Today marks the digital release of Johannes Roberts’ The Strangers: Prey at Night (Blu-ray/DVD will be coming out June 12), and we’re celebrating the release of this home invasion horror/thriller by bringing you an exclusive clip of stars Martin Henderson and Bailee Madison discuss their scariest scenes to film along with behind-the-scenes anecdotes. Now, this clip isn’t part of the bonus features but it’s a fun little look into what actors enjoy and remember from their shoots.
If you want to pre-order the Blu-ray or DVD, you can do so via Amazon.
The film is directed by Johannes Roberts from a script by Bryan Bertino and Ben Ketai and stars Christina Hendricks, Martin Henderson, Bailee Madison, and Lewis Pullman. It’s produced by Wayne Marc Godfrey, James Harris, Robert Jones, and Mark Lane.
A family’s road trip takes a dangerous turn when they arrive at a secluded mobile home park to stay with relatives and find it mysteriously deserted. Under the cover of darkness, three masked psychopaths pay them a visit to test the family’s every limit as they struggle to survive. Johannes Roberts, whose shark diving thriller 47 Meters Down was a smash hit, directs this horror film featuring Christina Hendricks (“Mad Men”), Bailee Madison (Don’t Be Afraid of the Dark), Martin Henderson (The Ring), and Lewis Pullman (Battle of the Sexes).
- Alternate Ending
- “Prep for Night” Music Video – Director’s Cut: The Man in the Mask, Dollface, and Pin-up Girl get ready to terrorize an unsuspecting family in a music video directed by horror auteur Mickey Keating (Darling, Carnage Park)
- A Look Inside The Strangers: Prey at Night: Stars Christina Hendricks, Martin Henderson and director Johannes Roberts talk about the making of the film
- Family Fights Back: Stars Christina Hendricks, Martin Henderson, Bailee Madison, Lewis Pullman and director Johannes Roberts review the film’s characters and their fight to survive
- The Music of The Strangers: Prey at Night: Director Johannes Roberts and star Bailee Madison discuss the John Carpenter-inspired score and the ‘80s soundtrack that keeps The Strangers killing