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Dark Castle Saves Dark Moon from the Shelf



With the announcement of the pulling of the plug yesterday on Roland Emmerich’s found footage flick, The Zone, Warner Brothers found themselves being a little gun shy with the production of The Fourth Kind director Olatunde Osunsanmi latest cinéma-vérité opus, Dark Moon. Good thing for him that Dark Castle is looking to salvage the project from oblivion.

As per The Hollywood Reporter’s Heat Vision Blog:

“Over the weekend, the Weinstein Co. announced that it had boarded the Timur Bekmambetov-produced Apollo and would release the low-budget sci-fi thriller in March. In the wake of that, on Tuesday, Roland Emmerich pulled the plug on The Zone, another “found footage” project that was to have started shooting next week.

Now Heat Vision has learned that yet another “found footage” project has been shelved — but this time another company is negotiating to pick it up in turnaround. Yes, the space race is still on.

Here’s the backstory: In mid-October, Warner Bros. picked up Dark Moon, a spec script written by Olatunde Osunsanmi (pictured below), for Akiva Goldsman to produce via his Weed Road shingle. Osunsanmi was also on board to direct the movie, which is in the “found footage” genre.

The genre’s conceit is that the footage purports to be genuine reels, tapes or files found after the person operating the camera expires or disappears. Alien invasion flick Cloverfield kicked off the recent trend, which also encompasses the hugely successful Paranormal Activity movies.

Like Apollo 18, Moon is based on the idea that NASA’s manned moon missions did not stop with Apollo 17. Moon follows a black ops mission sent to explore previously classified lunar discoveries.

But when Warners execs learned Sunday of TWC and Bekmambetov’s project, they got nervous. On Monday, a top Warners exec made calls to the Moon men to tell them their mission was grounded (put in turnaround).

Enter Dark Castle’s Andrew Rona and Alex Heineman. The execs at Joel Silver’s Warners-based genre shingle had read the Moon script and were fans. On Tuesday they brought it to Silver, who liked what he read and authorized the company to pick Moon up.

Negotiations are still ongoing, but Moon will now be financed and made by Dark Castle, with Weed Road still on board as a producer. The project will shoot this winter — ironically, for distribution next year via Warners, as per Dark Castle’s output deal with the studio.

Call Mission Control and resume the countdown.”

Dark Castle Saves Dark Moon from the Shelf

Uncle Creepy

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PG-13 or R? The Strangers: Prey at Night Gets Official MPAA Rating



Earlier this week we let you guys know that there is a killer The Strangers: Prey at Night fan art competition going on and you can read all the details on that right HERE.

But today we have some cool (if expected) news that The Strangers: Prey At Night hs officially received an R-rating from the MPAA.

The sequel has been rated R for “horror violence and terror throughout, and for language” and I think that makes about as much sense as we could have expected.

For those who are interested in such bits of trivia, the original The Strangers was rated R for “violence/terror and language” so there you go! Impress your friends with MPAA trivia.

Would The Strangers: Prey at Night getting a PG-13 have affected your enthusiasm for the upcoming film? Let us know below!

The Stranger: Prey at Night is directed by Johannes Roberts (47 Meters Down) from a script by Bryan Bertino and Ben Ketai. It stars Martin Henderson, Christina Hendricks, Bailee Madison, and Lewis Pullman.

The film hits March 9, 2018.

A family’s road trip takes a dangerous turn when they arrive at a secluded mobile home park to stay with some relatives and find it mysteriously deserted. Under the cover of darkness, three masked psychopaths pay them a visit to test the family’s every limit as they struggle to survive. Johannes Roberts directs this horror film inspired by the 2008 smash hit The Strangers.

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Artist Reimagines Superheroes as Tim Burton Illustrations



The world of Tim Burton has always been full of imagination and wonder built on a surreal and often horrific foundation. Films like Beetlejuice and Sleepy Hollow capture the imagination with stunning visuals, all based on the mind of the visionary director. Burton’s artwork was also featured in his illustrated poetry book The Melancholy Death of Oyster Boy & Other Stories.

Burton’s work has not only amazed viewers for over three decades, it’s also been an inspiration to countless artists and creators. Enter Los Angeles-by-way-of-Russia artist and animator Andrew Tarusov, whose work has been used by companies such as Cosmopolitan, Disney, 20th Century Fox, Maxim, and more. In a series he simply calls “Tim Burton’s Superheros”, Tarusov took 10 of the biggest comic book characters and gave them a dark twist that is 100% befitting of Burton’s style.

You can see a gallery of these images below. To see more of Tarusov’s work, head on over to his official website.

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Totem Review – It’s Not Always A Bad Thing To Look Up From The Bottom Level, If You Like That View



Starring Kerris Dorsey, James Tupper, Ahna O’Reilly

Directed by Marcel Sarmiento

Following the untimely death of a family’s matriarchal figure, a young woman finds out that managing to hold all of the pieces in place becomes increasingly more difficult when otherworldly infiltrators make their presence felt. We’re going to have to work our way up this Totem, as

17 year old Kellie is the leading lady of the home following the passing of her mother Lexy, and with a needy father and tiny tot of a baby sister, she still keeps things in working order, regardless of the rather large hole that’s been left in the dynamic due to the death. Kellie’s dad after a while decides to ask his lady-friend to move in with the family, so that everyone can move onto a more peaceful existence…yeah, because those types of instances always seem to work seamlessly. As fate would have it, Kellie’s sense of pride is now taking a beating with the new woman in the mix, and her little sister’s new “visitor” is even more disturbed by this intruder – only question is, exactly who is this supernatural pal of sorts? Is it the spirit of their dead mother standing by to keep watch over the family, or is it something that’s found its way to this group, and has much more evil intentions at hand?

What works here is the context of something innately malicious that has found its way into the home – there are only a couple moments that come off as unsettling, but the notion of having to weave through more than half the film acting as a sullen-teen drama is rather painful. The presentation of the “broken family” is one that’s been done to death, and with better results overall, and that’s not to say that the movie is a complete loss, it just takes far too much weeding through at times stale performances and even more stagnant pacing to get to a moderately decent late-stage conclusion to the film. Under the direction of Marcel Sarmiento (Deadgirl), I’d truly hoped for something a bit more along the lines of a disturbing project such as that one, but the only thing disturbing was the time I’d invested in checking this one out. My best advice is to tune into the Lifetime channel if you want a sulky teen-melodrama with a tinge of horror, or you could simply jump into this one and work your way up…but it’s a LONG way to the top.

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Sulky, moody, and ridden with teen-angst buried in the middle of a supernatural mystery – SOUNDS like a decent premise, doesn’t it?

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