She discusses her work with Bruckner on both 'Hellraiser' and 'The Night House'.
She has a knack for utilizing darkness.
Umberto Smerilli explains how he created a postmodern spirit for the film.
He used a wide array of unconventional instruments to create the unique sound of 'Slapface'.
We sat down with 'Stoker Hill's cinematographer John Orphan to discuss his use of darkness, found footage, and more.
The Texas Chain Saw Massacre was a big influence.
Spoons can in fact be instruments.
We sat down with cinematographer Anka Malatynska to discuss her work on 'I Know What you Did Last Summer' and
The lenser behind two of this year's hot-button horror titles tells us what gear he used, a scene he's proud
Check out Jordan von Netzer's exclusive interview with Ryan Purcell, cinematographer of THE STAIRS!
Composer Émoi will team up again with Kevin Lewis, this time for the intense horror movie THE ACCURSED!
In our exclusive interview, Jordan von Netzer talks to Mikel Hurwitz about combining horror and comedy in his score for