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Collin Brazie explains how he worked with Larry Fessenden to make their film ‘Blackout’ feel like a modern twist to the monster film.
Dread Central spoke with ‘Bag of Lies’ director David Andrews James about his directorial debut and how David Fincher was his teacher.
We spoke with ‘Loop Track’ composer Mike Newport about using nature as his primary instrument and how ‘Jurassic Park’ inspired him.
‘Double Blind’ director Ian Hunt-Duffy spoke with Dread Central about modern Ireland, his love of the horror genre, and more.
Dread Central spoke to composer Lasse Enersen about using folk music, Christmas music, and heavy metal in the film’s score.
We spoke with ‘Appendage’ cinematographer Powell Robinson about working with puppets, how Guillermo del Toro influenced the film, and more.
‘That’s A Wrap’ cinematographer Marcus Friedlander discusses paying homage to the famous Psycho shower scene, the throat sequence, and more.
We spoke with the ‘Don’t Look Away’ cinematographer Athan Merrick about everything from his giallo inspiration to the toughest scene to shoot.
Dread Central spoke with ‘Belle’ composer Max Orenstein about using wind throughout the score, the importance of bathrobes, and more.
Dread Central spoke with Anubys Lopez about his new film ‘Aged’, getting inspiration from A24 films, and much more.
Dread Central spoke with ‘Leave’ composer Jamie Christopherson about how he crafted the distinctly Nordic sound for the new Shudder film.
Dread Central spoke with ‘Malum’ cinematographer Sean McDaniel about the flashlight as a character, expanding the world’s universe, and more.
