The 2012 Reaper Awards: Nominees Announced! Fan Vote Now Open! - Dread Central
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The 2012 Reaper Awards: Nominees Announced! Fan Vote Now Open!



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Fall is definitely in the air, and Halloween is on its way. Which means online voting is now under way for the fourth annual Reaper Awards presented by Home Media Magazine and Dread Central. Let your voice be heard!

From the Press Release:
The Reaper Awards, honoring the best horror and thriller titles of the past year on DVD and Blu-ray, are presented by Home Media Magazine and Eligible titles were released between August 1, 2011, and July 31, 2012. Voting will remain open through October 14th, and winners will be announced October 22nd.

Fans can select their favorites from the past year in several categories as well as vote on which title they are most looking forward to in the coming months. Titles were submitted by participating studios.

Results of the consumer vote will be combined with the selections of a judges’ panel of horror experts and DVD reviewers. The panel of judges will also select a “Title of the Year.”

The ballot can be accessed through either the link at the bottom of the page or by clicking here.

The 2012 Reaper Awards: Nominees Announced! Fan Vote Now Open!

The 2012 Reaper Award nominees are as follows (you can also write in your choice if it’s not included):

Choice Theatrical Cut
Apollo 18 (Anchor Bay)
The Devil Inside (Paramount)
Rise of the Planet of the Apes (Fox)
Shark Night (Fox)
Trollhunter (Magnolia)

Best Limited Release/Direct-to-Video Title
Corman’s World (Anchor Bay)
The Dead (Anchor Bay)
The Dead and the Damned (Inception)
The Divide (Anchor Bay)
Girls Gone Dead (eOne)
Good Neighbors (Magnolia)
Hostel: Part III (Sony Pictures)
Playback (Magnolia)
Quarantine 2 (Sony Pictures)
Some Guy Who Kills People (Anchor Bay)
Wrong Turn 4: Bloody Beginnings (Fox)

Best Title From the Vault (Re-release or Catalog Title)
The Crow Blu-ray (Lionsgate)
Evil Dead 2: 25th Anniversary Edition Blu-ray (Lionsgate)
The Gamera Trilogy (Mill Creek)
Mimic: The Director’s Cut (Lionsgate)

Best Collection
100 Greatest Horror Classics (Mill Creek)
The Battle Royale Collection (Anchor Bay)
The Gamera Trilogy (Mill Creek)
Scream 5-Film Set (Lionsgate)

Being Human: Season 1 — U.S. Version (eOne)
Dark Shadows Complete Series (MPI)
Dexter: Season 5 (Paramount/CBS)
Roseanne: Tricks & Treats (Mill Creek)
True Blood: Season 4 (HBO)
The Walking Dead: Season 1 — Special Edition (Anchor Bay)

Best Indie or Foreign Disc
The Dead and the Damned (Inception)
Detention (Sony Pictures)
The Last Circus (Magnolia)
Rabies (Image)

Best Extras
Detention (Sony Pictures)
True Blood: Season 4 (HBO)

Best Big Bad (Villain)
Cinderhella — Detention (Sony Pictures)
Japanese Cyber Punk — Hostel: Part III (Sony Pictures)
Damien — Madison County (Image)
Mother Koffin — Mother’s Day (Anchor Bay)
Cannibal Mountain Men — Wrong Turn 4: Bloody Beginnings (Fox)

Best Kill
Triple Murder — Battle Royale (Anchor Bay)
Flyboy Gets Hacked — Detention (Sony Pictures)
Cyber Punk Crossbow — Hostel: Part III (Sony Pictures)
Boiling Water — Mother’s Day (Anchor Bay)
College Kid Jumps Into Woodchipper — Tucker and Dale vs. Evil (Magnolia)
Jenna Gets Drilled — Wrong Turn 4: Bloody Beginnings (Fox)

Best Box Art
Detention (Sony Pictures)
Hostel: Part III (Sony Pictures)
Rise of the Planet of the Apes (Fox)
True Blood: Season 4 (HBO)
Wrong Turn 4: Bloody Beginnings (Fox)

Spookiest Kidvid
Ernest Scared Stupid (Mill Creek)
Goosebumps: Attack of the Mutant (Fox)
Goosebumps: Ghost Beach (Fox)
The Nightmare Before Christmas 3D (Disney)
Scooby-Doo! Legend of the Phantosaur (Warner)
Spooky Buddies (Disney)

Most Anticipated
Abraham Lincoln Vampire Hunter (Fox) — October 23rd
Excision (Anchor Bay) — October 16th
Wrong Turn 5: Bloodlines (Fox) — October 23rd

Got news? Click here to submit it!
Tell us who you think should win in the comments section below.

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Like Me – Will You Like This Dystopian Thriller?



Starring Addison Timlin, Ian Nelson, Larry Fessenden

Directed by Robert Mockler

While Like Me is not dystopian in the classic science-fiction sense, it does aptly put the downer vibe across. If the present is abysmal, then the future is downright hopeless. We learn this as we follow an unhinged teenage loner called Kiya (Addison Timlin) on a hollow crime spree that she broadcasts on social media. At first the world “likes” her—with the exception of YouTube rival Burt (Ian Nelson), who disdainfully denounces her viral videos—but pride goes before the fall, and Kiya’s descent is spectacular.

If you’ve peeped the trailer for Like Me, then you’re probably expecting a horror movie. I mean, they’ve got the requisite menacing masked baddie and they’ve got genre icon Larry Fessenden in a major role—those are a couple of the key ingredients, right? Yes they are, but this simmering, shimmering stew of Natural Born Killers, Excision and King Kelly, it boils down to a whole lotta nothing. Like Me is sort of a drama, kind of a road trip flick, and almost a thriller. It succeeds at none yet does stand on its own as a compelling collection of cool visuals and pertinent performances. But is that enough?

While Kiya is a compelling character on the surface, there’s barebones beneath. Sure, she’s a Millennial mind-fed on random online clips and snappy soundbites—but what turned her into a psychopath? Was she born that way? Is social media to blame? We’ll never know, because not a hint is given. I don’t mind ambiguity, but even a morsel would have been welcome in this case. As Kiya ramps up her reckless exhibitionistic extremes, the stakes are never raised. In the end, who cares? Maybe that’s the point.

A word of warning: If you plan on watching this movie while chomping snacks…don’t. There is stomach-turning scene after vomit-inducing scene of orgiastic easting, binging, and the inevitable purging. I’m sure it’s all metaphorical mastication, a cutting comment on disposable consumption. I get it. But I don’t wanna look at it, again and again and again. Having said that, Like Me is an experimental film and in its presentation of such grotesquery, it’s quite accomplished. Montages, split-screens and jittered motions are scattered throughout, showing us all sorts of unpleasant things…Kudos to the editor.

I didn’t hate Like Me. But I do think one has to be in the mood for a movie such as this. It’s not an easy or entertaining watch, but it is a peculiar and thought-provoking one. There’s some style and mastery behind the camera, and I am curious to see what first-time writer-director Rob Mockler comes up with next.

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Last Toys on the Left

Funko Giving Jurassic Park the Pop! Treatment as Only They Can



It is no secret we’re BIG fans of Funko’s Pop! Vinyl line here at DC HQ, and now they’ve announced a new series that has made our hearts just about burst… read on for a look at Pop! Movies: Jurassic Park, heading our way in February. The regular figures are awesome on their own, but wait until you see the exclusives!

From the Funko Blog:
Jurassic Park fans, get excited! To celebrate the 25th anniversary of the iconic film’s appearance on the silver screen, Jurassic Park is coming to Pop!

This series of Pop! features paleontologist Dr. Grant, Jurassic Park CEO John Hammond, mathematician Dr. Malcolm, and embryo-smuggler Dennis Nedry. (Keep an eye out for Dr. Ellie Sattler in Pop! Rides coming soon.)

We couldn’t forget the Jurassic Park dinosaurs! Featured in this line are the great T. rex, Velociraptor, and Dilophsaurus. Look for the Dilophosaurus chase, a rarity of 1-in-6.

Be on the lookout for exclusives. At Target you can find a wounded Dr. Malcolm, and the Dennis Nedry and Dilophosaurus 2-pack is available only at Entertainment Earth.

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American Psycho Meets Creep – Strawberry Flavored Plastic Review



Starring Aidan Bristow, Nicholas Urda, Andres Montejo

Directed by Colin Bemis

Recently I wrote up an article here on Dread Central which was basically an open letter to anyone who was listening called “I Miss Found Footage.” Well, it seems like someone WAS listening, as I was then sent the link to an all-new found footage film called Strawberry Flavored Plastic from first-time writer-director Colin Bemis.

The film follows the “still-at-large crimes of Noel, a repentant, classy and charming serial killer loose in the suburbs of New York.” Basically, you could think of the flick as American Psycho meets Mark Duplass and Partick Brice’s Creep. That, or you could think of it as “Man Bites Dog in color!” However you choose to label Colin Bemis’ psychological thriller, just make sure you check out the film once it hits in the future.

As I alluded to above, the film is basically a found footage version of American Psycho. But that said, the film sports a twist on the charming serial killer subgenre that I have yet to see play out in any of the above-mentioned classics. I’m not going to go into spoiler territory here, but I will say that the film introduces an element to the tale that spins it into much more of a character drama than a straight horror film. Not that there is anything wrong with that!

Truth be told, the film’s turn from serial killer flick into a layered character study might have been its kiss of death, but this slight genre switch is rendered a minor issue as the film’s central narcissistic antagonist is played by Aidan Bristow. Bristow is an actor you may not have heard of before this review, but you will hear his name more and more over the years to come, I promise. The guy gives (no pun intended) a killer performance as the film’s resident serial killer Noel Rose, and time after time surprised me with how chilling, charming, or downright vulnerable he chose to play any given scene.

Bristow’s performance is, in the end, the major element the film has going for it. But that said, as a fan of found footage, I was smiling ear to ear at first-time director Colin Bemis’ understanding of what makes a found footage suspense sequence work.

In Strawberry Flavored Plastic director Colin Bemis is confident and content to allow full emotional scenes to play out with the camera directed at nothing more than a character’s knees. Why is this so important? Because it keeps the reality of the film going. Too many found footage directors would focus on the actors’ faces during such emotional scenes – no matter how contrived the camera angle was. In this film, however, Bemis favors the reality that says, “If you were really in this emotional state and holding a camera, you would let it drop to your side.” I agree, and it is small touches like that which make the film feel authentic and thus – once the shite hits the fan – all the scarier.

On the dull side of the kitchen knife, the film does feel a bit long even given it’s short running time, and there doesn’t seem too much in the way of visceral horror to be found within. Again, graphic blood and gore aren’t a must in a fright flick, but a tad more of the old ultra-violence would have gone a long way in selling our main psychopath’s insanity and unpredictability. But all the same, the film does feature a rather shocking sequence where our main baddie performs a brutal home invasion/murder that puts this film firmly in the realm of horror. In fact, the particular POV home invasion scene I’m talking about holds about as much horror as you’ll ever wish to witness.

In the end, Colin Bemis’ Strawberry Flavored Plastic is a must-see for fans of found footage and serial killer studies such as American Pyscho, Creep, and Man Bites Dog. I recommend giving it a watch once it premieres. If only to be able to point to Aidan Bristow in the near future and tell all your friends that you watched (one of) his first movies.

Until then, check out the film’s trailer HERE, and follow the movie on Facebook.

  • Strawberry Flavored Plastic


Lead actor Aidan Bristow turns in a star-making performance in Colin Bemis’ Strawberry Flavored Plastic, a found footage film that plays out like Man Bites Dog in Color before introducing a new element to the charming-serial-killer subgenre and becoming more character study than a straight horror. Think American Psycho meets Creep.

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