Shout! Factory Dishes the Dirt on Piranha and Humanoids from the Deep Special Edition Blu-ray Releases - Dread Central
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Shout! Factory Dishes the Dirt on Piranha and Humanoids from the Deep Special Edition Blu-ray Releases

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If we could kiss, cuddle, and embrace Shout! Factory until we both weep, I think that we would. After reading the following news, we’re fairly certain you’ll want to join in on our video induced love fest.

From the Press Release
Just when you thought it was safe to take a dip in the water again…they’re baaaack! This summer rediscover two enduring Roger Corman underwater thrillers filled with unstoppable action and edge-of-your-seat suspense as Joe Dante’s Piranha and Humanoids from the Deep, directed by Barbara Peters, debut August 3, 2010 for the first time on Special Edition Blu-ray and DVD from Shout! Factory, in association with New Horizons Picture Corporation. These two definitive Special Edition home entertainment releases from Roger Corman’s Cult Classics are sure to cause a feeding frenzy among thrill seekers and loyal fans of Roger Corman and Joe Dante. Piranha Special Edition offers two highly collectible covers: the Blu-ray and DVD both feature the iconic vintage cover art from the film’s original 1978 movie poster and the spectacular art from the original international poster for the reverse cover; and the Special Edition DVD is further sparkled with a visually stunning 3D lenticular exterior packaging. Humanoids from the Deep Special Edition also boasts a reversible cover featuring vintage art from the U.S. and international movie posters.

Piranha

Both Special Edition Blu-ray and DVD releases of Piranha and Humanoids from the Deep feature anamorphic widescreen presentation of the movie and a spectacular array of special bonus content, including all-new in-depth interviews and commentaries with cast and crew, rare behind-the-scenes footage, reversible cover and more. Each Blu-ray and DVD is sold separately. Blu-ray is priced to own at $26.97 and $19.93 for the DVD. Dare you to take the plunge with the original Piranha and Humanoids at home before you put on those 3-D shades for the remake of Piranha in 3-D coming to theaters nationwide late August. See where the phenomenon began!

Lost River Lake was a thriving resort until they discovered … Piranha!

In 1978, audiences discovered Piranha, widely considered one of the very best films “inspired” by the success of Jaws, and for more than 30 years Piranha has been one of the true cult gems in the Roger Corman canon.

For the first time in anamorphic widescreen, Piranha is being seen the way it was meant to be seen: Bigger, badder, bloodier and more BITING than ever! This summer at Lost River Resort, the fish are most certainly biting!

While searching for missing teenagers, rookie skip-tracer Maggie McKeon (Heather Menzies) and booze-soaked river rat Paul Grogan (Bradford Dillman) stumble upon a top-secret military laboratory conduction genetic research on piranha fish for the purpose of developing the most lethal form of biological warfare imaginable.

When the deadly eating machines are accidentally released from the compound, they’re soon headed downstream, consuming everything — and anyone — in their path. With Paul and Maggie in hot pursuit, the piranha’s next stop is the children’s summer camp, where Paul’s young daughter is vacationing, and then the newly-opened, multi-million-dollar water resort. Time is running out, and the piranha are hungry!

Piranha marked the solo directorial debut of Joe Dante (The Howling, Gremlins and Gremlins 2: The New Batch), after a long apprenticeship under Roger Corman’s tutelage at New World Pictures, and also marked the first produced screenplay of future indie-film icon and two-time Academy Award® nominee John Sayles (Lone Star, Passion Fish, Eight Men Out). Sharp-eyed viewers will also spot cameo appearances by both Dante and Sayles in this film!

The film also featured one of the most star-studded casts ever assembled for a Corman production: Daytime Emmy® and Golden Globe® winner Bradford Dillman (The Way We Were, Compulsion, Escape from the Planet of the Apes), Heather Menzies (TV’s Captain America and Logan’s Run), Academy Award® nominee and Golden Globe® winner Kevin McCarthy (Death of a Salesman, Invasion of the Body Snatchers) and Emmy® nominee Keenan Wynn (Dr. Strangelove, Robert Altman’s Nashville), as well as Emmy® winner Barbara Steele (The Pit and the Pendulum, Caged Heat, Mario Bava’s Black Sunday), Dick Miller (A Bucket of Blood, The Terminator, Martin Scorsese’s After Hours), Paul Bartel (Death Race 2000, The Usual Suspects), Belinda Balaski (The Howling, Small Soldiers, Explorers), Richard Deacon (TV’s The Dick Van Dyke Show and The Mothers-in-Law) and, in his final screen appearance, Barry Brown (Bad Company, Daisy Miller, The Ultimate Thrill).

Not only was Piranha a box-office hit – becoming one of New World Pictures’ biggest worldwide hits – but it also earned rave reviews from critics, who appreciated its fast pacing, energetic cast, clever conspiracy satire, inventive special effects and, of course, the scares. Many critics considered it second-best only to Jaws but far superior to the “official” Jaws sequels — including Jaws 2, which opened the same year. Piranha won the Saturn Award for Best Editing (shared by Dante and Mark Goldblatt) and was nominated as Best Horror Film.

Like so many Roger Corman productions, Piranha served as a career springboard for many of its participants, including director Dante, screenwriter Sayles, and producer Jon Davison (Airplane!, Robocop and RoboCop 2). Future Academy Award® winner Rob Bottin (Total Recall, The Thing, Se7en) provided special makeup effects in what marked his first screen credit, and the visual effects team boasted not one, but two, future Oscar® winners: Phil Tippett (Jurassic Park, Star Wars, The Empire Strikes Back) and Chris Walas (The Fly, Raiders of the Lost Ark, Gremlins).

Perhaps the greatest tribute to Piranha’s sustained popularity is that this summer will see the release of Piranha 3-D to the nation’s movie screens. While the big-budget remake will undoubtedly put the bite on moviegoers, true fans know where it all began … with the original, classic Piranha.

PIRANHA SPECIAL EDITION BLU-RAY AND DVD SPECIAL FEATURES:

  • New anamorphic widescreen presentation (1.78:1)
  • Audio commentary with director Joe Dante and producer Jon Davison
  • Behind-the-scenes footage
  • “The Making of Piranha” featurette with new interviews from Roger Corman, Joe Dante, Dick Miller, Belinda Balaski and many More
  • Bloopers and outtakes
  • Piranha trailer with commentary by producer Jon Davison – Courtesy of Trailers From Hell
  • Stills gallery with photos and posters from around the world
  • Behind-the-scenes stills gallery featuring photos from Phil Tippett’s personal collection
  • Additional scenes from the network television version
  • Radio and TV spots
  • New World trailers

    One good bite deserves another!

    Two years after the success of Piranha, Corman and New World Pictures went back to the water and came up with a winner. Humanoids from the Deep was yet another box-office bonanza.

    In the sleepy fishing village of Noyo, the fish aren’t biting — and that’s the problem. The town’s faltering economy, dependent entirely on the fishing industry, has exacerbated ongoing, racially-charged tensions between the local fishermen, who want a cannery to be constructed in the town, and the Native American population, who most definitely don’t.

    But something else is biting — and worse. A genetic experiment on salmon has produced a species of aquatic monstrosities that are half-man and half-fish … and constantly on the rampage! The body count is rising. Men are being mauled to death, but the female victims suffer a far worse fate: The monsters are mating with them, trying to propagate their horrific species.

    Local fisherman Jim Drake (Doug McClure) and scientist Susan Drake (Ann Turkel) join forces to investigate the cause of this insidious invasion, but time is running out. Noyo’s annual Salmon Festival is about to take place on the town’s boardwalk, and some uninvited guests are planning to crash the party in bloodthirsty fashion, culminating in a bloodbath that pits man against monster.

    Amid the film’s non-stop action and carnage, however, are also subtle messages about corporate corruption, preservation of the underwater ecology (years before Greenpeace hit the headlines!), and the importance of community. If the residents of Noyo are to survive, they will have to put aside their cultural and political differences and band together. If not, Noyo is doomed.

    Humanoids from the Deep proved to be expectedly commercial, but also proved unexpectedly controversial. Credited director Barbara Peters (billed as Barbara Peeters) contended that many of the film’s gorier scenes had been added to the film after principal photography. That may be true, but some of these scenes are the ones most fondly — and fearfully — remembered by the film’s legion of followers. Then the MPAA (Motion Picture of America) threatened to slap the film with an X rating unless some of its more shocking moments were edited down or eliminated altogether. Nevertheless, these controversies didn’t count where it mattered the most — at the box-office, as Humanoids from the Deep became one of New World Pictures’ most popular releases up to that point.

    Even more surprising is that the film received good reviews. Although he called it “fast, occasionally hilarious gutter trash,” esteemed film critic Leonard Maltin also awarded it three out of four stars!

    This release of Humanoids from the Deep will truly be something spectacular. This version has never been seen before in the United States, as it was taken from the inter-positive from the uncut international version in high definition.

    The cast of Humanoids from the Deep is headed by genre favorite Doug McClure (Warlords of Atlantis, The Land That Time Forgot and The People That Time Forgot), Golden Globe® nominee Ann Turkel (The Cassandra Crossing, 99 and 44/100% Dead) and Emmy Award® nominee Vic Morrow (Blackboard Jungle, The Bad News Bears, 1990: The Bronx Warriors).

    Future Oscar® winner Rob Bottin again provided the film’s spectacular — and spectacularly gory — special effects, including a climactic birth scene that rivals the one in the original Alien! The film’s menacing and foreboding score was composed by James Horner (Titanic, Aliens, A Beautiful Mind), himself the future recipient of two Academy Awards®. Production assistant Gale Anne Hurd would go on to become one of the most successful female producers in Hollywood history, with such blockbusters as The Terminator, Aliens, Armageddon and Terminator 2: Judgment Day to her credit.

    Humanoids from the Deep

    HUMANOIDS FROM THE DEEP SPECIAL EDITION BLU-RAY AND DVD FEATURES INCLUDE:

  • New high-definition transfer of the Uncut international version presented in anamorphic widescreen (1.78:1)
  • Never-before-seen deleted scenes
  • Trailer, TV and radio spots
  • Leonard Maltin’s interviews with Roger Corman on the making of the film
  • “The Making of Humanoids From The Deep,” featuring new interviews with composer James Horner, second unit/assistant director James Sbardellati, editor Mark Goldblatt and more!
  • New World trailers

    With the release of both Piranha and Humanoids from the Deep on Special Edition Blu-ray and DVD, this is sure to be a shocking summer. But remember: Stay out of the water!

    Shout! Factory will continue to present Roger Corman’s Cult Classics home entertainment releases on a monthly basis. Upcoming highlights include Starcrash, Slumber Party Massacre: The Collection, The Evil, Twice Dead, Not of This Earth, Time Walker, Dead Space, among others.

    Independent filmmaker-producer Roger Corman’s illustrious career ranks as one of Hollywood’s most amazing success stories. Having produced more than 350 films and directed 50 others, his influence on American film goes far beyond his own energetic, creative low-budget movies. He is arguably one of Hollywood’s most gifted and masterful filmmakers. In 2009 he was the recipient of an honorary Academy Award® for his contribution to the medium of film.

    Noted for his keen ability to spot young talent, Corman’s most lasting legacy will undoubtedly be the legion of producers, directors, writers and actors he has fostered, among them: Jack Nicholson, Francis Ford Coppola, Robert De Niro, Martin Scorsese, James Cameron, Ron Howard, Peter Fonda, Jonathan Demme, Gale Anne Hurd, Diane Ladd, Tommy Lee Jones, Sandra Bullock, Bruce Dern, Talia Shire, Charles Bronson, Joe Dante, Peter Bogdanovich, Dennis Hopper, Bill Paxton, Carl Franklin and Sally Kirkland.

    Shout! Factory is a diversified entertainment company devoted to producing, uncovering and revitalizing the very best of pop culture. Founders Richard Foos, Bob Emmer and Garson Foos have spent their careers sharing their music, television and film faves with discerning consumers the world over. Shout! Factory’s DVD offerings serve up classic, contemporary and cult TV series, riveting sports programs, live music, animation and documentaries in lavish packages crammed with extras. The company’s audio catalogue boasts GRAMMY®-nominated boxed sets, new releases from storied artists, lovingly assembled album reissues and indispensable “best of” compilations. These riches are the result of a creative acquisitions mandate that has established the company as a hotbed of cultural preservation and commercial reinvention. With its fingers on the pulse of pop culture, Shout! Factory continues to impact the entertainment media landscape through acquisition of top quality programming for home entertainment releases. Shout! Factory is based in Santa Monica, California. For more on Shout! Factory, visit Shout! Factory Online and RogerCormanCultClassics.com.”

    Pre-order yourself these bad boys below!

    Uncle Creepy

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    Check Out the Opening 2 Minutes of Another WolfCop

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    It was just earlier today that we brought you guys The Dude Design’s the newest poster for writer-director Lowell Dean’s horror-comedy sequel Another WolfCop.

    And now we have the movie’s opening 2 minutes!

    The clip showcases the new flick’s villain trying to sell us on his “Chicken Milk Beer” before losing his cool and taking it out the commercial’s crew. We then cut to a ragtag group of criminals, dressed as homeless Santas trying to outrun the cops.

    A fun two-minutes if you ask me!

    You can check out Another WolfCop‘s opening scene below and then make sure to hit us up and let us know what you think in the comments below or on social media!

    The film is written and directed by Lowell Dean, produced by Bernie Hernando, Deborah Marks, and Hugh Patterson, and distributed worldwide by Cineplex.

    Another WolfCop co-stars Amy Matysio, Jonathan Cherry, and Serena Miller. The film also features special appearances from Canadian music icon Gowan and legendary filmmaker Kevin Smith. It was executive produced by Sean Buckley, J. Joly, Bill Marks, Brian Wideen, Michael Kennedy, and Michael Hirsch.

    The film is slated for a wide Cineplex theatrical release on Friday, December 8, 2017, with the film seeing a Blu-ray/DVD/Digital home entertainment release through A71 and Black Fawn in 2018.

    Synopsis:

    A month has passed since the eclipse transformed hard-drinking Officer Lou Garou into the crime-fighting hellion WolfCop. Although the Shape Shifters controlling the town have been extinguished, Woodhaven is far from returning to normal. Lou’s liquor-fueled antics and full moon outbursts are seriously testing his relationship with Officer Tina Walsh – the new Chief of Police. An old friend has mysteriously reappeared with a truly bizarre secret to share, and a homicidal new villain has emerged from the shadows looking to finish what the Shape Shifters started. To defeat this lethal adversary, it will take more than a lone wolf packing a pistol.

    Prepare for the next chapter of WolfCop that will be more dirty and hairy than the original! Consider yourself warned.

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    AHS: Cult Review: Clowns, Cults, Politics, and Peters

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    Starring Evan Peters, Sarah Paulson, Billie Lourd, Cheyenne Jackson, Frances Conroy, Mare Winningham, and Allison Pill

    Created by Ryan Murphy and Brad Falchuk


    ** NO SPOILERS **

    It’s here. We’ve reached the end. The newest season of “American Horror Story” has ended and now we are here to provide you guys with our season review of AHS: Cult.

    Spoiler free.

    To start things off let me say I’m not the world’s biggest fan of “American Horror Story”. It breaks down like this: I enjoyed the absolute hell out of the first season of the series (“Murder House”), couldn’t get through “Asylum” (I know, I know, I’ve tried), dug “Coven” for what it was, really enjoyed “Freak Show”, and again I couldn’t get into “Hotel” or “Roanoke”.

    That’s the story of me and “American Horror Story”. Plain And simple. But what did I think of the new seventh season of the notorious horror anthology series? Let’s find out.

    Back when the seventh season of AHS was first announced (then going by the title “AHS: Election”) I was immediately intrigued by the new season because I heard it would not include any supernatural elements. Like the fourth season, “Freak Show”.

    Now I’m a fan of ghosts and weird creature-men with drills for d*cks, don’t get me wrong. But the series has thus far relied almost exclusively on horrors of the supernatural variety (other than “Freak Show”) so this major change of pace was again welcomed by this guy.

    Instead of vampires, aliens, and witches this season relied on terrors of the mind. Psychological fears and anxieties. The horrors man does to man. Deep issues.

    Oh, and clowns. Like a lot of clowns.

    But just because this new season didn’t include anything supernatural, that doesn’t mean the 11-episode season wasn’t filled with twisted visuals and horrifically disturbing acts. No, sir. This season boasted some showstoppers including S&M, gimps, and a house of horrors that wouldn’t be out of place in a Rob Zombie flick. It was all good.

    But let’s backtrack a bit here.

    Allow me to rundown the season’s plot for those who may be unaware. “AHS: Cult” tells the tale of a world post-election night. The literal dawn of Trump’s America. In one corner we have Sarah Paulson’s soccer mom, trying to fight through life with a series of crippling phobias (including clowns, holes, blood, and being a good person).

    And in the other corner, we have Evan Peter’s angry, white (blue-haired) male, looking to seize Trump’s new position of power to bring about the end of… Actually, I want this to be a spoiler-free season review, so I’m just going to say the dude’s got big plans.

    Like Manson-size plans. Let’s leave it at that.

    With these two characters established, the new season then proceeds to send them spiraling into a collision course of political sabotage, intrigue, and clown-based nope, nope, nope-ing that can only end with one – or both – of them dead as Dillinger.

    Overall “AHS: Cult” belonged end-to-end to Mr. Evan Peters. The young actor has continued to show his striking range from season to season of Ryan Murphy’s horror show and this season was no different. Peters’ turn as not only Kai, the blue-haired leader of the titular cult, but as infamous leaders such as David Koresh, Jim Jones, and Charles Manson – to name a few – owed this season.

    I can only hope he doesn’t pull a Jessica Lange and opt-out of more AHS next year.

    Speaking of top performances, “AHS: Cult ” showcases some other chilling and memorable turns with Alison Pill’s strangely vulnerable, put-upon wife character being the best next to Peters in my eyes. This actress needs to be in more films/TV!

    Along with Pill, actress Billie Lourd killed it time and time again. The “Scream Queens” breakout star and Carrie Fisher spawn was yet again a highlight in her second Ryan Murphy series. Bet she has the starring role in next season. Mark my words.

    Add to that, the season also boasts a handful of fun cameos, including John Carroll Lynch’s return as Twisty the Clown, Emma Roberts as a bitchy reporter that will do anything to end up on top, and Lena Dunham as SCUM Manifesto writer Valerie Solanas. The cameo cast killed it and I wish they would have been present for more episodes. What are you gonna do?

    On the sour side of the season, I didn’t dig Sarah Paulson’s character. At all. But I’m sure that was the point. Right? I’m still not sure. But, boy, I wouldn’t even want to be stuck in line behind her at a Starbucks for three minutes, let alone spend the better part of this season’s 11-hours with her and her whiny bullshite. Urgh.

    That said, she pulled it out by the finale. That’s all I’ll say.

    In the end, I enjoyed this season as much as – if not more – than any other of the series. “Murder House” will still no doubt go on as my favorite season of the series, but “AHS: Cult” will rank third after season one and “Freak Show”.

    While I was on the fence about the season after three episodes, the show ended up ditching Paulson’s character (and/or shifting her arch) after a lull so the episodes picked up quickly. Whenever the season turned its focus back towards Peters (in whichever incarnation he was playing at the time) the show got better and better. Every time.

    Not a bad way to spend my Tuesday night for the past 11 weeks.

    Bring on season 12.

    • American Horror Story: Cult (2018)
    3.5

    Summary

    The seventh season of Ryan Murphy’s American Horror Story was Evan Peters’ show all the way through. The young actor pulled out all the stops time and time again to make what may have been a lackluster supernatural-free season a winner.

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    The Axiom Review – A Stylish and Clever Slice of Independent Horror

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    Starring Hattie Smith, Zac Titus, Nicole Dambro

    Directed by Nicholas Woods


    The Axiom is an ambitious, well directed, impressively acted and stunningly shot independent horror film that has just a few, teensy little flaws holding it back from greatness (and therefore will have to settle for just being really, really good, instead).

    The first thing you realize when watching The Axiom is that this is a beautiful film. Everything is framed and shot in a lush and stylish manner, but one which is always tonally appropriate for the scene.

    The second thing you’ll notice, and keep noticing as the film plays out, is that the movie really struck gold with this cast. Not only is there a total lack of the sort of stilted and unnatural acting seen in countless other microbudget horror affairs, but the performances are genuinely fantastic across the board. The main characters are believably chill and relatably normal in the early scenes, and the acting remains just as impressive once things start getting a bit more… intense. It’s not often that an independent horror film has so many good performances that it makes it hard to pick the movie’s acting VIP, but that is undeniably the case here. Taylor Flowers delivers what is probably the showiest performance (and does it very well, indeed), but the entire cast really is quite good.

    The central premise of the film is both interesting and original, and touches upon the real life fact (given some recent attention in the ‘Missing 411’ books and documentary) that a lot more people sure seem to go missing out in the woods than seems reasonable, while simultaneously weaving all sorts of folklore, fairy tales and urban legends into the mix. It’s also clever in the way that it very naturally reveals aspects to the relationships between characters that serve to later – or sometimes retroactively – explain some of the more questionable decisions they make or attitudes they display. While that may sound like screenwriting 101, it’s surprising how many films fail to do this. The Axiom rewards the viewer’s attention in other ways as well, with many aspects of the movie that initially feel odd or unnatural receiving reasonable explanations (within the context of the movie) by the end. It’s not quite as challenging (or as rewarding) in this regard as, say, something like Session 9, but it does add a nice layer of complexity to the storytelling.

    The film’s score, by Leo Kaliski, is also quite good. There may be a moment here or there where the music hits an overly familiar beat, but overall it not only fits the movie’s tone, but does quite a bit to help set that tone as well.

    The only thing that I don’t feel the movie quite pulls off – and I’m trying to be vague here, because I feel like the less you know going into this film, the better – is some of the makeup effects work. The gore stuff is very well executed, but some of the other stuff feels like it was crafted with the intention of shooting it in a more… stylized manner. Instead, filmed as it is here, the result is sometimes less than impressive and can fail to make the impact that the movie seems to be implying that it should. And while some of what the makeup effects lack in execution is made up for with the ingenuity and creativity of their design, it’s still a bit of a shame when they don’t quite pull them off because, aside from a few niggles that I have with the writing, the effects are the only aspect of the film that occasionally fails to live up to the high level of technical proficiency that The Axiom otherwise demonstrates.

    ADDITIONAL THOUGHTS:

    • Man, the acting in this movie is really good. The dialogue may stumble once or twice, but these actors always sell it anyway.
    • Give back Mia Sara’s DNA, Hattie Smith!
    • If you’re going to put your female lead in shorts this small, I hope you’re not sensitive to viewers unleashing a nonstop parade of “Has anyone seen my pants / OH GOD WHERE ARE MY PANTS!” jokes.
    • “You just pop this here ‘Blair Witch Stick Person / Anarchy sign’ sticker up on that there windshield of yours, and them park rangers? Well – heh heh – they won’t bother you none, no sir.” Hmmmmm…
    • The film really is shot amazingly well – better than a lot of mainstream releases. Cinematographer Sten Olson has a real future ahead of him.
    • As does writer / director Nicholas Woods, for that matter. Any director who can get this level of quality out of their cast and crew on their first ever film is someone to keep an eye on.
    • “I’ll make a run for it and get help,” says the female lead, and I’m like “Yeah, let her go – she has no pants to weigh her down.”
    • The gore effects in the movie are both realized and utilized very well.
    • Welcome back to horror movies, “I’ll be right back” dialogue spoken unironically by and/or to ill-fated characters.
    • The Axiom
    4.0

    Summary

    In the end, The Axiom is a solid and entertaining flick that manages to wring a level of quality and originality out of the somewhat tired “Don’t Go in the Woods” horror subgenre not seen since 2012’s Cabin in the Woods. The cinematography and acting are hugely impressive, it features a nice, unnerving score, the premise is original and captivating, and the whole thing moves at a nice pace that helps keep the film’s flaws from dragging it down.

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