Exclusive: Patrick Melton talks Piranha 3DD, The Collection, The Outer Limits and More! - Dread Central
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Exclusive: Patrick Melton talks Piranha 3DD, The Collection, The Outer Limits and More!



This writer caught up with screenwriter Patrick Melton (the man behind such frightful fare, along with cohort Marcus Dunstan, as the Feast series, Saw IV through 3D and The Collector) last Thursday night to pick his brain on his current projects–namely, his involvement with Piranha 3DD, The Collection (the latter the sequel to 2009’s The Collector) and his approach to the MGM project The Outer Limits.

Exclusive: Patrick Melton talks Piranha 3DD, The Collection, The Outer Limits and More!We are now scouting locations and writing Piranha 3 Double D,” said Melton from Shreveport, Louisiana, and although he was unable to communicate the film’s narrative at this early stage, this writer posits that it may or may not have a slight similarity to a 1983 3D sequel featuring another cinematic fish (and if so, this writer hopes for a Dennis Quaid cameo a la Dreyfuss’ inspired casting in this year’s Piranha remake).

We are shooting to finish the script before Thanksgiving,” continued Melton. “It’s coming together pretty quickly. Marcus and I did a polish (un-credited) on the script of the first (Piranha) so we are pretty familiar with it, and with the evolution of it all, so it’s a continuation. I think we are going to hopefully expand the universe a bit. We are introducing a new set of characters.

On working once again with filmmaker John Gulager, who is slated to direct Piranha 3DD (Melton and Dunstan’s careers have been intertwined with the director’s ever since 2005’s “Project Greenlight” Season 3, which gave raucous birth to the first Feast film), “We’ve always been working together on certain other projects, like The Neighbor that was set up at Dimension, which never quite went. He and his brother, Tom, also developed this story that Marcus and I had called The Good Doctor, and John wanted to direct it, and it’s pretty hardcore. Pirahna 3DD came up sort of out of the blue, and since we already have the ‘short-hand’ way of communicating with one another, and it needed to be done quickly, it happened. It’s good to be involved with people you know and trust and have worked with together before.

As for the projected start date of principal photography for Piranha 3DD (Dimension has a slated theatrical release of August 2011), “We have all been reading the Farmer’s Almanac of weather for Louisiana and looking for the best time to shoot,” said Melton. “It’ll be early next year, winter, which means hard nipples all around, but you don’t want the hard nipples to mix with blue skin and shivering girls so we’ll figure it out. When it’s sunny, it’s quite pleasant though.”

With Saw 3D still charting as one of the top ten box office films currently in release, Melton commented on having co-scripted the flick, which has been being marketed as the last in the Jigsaw series.

It’s a different feeling, having worked on the franchise constantly for four years, and now it’s sort of over. I’m glad we did it, and we may have done some things differently with it, but that’s how it is when you pick a film. It’s a very collaborative effort, but I am happy where it ended up.”

Never one to rest on his laurels, Melton and his co-scribe Dunstan are set to pen the feature length sci-fi flick The Outer Limits for MGM, a film which is positioned as a big-budget jump-start of the heralded 1960’s series of the same name (the project is slated for a 2013 release).

Revealed Melton of the current state of The Other Limits, a script he penned with Dunstan, “MGM is currently going through a management shift so the film is in a state of limbo. The script is done, and it’s very strong. It’s good. It’s a pretty cool twist on the sci-fi genre. Hopefully we’ll have some news on the project in January and will know where it stands.

Commenting on their take of the material, “We are very familiar with the original show. We’ve seen every episode, and it shaped our approach to the project so we actually incorporated quite a few of the original stories in the script. A point of reference as to how we approached it would be Pulp Fiction, Go or Trick ‘r Treat, [films] that use several different stories that are rolled together to create one big story. It’s very connected, and I think it’s pretty cool.

The conversation turned then unsurprisingly to Melton’s thoughts on Michael Dougherty’s brilliant 2007 cinematic entry Trick ‘r Treat.

Trick ‘r Treat is great! It’s really fantastic,” said the writer. “It too had interlocked, criss-crossing stories, which means you can’t really classify it as an anthology because each story seemed to affect another story, which is what we are trying to do as well (with The Outer Limits). Trick ‘r Treat is probably the latest example of that type of storytelling. I remember when I first saw the trailer for the film, it was mind-blowing, and it communicated everything you sort of knew and felt about Halloween. The film did the same thing. It’s shocking to me that a movie like that couldn’t find the proper distribution.

As for The Collection, Melton’s co-scripted-with-Dunstan sequel to last year’s The Collector (Dunstan is slated to return once again to the director’s chair for the follow-up), “We are supposed to start shooting January 18 (of next year) in Atlanta, Georgia, so with any project that starts barreling towards production, it takes up a lot of our focus and energy.

We prodded a bit regarding the production.

It’s quite bit bigger film,” says Melton, “and it’s shooting in a more accessible city. We found this location, and I can’t really say what it is, but it was originally a very rich and peculiar man’s home, and it was eventually turned into a mental health facility, and then it was abandoned, and we are going to shoot in it, and it’s going to be great. It’s got weird hallways and doors that lead to brick walls. It’s very cool.

Other than that,” wrapped Melton, “there’s this television show we have with Clive Barker, called ‘Red, White & Black’. It’s sort of a genre show that we are shopping to companies as we speak so we might have a firm announcement in a couple of months or so. We are looking to go to cable. We’ve had a lot of trouble with genre shows for the networks. During pitch season every network says, ‘We want to do horror,’ but when it comes time to turn in the script, they’ll read it, and say, ‘We have no clue where to put this in our line-up so we don’t know what to do with it.’ You see, though, with the success of something like ‘The Walking Dead’, cable is a more viable platform for genre shows.

Exclusive: Patrick Melton talks Piranha 3DD, The Collection, The Outer Limits and More!

Sean Decker

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Horror Movies to Be Thankful for on Thanksgiving



After you’ve gorged on your Thanksgiving feast and the L-tryptophan is kicking in, you’re probably thinking about parking your carcass on the couch and watching movie after movie. But not just any movie – this is a holiday, so naturally you want to celebrate on-topic and gobble some gore.

We’ve got you covered with this curated list of choices from a 25-item menu of Native American-themed thrillers and chillers.

Death Curse of Tartu (1966)

A group of students on an archaeology assignment in the Everglades decide to throw a dance party one night. The spot they choose happens to be the burial site of an ancient Seminole shaman named Tartu. He returns from the dead to take his revenge on those who desecrated his grave site.

Stanley (1972)

A Seminole Vietnam vet (Chris Robinson) goes on the warpath when a leather goods merchant (Alex Rocco) tries to grab his pet snake Stanley to turn him into a belt. A William Grefe cult classic!

Hex (1973)

Set on the Nebraska prairie in the immediate aftermath of World War I, the story follows the spiritual clash between the daughters of a recently deceased shaman and a gang of ex-aviators. Christina Raines, Scott Glenn and Keith Carradine star in this largely unknown, bizarre body-count thriller.

Shadow of the Hawk (1976)

A Canadian Indian (Jan-Michael Vincent) and a newswoman (Marilyn Hassett) join his grandfather (Chief Dan George) on a tribal walk among evil spirits.

The Manitou (1978)

A psychic (Tony Curtis) recruits a witch doctor (Michael Ansara) to get a 400-year-old Indian medicine man off his girlfriend’s (Susan Strasberg) back…. literally. The demonic Native American spirit is a tumor trying to reincarnate.

Prophecy (1979)

When a dispute occurs between a logging operation and a nearby Native American tribe, Dr. Robert Verne (Robert Foxworth) and his wife, Maggie (Talia Shire), are sent in to mediate. Chief John Hawks (Armand Assante) becomes enraged when Robert captures a bear cub for testing, but he’s not as angry as the mutant grizzly mom! George Clutesi plays an Original Person who believes the monster is the personification of the god Katahdin and is there to protect the land.

Nightwing (1979)

A policeman (Nick Mancuso), his girlfriend (Kathryn Harrold) and a scientist (David Warner) track vampire bats on a Maski tribe reservation. Abner Tasupi (George Clutesi) is the shaman who helps them.

Wolfen (1981)

A New York cop (Albert Finney) investigates a series of brutal deaths that resemble animal attacks. His hunt leads him to Native American high worker Eddie Holt (Edward James Olmos) to see if there’s any connection between the killings and old myths and legends from the area. Finney’s character refers to as “the Crazy Horse of the Seventies… the only one of our local militants left alive who’s not making money off of Levi’s commercials.”

Scalps (1983)

Hapless college science students go on a dig around a sacred burial ground for artifacts. Unfortunately, one of them becomes possessed by the evil spirit of Black Claw… and that means only one thing: Now he must slaughter all of his friends.

Eyes of Fire (1983)

Almost lynched in 1750, a preacher (Dennis Lipscomb) leads his followers (Guy Boyd, Rebecca Stanley) west to a valley whose dirt holds a devil of Indian origin.

Firestarter (1984)

Pyrokinetic protagonist Charlie McGee (Drew Barrymore) is in trouble when an evil Native American named Rainbird (George C. Scott) wants to kill her because he is convinced her death would give him special power to take to the mystical other world of his ancestors.

Poltergeist 2: The Other Side (1986)

The Freeling family have a new house, but their troubles with supernatural forces are not over. Whoops, looks like it’s another haunted Native American resting place!

Creepshow 2 (1987)

In the anthology film’s first vignette, “Old Chief Wood’nhead,” thugs who terrorize small-store grocers played by Dorothy Lamour and George Kennedy are attacked in kind by the general store’s wooden Indian.

Pet Sematary (1989)

After moving to an idyllic home in the countryside, life seems perfect for the Creed family…but not for long. Louis and Rachel Creed and their two young children settle into a house that sits next door to a pet cemetery – built on an ancient Indian burial ground.

Ravenous (1999)

Capt. John Boyd (Guy Pearce) is sent to investigate reports of missing persons at Fort Spencer, a remote Army outpost on the Western frontier. After arriving at his new post, Boyd and his regiment aid a wounded frontiersman, F.W. Colghoun (Robert Carlyle), who recounts a horrifying tale of a wagon train murdered by its supposed guide — a vicious U.S. Army colonel gone rogue… and who’s developed a taste for human flesh.

Brotherhood of the Wolf (2001)

In 18th century France, the Chevalier de Fronsac and his Native American friend Mani (Mark Dascosos) of the Micmac tribe are sent by the King to the Gevaudan province to investigate the killings of hundreds by a mysterious beast.

The Wendigo (2001)

Director Larry Fessenden movie uses the Native American Wendigo legend to tell an eerie and hallucinogenic tale about a family trapped in the woods with a dark force.

“Masters of Horror: Deer Woman” (2005)

A burned-out cop believes that a recent string of murders prove that the killer might be a deer-like creature in the form of a beautiful woman (Cinthia Moura) come to life from a local Native American folklore legend.

Skinwalkers (2006)

A 12-year-old boy and his mother become the targets of two warring werewolf packs, each with different intentions and motives. Based on the folk legend from Utah about the spirits of murdered Indians returning to seek revenge upon those who disrespect the land.

The Burrowers (2008)

A search party – played by Clancy Brown, William Mapother and Doug Hutchison – sets out to find and recover a family of settlers that has mysteriously vanished from their home. Expecting the offenders to be a band of fierce natives, the group prepares for a routine battle. But they soon discover that the real enemy stalks them from below.

The Dead Can’t Dance (2010)

Three Native Americans discover they are immune to a zombie virus in this whacky indie comedy.

Savaged (2013)

After thugs brutalize a deaf-mute woman (Amanda Adrienne), the spirit of an Apache warrior takes over her lifeless body and sets out on a bloodthirsty quest for revenge.

Volcano Zombies (2014)

Danny Trejo as a Native American who warns campers about the legendary and very angry lava-laden “volcano zombies.”

The Darkness (2016)

Peter Taylor (Kevin Bacon), his wife and their two children return to Los Angeles after a fun-filled vacation to the Grand Canyon. Strange events soon start to plague the family, and the Taylors learn that Michael brought back some mysterious rocks that he discovered inside an ancient Native American cave.


Mohawk (2017)

After one of her tribe sets an American soldiers’ camp ablaze, a young female Mohawk finds herself pursued by a ruthless band of renegades bent on revenge. Fleeing deep into the woods, Mohawk youths Oak and Calvin confront the bloodthirsty Colonel Holt and his soldiers. As the Americans seem to close in from all sides, the trio must summon every resource both real and supernatural as the brutal attack escalates. Mohawk is a dark, political drama with horror undertones. “While set 203 years ago, Mohawk is unfortunately a timeless story,” says director Ted Geoghegan. “It’s about marginalized people being decimated simply because they exist and scared white men who fail to realize that their racism and bigotry will place them on the wrong side of history.

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Paul Feig On Why His Ghostbusters Reboot Failed



It’s pretty obvious at this point that director Paul Feig’s reboot of Ivan Reitman’s classic horror-comedy Ghostbusters wasn’t the success anyone was looking for.

Not fans. Not the studio. And certainly not Feig.

The director of the 2016 Ghostbusters reboot recently spoke with Cinema Blend about the film and made a few comments about why he believes the film wasn’t the smashing success it should have been.

“I think it kind of hampered us a little bit because the movie became so much of a cause,” Feig told the site. “I think for some of our audience, they were like, ‘What the fuck? We don’t wanna go to a cause. We just wanna watch a fuckin’ movie.’ … It was a great regret in my life that the movie didn’t do better, ’cause I really loved it. It’s not a perfect movie. None of my movies are perfect. I liked what we were doing with it. It was only supposed to be there to entertain people.”

Meh. Could be, Feig. That or the film was just not funny or spooky enough to satisfy new or old fans. It was too middle ground and we all know how those kinds of films go over.

That said, I didn’t hate the reboot.

I thought Kristen Wiig and Kate McKinnon were delightful and I’ll take more Slimer however I can get him. But as always, I just wish there had been more of him. Sigh.

What do you make of Feig’s comments on his Ghostbusters film? Do you think it was “the cause” that keep the reboot from being a smash hit? Let us know in the comments below!

You buy the film on Blu-ray HERE and the original classic HERE.


Following a ghost invasion of Manhattan, paranormal enthusiasts Erin Gilbert and Abby Yates, nuclear engineer Jillian Holtzmann, and subway worker Patty Tolan band together to stop the otherworldly threat.

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First Plot Details on Quentin Tarantino’s Sharon Tate Movie



When we first heard about the upcoming ninth film by Quentin Tarantino, it came with the rumor that the film would be centered around the recently deceased Charles Manson.

Tarantino then debunked the rumor saying the film was not about Manson but about the year 1969 in general. Whatever that means.

Today we (might) have a better idea of just what he meant by that as a recent article by Vanity Fair may have just revealed the plot of Tarantino’s mysterious film.

The site’s synopsis reads:

Set in Los Angeles in the summer of 1969, Tarantino’s upcoming movie, according to a source who read the script, focuses on a male TV actor who’s had one hit series and his looking for a way to get into the film business. His sidekick—who’s also his stunt double—is looking for the same thing. The horrific murder of Sharon Tate and four of her friends by Charles Manson’s cult of followers serves as a backdrop to the main story.

Stunt double?

And just like that I could give a sh*t about the whole “is it, or isn’t it about Manson?” debate and now all I want to know is “will the film be, or not be about Stuntman Mike and/or his older brother Stuntman Bob?”

Am I joking? Maybe. But this is Tarantino after all. And the man loves building up his own connected universe of films and characters so… you never know…

How excited are you for Tarantino’s new movie? Does this plot sound correct to you? Make sure to hit us up and let us know in the comments below or on social media!

Tarantino’s ninth film is expected to start shooting in LA this June.

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