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Exclusive: Patrick Muldoon Talks Spiders 3D



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Exclusive: Patrick Muldoon Talks Spiders 3DA being veteran of such films as Starship Troopers and Ice Spiders, Patrick Muldoon is certainly no stranger to batting giant bugs. His newest film, Spiders 3D is currently creeping its way into theaters. Giant evil mutated spiders from space? Just another day at the office.

Recently Dread Central had a chance to talk with star Patrick Muldoon about Spiders 3D, his first time working in Bulgaria, his previous on-screen battles with giant bugs and more! Check it out!

Dread: How did you first hear about and get involved with this project?

Muldoon: I do a lot of work with Millennium, I also work on the production end with Eclectic Pictures, it’s kind of all within the Millennium family, and I heard about the project from the other side of the desk. I’ve also worked with the director Tabor Takács in the past. When I heard about this movie I’m like “Wow, giant spiders from outer space? That’s right in my wheel house!”

Dread: What was it like for you to shoot this movie with the cast you had and in a place like Bulgaria?

Muldoon: At the time we did it was really beautiful. It was kind of cold, but not quite snow weather just yet. It was gorgeous. Millennium has their own studio in Bulgaria. It’s weird because you have a really L.A. like studio in the middle of this eastern country. It was my first time out there. The remarkable thing is that you have this gigantic studio in a place you wouldn’t really expect it. A lot of big movies are shot there, and here we are with this tiny little sci-fi movie. It was really great.

This was one of those movies where you don’t really want to come home afterwards. Bulgaria was beautiful, everybody really got along. Whenever we wrapped for the day we met at a restaurant and talk about what went right and what went wrong that day. This movie was a lot of fun for all of us.

Dread: When you hear about a movie called Spiders 3D you immediately imagine it to be some kind of over the top camp fest. And, while this movie it a lot of fun, it also takes itself fairly seriously. How are you able to balance keeping it fun, but not be winking at the camera all the time?

Muldoon: As an actor you have to relate to the human element of it. You have to be rooted in the human element. This story is all about parents trying to save their child. That’s what the characters are doing, if you’re rooting in that, that’s what the audience will attach to.
When you’re doing a movie like this and you’re trying to stay alive you can’t worry about CGI, about how things look, you have to be invested in the story. Whether the audience is conscious of it or not, no matter how crazy the story is, if the human element feels real then they’ll attach onto it.

Dread: This isn’t your first time taking on giant bugs from outer space. How did your experience differ from making something like Starship Troopers to making Spiders 3D?

Muldoon: Starship Troopers was all kind of our first big movie, so everything was kind of brand new. And the tone of that was a little more of a soap opera in space. It’s kind of campy. Spiders 3D is a little darker in tone, more dramatic, closer to home. It’s about New York in jeopardy. It sounds a little crazy to say but Spiders is a little more based in reality than Starship Troopers, it’s a little more realistic. *laughs*

A lot of this movie like this sinks or swims on the post. We don’t see that when we’re shooting. The CGI in Spiders are really well done. That’s the fun of a movie like this. The spiders are scarier than hell.

Dread: I talked to Tabor recently, and he was telling me about the previous film you worked on together, Ice Spiders, and some of the trials you had in getting that movie made. How did making Spiders 3D differ from that experience?

Muldoon: Ice Spiders was specific and funny. It was about spiders eating skiers on a ski slope. If you’re trying to do a serious drama about spiders killing skiers on a ski slope it’s going to be stupid. I read the script and it and it was hilarious. The night before I was supposed to leave I got a bunch of revisions; all the jokes were taken out of the movie. The company didn’t get the jokes. I was like “We can’t shoot a serious movie about ice spiders. I can’t get on a plane and do a drama about ice spiders.” We fought for it and we ended up getting some of the jokes put back in.

Spiders 3D was a totally different situation. We’re shooting a 3D movie, it’s dark in tone, how it’s shot. There’s a real mood to the movie. You kind of get a sense that bad things are going to happen and they do. With Spiders 3D, the vision didn’t waver, we knew exactly what we were going to make.

Following a crash of an old Soviet space station in New York City’s subway tunnel, a new species of poisonous spiders is discovered. Inadvertently the spiders mutate to gigantic proportions and wreak havoc on the entire city.

Exclusive: Patrick Muldoon Talks Spiders 3D

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Who Goes There Podcast: Ep 140 – Pet Sematary 2



Ahoy there, fuckos! This week’s episode is brought to you by none other than Chris Franco! That’s right, it’s a Chris pick! So you know what that means, we’re cranking the cheese factor up to eleven! This week we’ve got $5 Furlongs, naked women with dog heads, and accents that are more forced than a Bill Cosby sexual encounter! That’s right, we watched  Pet Sematary 2 so you don’t have to!

Ever wonder which of us knows more lyrics to Ice, Ice, Baby? Well, Patreon found out, but perhaps there’s more singing in the actual episode. Download to find out!

Sometimes, dumb is better. It’s the Who Goes There Podcast episode 140!

If you like what you hear, please consider joining our Patreon subscribers. For less than the cost of a beer, you get bonus content, exclusive merchandise, special giveaways, and you get to help us continue doing what we love.

The Who Goes There Podcast is available to subscribe to on iTunes right here. Not an iTunes user? You can listen on our Dread Central page. Can’t get enough? We also do that social media shit. You’ll find us on FacebookTwitterInstagramTwitch, and YouTube.

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Night of the Living Dead 4K and The Silence of the Lambs Come to the Criterion Collection



It’s been a long time coming for these two classics, especially Night of the Living Dead after the ridiculously bad transfer put out by Mill Creek Entertainment, whose transfer was supposedly remastered from a new 2K scan. I swear I thought it was some kind of a joke when I first put it on to watch. In any event…

IndieWire is reporting that horror classics Night of the Living Dead and The Silence of the Lambs will be added to the 2018 Criterion Collection, a hallmark label for home video cinephiles.

According to the site, Criterion will release a new 4K digital restoration of The Silence of the Lambs, which has been approved by the movie’s cinematographer Tak Fujimoto. Included on the DVD and Blu-ray sets are 35 minutes of deleted scenes and audio commentary from 1994 featuring the late Jonathan Demme (director), stars Jodie Foster and Anthony Hopkins, screenwriter Ted Tally, and former FBI agent John Douglas.

Night of the Living Dead will also be released in 4K with never-before-seen 16mm dailies included as a bonus feature(!).

These will be added in February of 2018 so make sure you save up some cash after the holidays!

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DIS Review – Not for the Faint of Heart!



Starring Bill Oberst, Jr., Lori Jo Hendrix, Peter Gonzales Falcon

Directed by Adrian Corona

I’ve made this claim many a time on this website before, and in the company of film friends as well: Bill Oberst Jr. is one of those actors that can literally be thrust into ANY role, and deliver a performance with so much harnessed electricity that you couldn’t believe that it was possible. I was the lucky recipient chosen to get a look at his latest project, titled DIS, and I think that I can honestly say – this is the stuff that nightmares are constructed of.

Directed by Adrian Corona, this 60-minute dive into the black depths of hell, and in actuality DIS is located between circles # 6 and 9 in Dante’s Divine Comedy, and trust me when I tell you – there’s not a shred of comedic relief in this demented presentation. Oberst Jr plays an ex-soldier named Ariel, and his seemingly harmless jaunt through the woods will become anything but that, and judging from the film’s opening scenes, you are meant to feel as uncomfortable about this watch as any you might have checked out in recent memory.

Perversion is the norm here, and lord help you if you’re caught where you shouldn’t be…my skin’s crawling just thinking about what I saw. Ariel’s travels are basically dialogue-free, but it only adds to the infinite levels of creepiness – you can tell he’s being stalked, and the distance between he and the horrors that await are closing in rather quickly.

Visually by itself, this hour-long chiller can sell tickets without any assistance – hollowed-out buildings and long sweeping shots of a silent forest give the movie that look of complete desolation. Sliced up into three acts, the film wastes no time in setting up the story of a killer needing fresh blood to appease his Mandrake garden – seriously guys, I can’t type as much flashy stuff as there needs to be in order to describe this innately disturbing production.

If you’re one of those types who tends to shy away from the graphic side of things, then I’d HIGHLY advise you to keep your TV tuned to the Hallmark Channel for some holiday entertainment, because this one registers high on the “I can’t believe someone thought of this” meter. So the quick recap is this: Oberst Jr in a standout performance, visual excellence, and an unshakable sense of debasement on a cellular level – keep the kiddies out of the living room with this one. Corona should be lauded (or locked up – just kidding) for his work on this one – HIGHLY recommended, and one that I’ll throw down as a top 5 for me in 2017.

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Director Corona should be lauded (or locked up – just kidding) for his work on this one – HIGHLY recommended!

User Rating 2.92 (12 votes)
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