The Walking Dead - Glenn Mazzara Talks Life as a Showrunner, What's Coming in the Finale, and Season 4 - Dread Central
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The Walking Dead – Glenn Mazzara Talks Life as a Showrunner, What’s Coming in the Finale, and Season 4

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Showrunners have been dropping on AMC’s “The Walking Dead” faster than a walker on the business end of one of Daryl’s arrows. The next to go is Glenn Mazzara, and recently he spoke about being a showrunner and more.

Scenestr caught up with Mazzara recently, and the man had the following to say about the situation, the current state of affairs, the finale, and where the show is going in Season 4…

On the death of the much beloved Axel, “To be very honest, I didn’t want to kill off any of the major characters. We obviously didn’t want to kill Rick. Carol was on the chopping block, but I didn’t want to kill Carol because we have a story coming up with her. We looked at the possibility of killing Beth. I don’t think that actor knows that. You know, I love Emily Kinney. But I felt that would have had too big an impact on the group. It would have just devastated poor Herschel. It would have taken him down a path I didn’t want for the rest of the season. And we were already dealing with Maggie’s feelings about her sexual assault by The Governor so we didn’t want to complicate that with mourning for her sister. We talked about killing Carl in that episode! We really did… unfortunately, you know, by the process of elimination, we got to Axel. Now I like Lew Temple’s performance of Axel very, very much, and we were just starting to find that character and develop him in a way that we loved. And we probably could have had more stories with him. But The Governor was the main character in that piece. We needed to make sure he was not ineffectual. Because otherwise he’s not a bad guy that could possibly take out our guys. So that was really important.”

Regarding being a showrunner, “You know, the showrunner provides the vision for the show. I think the showrunner deserves it! They’re driving the creative vision of the show. So even though it is a collaborative medium, the showrunner is the equivalent of the director of a feature film. That’s the person who shepherds the work through the entire process. Showrunners dedicate themselves to the shows. We’re involved in all aspects of the show, both creative and production-wise. We’re responsible for budgets, schedules, wardrobe, casting… there’s no aspect of the show that I’m not involved in, that I don’t approach from a position of authority. You’re approving hair styles, you’re approving wardrobe, you’re approving props, you’re approving this and that. The directors are the ones who are rotating through the system. So I think that’s fair. I think if you look at a show like “Community,” that was certainly a show that was Dan Harmon’s voice. It’s a demonstrably different show without him. That’s what we get paid for as showrunners, to add our voices to the show. Darabont had one particular voice, I have another. And the fans see that! The fans recognize that. That is recognition of the dedication of a lot of men and women who pour their hearts and souls into these works.

And finally on the finale and the roads leading to Season 4, “Well, the next guy, Scott Gimple, has been involved for a while. And Robert Kirkman and Gale Anne Hurd and Greg Nicotero, the creative team, were all producers on Season 3. So there’s no material there that is surprising to them. They were involved in developing that material. That being said, listen… the season finale will be a bombshell, as you say. We wouldn’t be “The Walking Dead” if we didn’t push the storytelling every week. So those folks have their work cut out for them, you know? Hopefully the ratings will hold for this season and at the end of my run they’ll be in a position to have a successful Season 4. We’ll see what happens.”

To stay up-to-the-minute on all things walker related, follow @WalkingDead_AMC on Twitter and visit “The Walking Dead” on Facebook. For more be sure to hit up the official “The Walking Dead” page on AMC.com.

The Walking Dead - Glenn Mazzara Talks Being Dearly Departed as Showrunner and What's Coming in the Finale

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SOMA Sailing to Xbox One on December 1

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SOMA (review) will be heading to Xbox One on December 1st with the addition of a new safe mode, and we have all the details you need right here!

SOMA Coming to Xbox One with New “Safe Mode”
There’s no need to be concerned. You are always safe…

Isolated, submerged in the ocean’s darkness, chaos has overtaken the halls of PATHOS-II, and the boundaries of humanity strained beyond repair. From Frictional Games, creators of the critically acclaimed Amnesia series, SOMA is coming to Xbox One on December 1st with the addition of Safe Mode.

Safe Mode introduces an optional new way to play SOMA in the Xbox One and PC releases. Protected from the hostile creatures below, let yourself sink into the mystery and atmosphere of PATHOS-II as you uncover the truth and determine the fate of the station.

SOMA is coming to Xbox One on December 1st and is available to pre-order now. Safe Mode will launch simultaneously as a free update for PC and will be available for PS4 at a later date.

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Thelma Is Fantastic and Now You Can Watch the Opening Scene

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One of this year’s most beautiful and subdued horror films is Joachim Trier’s Thelma (review), which opens in Los Angeles tonight. To give you a bit of what the film is like, The Orchard have released the opening scene, which shows a man and his daughter hunting in the bleak Norwegian winter. When they come across a young deer, the true intentions of this trip become apparent…

Having seen Thelma, I can tell you that it’s truly something special. It’s a slow burn, to be certain, but it plays out gorgeously, resulting in a film that has yet to leave my mind.

Related Story: Exclusive Interview with Thelma’s Joachim Trier

Locations and tickets for Thelma can be found here.

Synopsis:
Thelma, a shy young student, has just left her religious family in a small town on the west coast of Norway to study at a university in Oslo. While at the library one day, she experiences a violent, unexpected seizure. Soon after, she finds herself intensely drawn toward Anja, a beautiful young student who reciprocates Thelma’s powerful attraction. As the semester continues, Thelma becomes increasingly overwhelmed by her intense feelings for Anja – feelings she doesn’t dare acknowledge, even to herself – while at the same time experiencing even more extreme seizures. As it becomes clearer that the seizures are a symptom of inexplicable, often dangerous, supernatural abilities, Thelma is confronted with tragic secrets of her past, and the terrifying implications of her powers.

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Award-Winning The Child Remains Playing Tomorrow at the Blood in the Snow Festival

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The award-winning supernatural thriller The Child Remains, which has been on the festival circuit, is returning to Canada to play tomorrow night at the Blood in the Snow Film Festival in Toronto. Tickets for the screening, which is at 9:30pm, can be found at the festival’s website.

The film has won awards in festivals across Canada as well as Best Foreign Feature at the Unrestricted View Horror Film Festival in London, UK.

Described as The Shining meets Rosemary’s Baby meets The Orphanage, the film stars Suzanne Clément, Allan Hawco, Shelley Thompson, and Geza Kovacs. Directed and written by Michael Melski, who co-produced the film alongside Craig Cameron and David Miller, The Child Remains is aiming for a Canadian theatrical release in Spring 2018 and a US theatrical release in October 2018.

Synopsis:
An expectant couple’s intimate weekend turns to terror when they discover their secluded country inn is a haunted maternity home where unwanted infants and young mothers were murdered. Inspired by the true story of the infamous ‘Butterbox Babies’ and their macabre chapter in Canadian history, The Child Remains is a twisting supernatural thriller that emphasizes story and suspense over shock and gore.

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