Peter Jackson and Stanley Tucci Talk The Lovely Bones

Peter Jackson and Stanley Tucci Talk The Lovely BonesDread Central hit The Lovely Bones press conference in Beverly Hills, CA, where director Peter Jackson, along with the film’s stars Stanley Tucci, Saoirse Ronan, Rose Mclver, Mark Wahlberg, Susan Sarandon and Rachel Weisz, talked up their cinematic incarnation of Alice Sebold’s best-selling novel.

Centering around lead character ‘Susie Salmon’ (Ronan) who is murdered by child-rapist and killer ‘Mr. Harvey’ (played in the film by Tucci), The Lovely Bones’ source material is at times a challenging read in its portrayal of violence, particularly in the first chapter. The tome though at its core focuses on the effect of the crime on the victim and her relatives, as Susie watches them from a hallucinogenic limbo while struggling with her feelings of vengeance towards her killer and her empathy toward the plight of those that remain. Jackson, whose previous efforts include the rather fantastical The Lord of the Rings trilogy and 2005’s King Kong, addressed the film’s focus on the latter.

There are artistic, moral and practical reasons which I should talk about,” explained the now-svelte Jackson as to why they shied away from the more sensational and lurid moments of the source material. “We made a film about a teenager who is murdered and goes into an after-life, and we wanted to make a film that teenagers could watch, so to speak. (Producer) Fran (Walsh) and I have a daughter that is very similar to (the character of) ‘Susie’s’ age, and there’s a lot of positive aspects to this film, and it’s not something I wanted to have to shield our daughter from. So it was important for us not to go into R-rated territory. Also, I never regarded the movie as being a film about a murder, and if we ever shot any aspect of that particular sequence in any way, then it would stigmatize the film.

Jackson expounded of his Dreamworks’ feature, which opens wide on December 11, “Movies are such a powerful medium with music and acting and effects and editing and lighting and camerawork that to show a fourteen-year-old girl being murdered in any way, even briefly, would completely swing the balance of the movie, and frankly it would make it a film I would not want to watch. You know, every movie I make is a film that I’d want to see – it’s important to me. There’s a positive aspect (to the film we did make) in the sense that she’s immortal – in saying that there’s no such thing as death. These themes interested us, and not the murder. I mean I’ve shot some pretty extreme things in my time with Bad Taste and Meet the Feebles and Brain Dead, and there’s a certain style and a sense of humor that I believe you can do to get away with that – but to do anything that depicted violence especially against a young person in a way that was serious would be repulsive (to me).

Peter Jackson and Stanley Tucci Talk The Lovely BonesNonetheless, actor Tucci found his role challenging, even with the toned-down violence.

It was hard in every respect,” said the actor. “I was very reticent to take the part at first. I have kids, and I don’t like to read anything or watch anything about kids being harmed, or about serial killers. There is so much serial killer information out there – so many documentaries, but a lot of it is sort of gratuitous and almost pornographic. This (The Lovely Bones) was not that . This was a beautiful story about the exploration of loss. I felt very safe with Pete, and felt that there would be nothing here that would be gratuitous, and that we were going to create a person together in here in (my character of) ‘Mr. Harvey:’

As for his approach to fleshing out the human monster, Tucci explained that, “The more real he is, the more subtle he is; and the more banal he is, the more terrifying he is. At the beginning it was very hard to leave (the character) at the end of the day, particularly when you are fresh off your research and your research is repulsive, but eventually once I understood who he was and found him, I could drop him at the end of the day. There’s no doubt though that this was the most difficult thing as an actor I’ve ever done, and I looked forward at the end of each day to going into the makeup trailer and taking everything off and having a martini.” Joking wryly, “And one at the beginning of the day too.

Check out our first impressions of The Lovely Bones here, and for more visit The Lovely Bones website.

The Lovely Bones

Sean Decker

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  • Dreamer

    First, the book. I think Alice Sebold is a bold and clever writer, only not good enough to sustain the interest through to the end. The idea of writing from afterlife should be suspenseful and powerful, in which case I think its much debated comparison, Forgiving Ararat by Gita Nazareth, to fare better in terms of quality and the flow of plots.

    Movie-wise, it deteriorates further. The big ideas that were present in the book, albeit poorly constructed, were altogether absent from the movie. If you only care for the extra effects, then by all means go watch the movie. But if you’re after something deeper and more substantial, well… choose another book to read.

  • emmaclaire42

    If you like The Lovely Bones, read “Forgiving Ararat” by Gita Nazareth. I’m a publicist and fan of the book which is about a woman who unlocks the secrets behind her own murder. Read the first two chapters of this supernatural thriller at and read my review at