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Do No Harm Does No Good; NBC Cancels Series after Two Episodes



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Well, we can’t say we didn’t see this coming, although we do feel bad for series star Steven Pasquale: After posting the lowest-rated scripted premiere in the history of the Big Four networks, “Do No Harm” has been taken off NBC’s schedule after just two episodes.

Per THR, “Do No Harm” opened on January 31st to just a 0.9 rating with adults 18-49 and 3.1 million viewers before dipping even lower last night (February 7th) to a 0.7 demo rating. It now stands as the swiftest cancelation to come during the 2012-13 TV season.

NBC will replace previously scheduled episodes of “Do No Harm” on February 14th and February 21st with encore broadcasts of long-running procedural “Law & Order: SVU.”


In “Do No Harm,” Dr. Jason Cole (Steven Pasquale, “Rescue Me”) is a highly respected neurosurgeon who has it all – a lucrative career, confident charm, the gift of compassion. But he also has a deep, dark secret. One morning when he wakes up disoriented in a wrecked hotel room amidst several near-naked women he’s never seen before, he knows one thing: It’s happening again. Every night at the same hour, something inside Jason changes, leaving him almost unrecognizable – seductive, devious, borderline sociopathic.

This new man is his dangerous alternate personality who goes by the name of “Ian Price.” For years he’s battled Ian, keeping him in check with a powerful experimental sedative. But now his – their – body has developed a resistance to the serum, setting Ian free once again. And to make matters worse, after being suppressed for so long, Ian’s hell-bent on taking revenge on his oppressor. With everyone Jason cares about at risk – patients, friends, co-workers and even the woman he loves – he’s got to stop Ian once and for all. Will they find some common ground, or will they bring each other down? Hell hath no fury like an alter ego scorned.

Also starring are Alana De La Garza (“Law & Order”), Michael Esper (A Beautiful Mind), Ruta Gedmintas (“The Borgias”), and Phylicia Rashad (“The Cosby Show”). “Do No Harm” is produced by Universal Television and Traugott Company. The executive producer/writer is David Schulner (“Desperate Housewives,” “The Event”). Peter Traugott (“Ringer”) and Rachel Kaplan (“Ringer”) also are executive producers. Michael Mayer (NBC’s “Smash”) is the co-executive producer and director.

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Leprechaun Returns to Syfy Next Year; Warwick Davis Does Not



You can always tell when it’s St. Patrick’s Day by Syfy running a Leprechaun movie marathon. But this St. Paddy’s Day, Syfy surprised everyone with a teaser for a new Leprechaun sequel set to premiere on the network next March.

Leprechaun Returns appears to be taking a page from the forthcoming Halloween reboot by positioning itself as a direct sequel to the original film. Sorry, Lepre-fans… looks like those excursions to Las Vegas, outer space, and the hood never happened.

Twenty-five years after the Leprechaun terrorized a pre-“Friends” Jennifer Aniston and experienced his first defeat via a four-leaf clover down his gullet, the little fellow gets revived in modern times when a group of college girls unwittingly awaken him while tearing down a cabin to build their new sorority house.

The new installment in the Leprechaun series is written by Suzanne Keilly (“Ash vs Evil Dead”) and directed by Steven Kostanski (The Void). There’s an interesting combination.

Taylor Spreitler (“Kevin Can Wait”), Pepi Songhua (“Ash vs Evil Dead”) as Katie, and Sai Bennett (Lake Placid: The Legacy), along with Emily Reid, Oliver Llewellyn-Jenkins, and Ben McGregor, are among the potential new victims of silly limericks and supernatural slaughter. Mark Holton reprises his role as “Ozzie”, the goofball friend from the 1993 original who narrowly survived his first encounter with the Leprechaun. He might not be so lucky the second time around.

One bit of casting that may prove controversial to fans of the franchise is Warwick Davis, who will not be returning to the iconic horror role he played in six films (the less said about the misguided prequel Leprechaun: Origins the better). Replacing him as the pint-sized monstrous Irishman with a lethal taste for gold wil be Linden Porco.

Even though we won’t be seeing Leprechaun Returns until around St. Patrick’s Day of 2019, Syfy has already premiered a teaser with Porco’s first appearance as the Leprechaun, giving us a year’s advance warning of what’s to come. Check it out above, and then let us know what you think!


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SXSW 2018: Reviews, Interviews, and Wrap-Ups!



Dread Central was out en masse at this year’s South by Southwest Film Festival, and we came back with some of the best damned coverage you could ever hope for. In case you missed any of it, we have a full index of coverage for you right here!

Big thanks to both Dark Sky Films and Shudder for their sponsorship of our media village content. Also big kudos to Jon Condit, Jonathan Barkan, Shaked Berenson, and Josh Millican for their tireless work.



Daily Wrap-Ups


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Prodigy Review – This Kid Is Killer



Starring Richard Neil, Savannah Liles

Written and directed by Alex Haughey and Brian Vidal

From the minds of Alex Haughey and Brian Vidal, Prodigy could have easily debuted as a stage play instead of an intimate sci-fi horror film delivered straight to your television. Told with a confident grasp, the story unfolds in only one location with two characters responsible for carrying the entire narrative. Good performances, sure-handed directing, and a solid script highlighting tense moments make the claustrophobic setting seem much bigger in scope. A little telekinesis thrown in to good effect and a creepy killer kid don’t hurt the momentum either.

Under constant surveillance at a remote black site, an aging psychologist named Fonda (Neil) is tasked with assessing a dangerous young girl called Ellie (Liles), who is highly intelligent and possesses supernatural powers. Fonda attempts to inject some humanity into Ellie, but she is cold and calculating and seems to be toying with him at times and the onlookers watching from behind the glass. The back-and-forth between both characters is competitive and often riveting, with Ellie slowly revealing her abilities to her wide-eyed new audience. Wrapped up in a familiar setup, the decision to study or dissect this meta kid is the central question of Prodigy; but the execution of a simple premise is what keeps the story afloat.

On a very small scale, Haughey and Vidal make the setting feel cinematic with crisp images and smart shot selections that help maintain the tension. There’s a strong backbone in place that allows both actors to bounce off of each other in a well-choreographed mental dance as the dangerous game they’re playing begins to unravel.

Several scenes where Elle demonstrates her powers are the standouts in Prodigy with chairs and tables flying and glass breaking to great effect. These sequences diffuse some of the tension for a moment, only to fully explode late in the film when Elle’s emotions unleash. It’s only then that there has been any kind of breakthrough that could possibly help to save her life.

That gets to the heart of the real question posed in Prodigy: Is an extraordinary life still worth saving if it threatens ordinary lives in the process? Also, does the fact that this potential weapon is housed inside the body and mind of a young, lonely girl make a difference to whether it should survive? These questions and how they’re answered make Prodigy a micro-budget standout in the indie horror genre well worth taking the time to rent this weekend if you’re not planning on attending a St. Patrick’s Day parade somewhere.

Prodigy is now available to on iTunes, Amazon, and other On Demand platforms.

  • Prodigy


The questions raised and how they’re answered make Prodigy a micro-budget standout in the indie horror genre well worth taking the time to rent this weekend if you’re not planning on attending a St. Patrick’s Day parade somewhere. 

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