached Daryl as he reminisced that Merle had never ever done what he just did. “He gave us a chance,” returned Carol gratefully as she helped Daryl up.

Michonne informed Rick that they were ready. She told Rick that she understood Rick’s position about giving her up to the Governor. He apologized. She then thanked Rick for taking her in back when she came to the prison with the baby formula. Rick even got to joke about the baby formula being the deciding factor, but then he attributed her staying to Carl. When Rick finally told Michonne that she was one of them now, she let out a knowing but barely-there smile.

Talking to the now-armed Woodbury soldiers, the Governor vilified Rick and the group at the prison, saying that they already killed 8 men and now won’t stop until they kill everyone at Woodbury and take everything for themselves. The Governor wanted to end this war, once and for all.

Tyreese and Sasha interrupted the Governor and begged off the fight, saying that they would not fight other people. Tyreese even volunteered to stay at Woodbury to defend the children and said that they would leave if when the Governor returns he wanted them gone. The Governor handed Tyreese a gun and thanked him before leading the army.

The Walking Dead: Recap of Episode 3.16 - Welcome to the Tombs - Carl

Outside the prison, the armed Woodbury convoy arrived and took out the watch towers from afar, as well as the wandering walkers near them. When an enforced truck rammed through the gate of the prison, armed Woodbury soldiers followed in, but there were no signs of Rick and the group. When the truck pulled off the inner metal gate, Allen and Martinez led the charge and pulled the metal door open.

Martinez led the group into the now-empty prison block formerly occupied by Rick and the group. After searching around, the Governor realized that the prison block had emptied out and found Hershel’s bible with a highlighted passage about evil and damnation. The Governor was furious. Then he heard noises down a dark passage and went inside with a group.

Andrea called out to a bloodied Milton, who instructed her to retrieved the pair of pliers that he dropped for her earlier. While trying to get the pliers, Andrea promised to get them both out, but Milton demanded that she kill him instead.

Martinez and the Governor, in two separate groups, wandered through the prison’s dark hallways looking for any signs of life and got closer to the noises.

Back at Woodbury, Tyreese reported that everything was quiet during his watch. Sasha asked what they would have to do when the Governor returned and Tyreese suggested that they try to slip out the way Andrea did. When Sasha commented about how going to the prison would not have done Andrea any good, Tyreese insisted that he go another another watch instead of Sasha.

Andrea was still trying to retrieve the pliers when Milton got quiet. Afraid that he had died, she braced herself but Milton wasn’t dead yet. He asked her why she stayed at Woodbury after she found out about Rick and the prison. She replied that she wanted to save everyone including the Governor. She even confessed that she had a chance to kill the Governor once but she didn’t because she wanted to save everyone. She paused for a moment when Milton got quiet again. But he still wasn’t dead… yet. He implored her to hurry.

As the Governor and his troops continued with their search, they got interrupted by some flashbombs that started bringing walkers to them, causing mayhem and walker killing. The Woodbury army ran outside into the open right into Glenn’s and Maggie’s firing range. They were both fully decked out in riot gear. Hershel, Beth and Carl were observing the fight from the woods. Carl insisted that he should be there fighting. Maggie and Glenn continue to attack from above, forcing the Woodbury army to retreat and drive away. After they were gone, Maggie and Glenn stopped shooting and went down.

In the woods, a young Woodbury fighter (Ben?) ran into Hershel, Beth and Carl. When he implored them not to shoot, Carl calmly aimed his gun at the kid and shot him in cold blood.

Rick and the group surveyed the prison after the army left. They had driven the army away. Daryl insisted that they go after the army and bring the fight to Woodbury. Before making any decision, Rick wanted to check on everyone first. Returning to their prison block, they started to reclaim their space. Carl told Rick that he would go to Woodbury with the group. Carl had even taken out a soldier earlier, a soldier that Hershel clarified was only a kid. Carl was adamant about going. After he walked off, Hershel told Rick what Carl did and how Carl did not have to shoot the kid, since he was about to surrender to Carl. Rick did not want to believe, but he knew Hershel was telling the truth.

The Governor stopped the convoy to yell at his army for retreating. When they protested, the Governor started shooting and killing his people instead. While some tried to run off, Allen aimed his gun at the Governor. When Allen paused, the Governor just him in the head while Martinez looked on helplessly. The Governor went to inspect his kills and shot them in the head again. A woman lying under another body was still alive but he didn’t see her. The Governor went back into his car and quietly motioned his last two henchmen to climb on.

Andrea still struggled with her escape by pliers and tried to calm herself that Milton was still alive, but she could sense he was turning. She tried to work faster as Milton started moving.

Rick and the group were preparing to leave when Rick confronted Carl about his shooting earlier. He asked Carl directly if the kid was surrendering. Carl insisted that he couldn’t take a chance at letting the kid live. Carl didn’t kill the walker that killed Dale. Rick didn’t kill Andrew and Andrew returned to kill Lori. Rick was in the same room as the Governor but didn’t kill him and the Governor killed Merle. Carl said he did what he had to do and told Rick to go, so that Woodbury wouldn’t kill any more of them. Rick picked up his sheriff badge that Carl dropped.

Glenn and Maggie tell Rick they are staying in case the Governor returned. Daryl led the charge as Rick and Michonne drove behind them. Closing the gate behind them, both Beth and Carol got to take out some walkers.

Rick, Daryl and Michonne came up to where the Woodbury vehicles had stopped and dispatched of the former Woodbury fighters now turned walkers. They found the woman who was still alive, now hiding inside a truck.

Andrea was still working on her bindings when she realized Milton had turned. She struggled faster and walker Milton got up and headed towards her, snarling. The camera panned away and we heard her screaming and yelling and some thudding noises.

Rick, Daryl, Michonne and Karen came close to Woodbury’s wall when they got pinned down by Tyreese and Sasha’s gunfire. Karen yelled out to Tyreese but was pulled back down by Rick. She yelled back that the Governor killed all of the other Woodbury fighters and that Rick, Daryl and Michonne saved her. Rick and his group came out of hiding to talk to Tyreese. He was coming to Woodbury to finish the fight but that was before he found out what the Governor did. He also said that Andrea never made it back to the prison.

Rick, Daryl, Michonne and Tyreese found the Governor’s torture shack with a pool of blood flowing out. When they opened the door, they saw walker Milton dead near the torture chair and Andrea next to the door. Andrea was burning up, said Michonne, and Andrea showed them her bite wound. Andrea asked if everyone was still alive. Directed at Michonne, Andrea was happy that she found Rick’s group. “No one can make it alone now,” said Andrea as Michonne cried. Andrea just didn’t want anyone to die.

The Walking Dead: Recap of Episode 3.16 - Welcome to the Tombs - Daryl, Carol & Michonne

Andrea insisted that she had to kill herself while she still could. They handed her a gun. Michonne told Andrea she would stay with her. Daryl and Rick left Andrea with Michonne. Andrea looked at Michone one last time as Rick, Daryl and Tyreese waited outside the door when a gunshot rang out.

Daryl and Rick returned to the prison with a school bus. As they greeted their friends at the prison, former Woodbury residents descended from the bus. When Carl asked, Rick said that they would be joining them now. Carl did not like it and ran off. Rick took another look at the overpass, but this time he didn’t see Lori anymore. Outside, the walkers continue their wandering.

What did you think of the ending? Did you need that box of tissues and a visit to the therapist’s office? Meanwhile the Governor’s still out there so go to the comments section below and tell us what you’ll be doing to wait for Season 4.

To stay up-to-the-minute on all things walker related, follow @WalkingDead_AMC on Twitter and visit “The Walking Dead” on Facebook. For more be sure to hit up the official “The Walking Dead” page on

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Check Out the Opening 2 Minutes of Another WolfCop



It was just earlier today that we brought you guys The Dude Design’s the newest poster for writer-director Lowell Dean’s horror-comedy sequel Another WolfCop.

And now we have the movie’s opening 2 minutes!

The clip showcases the new flick’s villain trying to sell us on his “Chicken Milk Beer” before losing his cool and taking it out the commercial’s crew. We then cut to a ragtag group of criminals, dressed as homeless Santas trying to outrun the cops.

A fun two-minutes if you ask me!

You can check out Another WolfCop‘s opening scene below and then make sure to hit us up and let us know what you think in the comments below or on social media!

The film is written and directed by Lowell Dean, produced by Bernie Hernando, Deborah Marks, and Hugh Patterson, and distributed worldwide by Cineplex.

Another WolfCop co-stars Amy Matysio, Jonathan Cherry, and Serena Miller. The film also features special appearances from Canadian music icon Gowan and legendary filmmaker Kevin Smith. It was executive produced by Sean Buckley, J. Joly, Bill Marks, Brian Wideen, Michael Kennedy, and Michael Hirsch.

The film is slated for a wide Cineplex theatrical release on Friday, December 8, 2017, with the film seeing a Blu-ray/DVD/Digital home entertainment release through A71 and Black Fawn in 2018.


A month has passed since the eclipse transformed hard-drinking Officer Lou Garou into the crime-fighting hellion WolfCop. Although the Shape Shifters controlling the town have been extinguished, Woodhaven is far from returning to normal. Lou’s liquor-fueled antics and full moon outbursts are seriously testing his relationship with Officer Tina Walsh – the new Chief of Police. An old friend has mysteriously reappeared with a truly bizarre secret to share, and a homicidal new villain has emerged from the shadows looking to finish what the Shape Shifters started. To defeat this lethal adversary, it will take more than a lone wolf packing a pistol.

Prepare for the next chapter of WolfCop that will be more dirty and hairy than the original! Consider yourself warned.

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AHS: Cult Review: Clowns, Cults, Politics, and Peters



Starring Evan Peters, Sarah Paulson, Billie Lourd, Cheyenne Jackson, Frances Conroy, Mare Winningham, and Allison Pill

Created by Ryan Murphy and Brad Falchuk


It’s here. We’ve reached the end. The newest season of “American Horror Story” has ended and now we are here to provide you guys with our season review of AHS: Cult.

Spoiler free.

To start things off let me say I’m not the world’s biggest fan of “American Horror Story”. It breaks down like this: I enjoyed the absolute hell out of the first season of the series (“Murder House”), couldn’t get through “Asylum” (I know, I know, I’ve tried), dug “Coven” for what it was, really enjoyed “Freak Show”, and again I couldn’t get into “Hotel” or “Roanoke”.

That’s the story of me and “American Horror Story”. Plain And simple. But what did I think of the new seventh season of the notorious horror anthology series? Let’s find out.

Back when the seventh season of AHS was first announced (then going by the title “AHS: Election”) I was immediately intrigued by the new season because I heard it would not include any supernatural elements. Like the fourth season, “Freak Show”.

Now I’m a fan of ghosts and weird creature-men with drills for d*cks, don’t get me wrong. But the series has thus far relied almost exclusively on horrors of the supernatural variety (other than “Freak Show”) so this major change of pace was again welcomed by this guy.

Instead of vampires, aliens, and witches this season relied on terrors of the mind. Psychological fears and anxieties. The horrors man does to man. Deep issues.

Oh, and clowns. Like a lot of clowns.

But just because this new season didn’t include anything supernatural, that doesn’t mean the 11-episode season wasn’t filled with twisted visuals and horrifically disturbing acts. No, sir. This season boasted some showstoppers including S&M, gimps, and a house of horrors that wouldn’t be out of place in a Rob Zombie flick. It was all good.

But let’s backtrack a bit here.

Allow me to rundown the season’s plot for those who may be unaware. “AHS: Cult” tells the tale of a world post-election night. The literal dawn of Trump’s America. In one corner we have Sarah Paulson’s soccer mom, trying to fight through life with a series of crippling phobias (including clowns, holes, blood, and being a good person).

And in the other corner, we have Evan Peter’s angry, white (blue-haired) male, looking to seize Trump’s new position of power to bring about the end of… Actually, I want this to be a spoiler-free season review, so I’m just going to say the dude’s got big plans.

Like Manson-size plans. Let’s leave it at that.

With these two characters established, the new season then proceeds to send them spiraling into a collision course of political sabotage, intrigue, and clown-based nope, nope, nope-ing that can only end with one – or both – of them dead as Dillinger.

Overall “AHS: Cult” belonged end-to-end to Mr. Evan Peters. The young actor has continued to show his striking range from season to season of Ryan Murphy’s horror show and this season was no different. Peters’ turn as not only Kai, the blue-haired leader of the titular cult, but as infamous leaders such as David Koresh, Jim Jones, and Charles Manson – to name a few – owed this season.

I can only hope he doesn’t pull a Jessica Lange and opt-out of more AHS next year.

Speaking of top performances, “AHS: Cult ” showcases some other chilling and memorable turns with Alison Pill’s strangely vulnerable, put-upon wife character being the best next to Peters in my eyes. This actress needs to be in more films/TV!

Along with Pill, actress Billie Lourd killed it time and time again. The “Scream Queens” breakout star and Carrie Fisher spawn was yet again a highlight in her second Ryan Murphy series. Bet she has the starring role in next season. Mark my words.

Add to that, the season also boasts a handful of fun cameos, including John Carroll Lynch’s return as Twisty the Clown, Emma Roberts as a bitchy reporter that will do anything to end up on top, and Lena Dunham as SCUM Manifesto writer Valerie Solanas. The cameo cast killed it and I wish they would have been present for more episodes. What are you gonna do?

On the sour side of the season, I didn’t dig Sarah Paulson’s character. At all. But I’m sure that was the point. Right? I’m still not sure. But, boy, I wouldn’t even want to be stuck in line behind her at a Starbucks for three minutes, let alone spend the better part of this season’s 11-hours with her and her whiny bullshite. Urgh.

That said, she pulled it out by the finale. That’s all I’ll say.

In the end, I enjoyed this season as much as – if not more – than any other of the series. “Murder House” will still no doubt go on as my favorite season of the series, but “AHS: Cult” will rank third after season one and “Freak Show”.

While I was on the fence about the season after three episodes, the show ended up ditching Paulson’s character (and/or shifting her arch) after a lull so the episodes picked up quickly. Whenever the season turned its focus back towards Peters (in whichever incarnation he was playing at the time) the show got better and better. Every time.

Not a bad way to spend my Tuesday night for the past 11 weeks.

Bring on season 12.

  • American Horror Story: Cult (2018)


The seventh season of Ryan Murphy’s American Horror Story was Evan Peters’ show all the way through. The young actor pulled out all the stops time and time again to make what may have been a lackluster supernatural-free season a winner.

User Rating 3 (1 vote)
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The Axiom Review – A Stylish and Clever Slice of Independent Horror




Starring Hattie Smith, Zac Titus, Nicole Dambro

Directed by Nicholas Woods

The Axiom is an ambitious, well directed, impressively acted and stunningly shot independent horror film that has just a few, teensy little flaws holding it back from greatness (and therefore will have to settle for just being really, really good, instead).

The first thing you realize when watching The Axiom is that this is a beautiful film. Everything is framed and shot in a lush and stylish manner, but one which is always tonally appropriate for the scene.

The second thing you’ll notice, and keep noticing as the film plays out, is that the movie really struck gold with this cast. Not only is there a total lack of the sort of stilted and unnatural acting seen in countless other microbudget horror affairs, but the performances are genuinely fantastic across the board. The main characters are believably chill and relatably normal in the early scenes, and the acting remains just as impressive once things start getting a bit more… intense. It’s not often that an independent horror film has so many good performances that it makes it hard to pick the movie’s acting VIP, but that is undeniably the case here. Taylor Flowers delivers what is probably the showiest performance (and does it very well, indeed), but the entire cast really is quite good.

The central premise of the film is both interesting and original, and touches upon the real life fact (given some recent attention in the ‘Missing 411’ books and documentary) that a lot more people sure seem to go missing out in the woods than seems reasonable, while simultaneously weaving all sorts of folklore, fairy tales and urban legends into the mix. It’s also clever in the way that it very naturally reveals aspects to the relationships between characters that serve to later – or sometimes retroactively – explain some of the more questionable decisions they make or attitudes they display. While that may sound like screenwriting 101, it’s surprising how many films fail to do this. The Axiom rewards the viewer’s attention in other ways as well, with many aspects of the movie that initially feel odd or unnatural receiving reasonable explanations (within the context of the movie) by the end. It’s not quite as challenging (or as rewarding) in this regard as, say, something like Session 9, but it does add a nice layer of complexity to the storytelling.

The film’s score, by Leo Kaliski, is also quite good. There may be a moment here or there where the music hits an overly familiar beat, but overall it not only fits the movie’s tone, but does quite a bit to help set that tone as well.

The only thing that I don’t feel the movie quite pulls off – and I’m trying to be vague here, because I feel like the less you know going into this film, the better – is some of the makeup effects work. The gore stuff is very well executed, but some of the other stuff feels like it was crafted with the intention of shooting it in a more… stylized manner. Instead, filmed as it is here, the result is sometimes less than impressive and can fail to make the impact that the movie seems to be implying that it should. And while some of what the makeup effects lack in execution is made up for with the ingenuity and creativity of their design, it’s still a bit of a shame when they don’t quite pull them off because, aside from a few niggles that I have with the writing, the effects are the only aspect of the film that occasionally fails to live up to the high level of technical proficiency that The Axiom otherwise demonstrates.


  • Man, the acting in this movie is really good. The dialogue may stumble once or twice, but these actors always sell it anyway.
  • Give back Mia Sara’s DNA, Hattie Smith!
  • If you’re going to put your female lead in shorts this small, I hope you’re not sensitive to viewers unleashing a nonstop parade of “Has anyone seen my pants / OH GOD WHERE ARE MY PANTS!” jokes.
  • “You just pop this here ‘Blair Witch Stick Person / Anarchy sign’ sticker up on that there windshield of yours, and them park rangers? Well – heh heh – they won’t bother you none, no sir.” Hmmmmm…
  • The film really is shot amazingly well – better than a lot of mainstream releases. Cinematographer Sten Olson has a real future ahead of him.
  • As does writer / director Nicholas Woods, for that matter. Any director who can get this level of quality out of their cast and crew on their first ever film is someone to keep an eye on.
  • “I’ll make a run for it and get help,” says the female lead, and I’m like “Yeah, let her go – she has no pants to weigh her down.”
  • The gore effects in the movie are both realized and utilized very well.
  • Welcome back to horror movies, “I’ll be right back” dialogue spoken unironically by and/or to ill-fated characters.
  • The Axiom


In the end, The Axiom is a solid and entertaining flick that manages to wring a level of quality and originality out of the somewhat tired “Don’t Go in the Woods” horror subgenre not seen since 2012’s Cabin in the Woods. The cinematography and acting are hugely impressive, it features a nice, unnerving score, the premise is original and captivating, and the whole thing moves at a nice pace that helps keep the film’s flaws from dragging it down.

User Rating 5 (2 votes)
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