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See Splintered’s UK Premiere with Director Simeon Halligan and Some Cast Members



This Friday, September 3rd, Splintered, the debut feature from production company Not A Number and director Simeon Halligan, will be having its UK premiere in the best cinema in London, the Empire Leicester Square, and starting today tickets are on sale for the screening along with an exclusive after party.

Here are the details:

SPLINTERED is beautifully shot and deserves to be seen on the big screen. So why not come see the movie alongside the director, producer, and cast? Here’s your chance to join them at the Empire Leicester Square on the evening of Friday the 3rd September. Tickets are on sale from Tuesday 31st of August, after midday. Click here for the Empire website.

Come rub shoulders with director Simeon Halligan, producer Rachel Richardson Jones, and the cast from the horror film described as “Horror for the Skins generation.”

Make sure you look the part as you are also invited to join the cast and crew after the screening for an exclusive after party at the West End club Movida (entrance fee applicable).

Book your tickets now and come see Splintered on the big screen in true London style.

Get Splintered in UK Cinemas on September 3rd

Prowling in the darkest corner of a desolate, abandoned building on the edge of a wilderness is a dangerous animal, one that lives by the rules of the wild, where survival is its only concern. This creature of the night uses cunning and instinct to hunt and kill for pleasure. It has no qualms about its actions; it lives by its carnal desires alone. Sophie (Holly Weston), a teenager with a troubled past, puts herself and her friends at the mercy of this beast when her curious obsession with the unexplained leads them deep into the Welsh countryside. When her friend is violently attacked, Sophie soon discovers what it’s like to become the object of this animal’s obsessive desire. She is locked in an isolated empty room, where no one can hear her screams.

In the night, in the dark, something is trying to get in, and Sophie is terrified. Daylight brings Gavin (Stephen Martin Walters). He keeps the animal at bay as best he can. A protector of sorts, but a protector who also keeps her imprisoned. 
 Sophie’s attempts at escape repeatedly end in failure, but she clings to the hope that her friends will rescue her. Unfortunately their desperate search for Sophie will inevitably end in death and despair.

Sophie must confront the mysteries that are locked in her past and discover the truth about her captor if she is to survive the beast’s unstoppable and obsessive onslaught.

Can’t make it to the theatre? The DVD, which includes a behind-the-scenes featurette, deleted and alternative scenes, and audio commentary with director Simeon Halligan, stars Holly Weston and Sadie Pickering, and producer Rachel Richardson-Jones, will be released in the UK on September 6th. For more info visit the official Splintered website.

Splintered – Trailer
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SXSW 2018: Reviews, Interviews, and Wrap-Ups!



Dread Central was out en masse at this year’s South by Southwest Film Festival, and we came back with some of the best damned coverage you could ever hope for. In case you missed any of it, we have a full index of coverage for you right here!

Big thanks to both Dark Sky Films and Shudder for their sponsorship of our media village content. Also big kudos to Jon Condit, Jonathan Barkan, Shaked Berenson, and Josh Millican for their tireless work.



Daily Wrap-Ups


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Prodigy Review – This Kid Is Killer



Starring Richard Neil, Savannah Liles

Written and directed by Alex Haughey and Brian Vidal

From the minds of Alex Haughey and Brian Vidal, Prodigy could have easily debuted as a stage play instead of an intimate sci-fi horror film delivered straight to your television. Told with a confident grasp, the story unfolds in only one location with two characters responsible for carrying the entire narrative. Good performances, sure-handed directing, and a solid script highlighting tense moments make the claustrophobic setting seem much bigger in scope. A little telekinesis thrown in to good effect and a creepy killer kid don’t hurt the momentum either.

Under constant surveillance at a remote black site, an aging psychologist named Fonda (Neil) is tasked with assessing a dangerous young girl called Ellie (Liles), who is highly intelligent and possesses supernatural powers. Fonda attempts to inject some humanity into Ellie, but she is cold and calculating and seems to be toying with him at times and the onlookers watching from behind the glass. The back-and-forth between both characters is competitive and often riveting, with Ellie slowly revealing her abilities to her wide-eyed new audience. Wrapped up in a familiar setup, the decision to study or dissect this meta kid is the central question of Prodigy; but the execution of a simple premise is what keeps the story afloat.

On a very small scale, Haughey and Vidal make the setting feel cinematic with crisp images and smart shot selections that help maintain the tension. There’s a strong backbone in place that allows both actors to bounce off of each other in a well-choreographed mental dance as the dangerous game they’re playing begins to unravel.

Several scenes where Elle demonstrates her powers are the standouts in Prodigy with chairs and tables flying and glass breaking to great effect. These sequences diffuse some of the tension for a moment, only to fully explode late in the film when Elle’s emotions unleash. It’s only then that there has been any kind of breakthrough that could possibly help to save her life.

That gets to the heart of the real question posed in Prodigy: Is an extraordinary life still worth saving if it threatens ordinary lives in the process? Also, does the fact that this potential weapon is housed inside the body and mind of a young, lonely girl make a difference to whether it should survive? These questions and how they’re answered make Prodigy a micro-budget standout in the indie horror genre well worth taking the time to rent this weekend if you’re not planning on attending a St. Patrick’s Day parade somewhere.

Prodigy is now available to on iTunes, Amazon, and other On Demand platforms.

  • Prodigy


The questions raised and how they’re answered make Prodigy a micro-budget standout in the indie horror genre well worth taking the time to rent this weekend if you’re not planning on attending a St. Patrick’s Day parade somewhere. 

User Rating 0 (0 votes)


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Cold Hell (Die Hölle) Review – Giallo Terror Invades Vienna



Starring Violetta Schurawlow, Tobias Moretti, Sammy Sheik

Written by Martin Ambrosch

Directed by Stefan Ruzowitzky

I have a serious soft spot in my horror-loving heart for serial killer films. Movies like Seven, The Silence of the Lambs, The Crimson Rivers, and the like draw me in with their cat-and-mouse mentality. Couple those kinds of movies with non-US settings and I’m 100% hooked. So when I was introduced to Die Hölle (aka Cold Hell), which just started streaming on Shudder, I didn’t hesitate to enter this giallo-inspired thriller.

Cold Hell follows Özge Dugruol (Schurawlow), a Turkish taxi driver in Vienna who clearly lives a strained, almost broken life. The fares she picks up verbally abuse her, the Thai boxing gym where she lets go of her anger has banned her after a violent sparring incident, and her family has its own fair share of problems, including infidelity, lack of responsibility, and painful memories of early years.

One night, after coming home from a long shift, Özge opens the window in her bathroom only to see across the way into the home of another woman who is lying on the ground, flayed and burnt, her dead eyes staring at Özge. Stunned into shock, she can only look on before realizing that the man responsible for this woman’s death is standing in the shadows, looking at her. So begins Özge’s journey of terror as this killer makes it his mission to find and end her life.

Cold Hell has an interesting juxtaposition running throughout the film where cinematographer Benedict Neuenfels’ gorgeous visuals are used to highlight the near-squalor and seedy underbelly of Viennese life that Özge lives in. Each scene is bathed in vibrant colors, streetlight reds and neon greens painting the frames. Marius Ruhland, who composed Ruzowitzky’s Academy Award-winning film The Counterfeiters, lends beautiful and thrilling music that knows when to coil up and provide tension before exploding to mirror the chaotic frenzy of the on-screen events.

A direct commentary on religion’s antiquated view of the place and purpose of women, Cold Hell doesn’t shy away from making nearly everyone in this movie a flawed character. People who were unlikable become understandable once the breadth of their circumstances becomes more clear, as is the case with detective Christian Steiner (Moretti), who originally treats Özge with an almost xenophobic attitude only for us to later see that he cares for his dementia-ridden father. While not excusing his previous behaviors, such a revelation gives his irritation and frustration a more justifiable foundation.

When the action strikes, we are treated to breathtaking car chases, blood splashing across the screen, and believable reactions. The characters in this film get hurt and they show it, limping painfully with their cuts and bruises open for the world to see.

The film is certainly not flawless. Some characters feel shoe-horned in and there are rather lengthly segments where the film comes to a crawl. However, the engaging and nuanced performance from Schurawlow easily kept me glued to the screen.

  • Cold Hell


With beautiful music and gorgeous visuals, Cold Hell is an engaging, albeit slow burn, serial killer thriller. This is one film that should not be missed.

User Rating 5 (1 vote)


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