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Dorothy and the Witches of Oz (2012)



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Dorothy and the Witches of OzStarring Paulie Rojas, Eliza Swenson, Billy Boyd, Barry K. Ratcliffe, Mia Sara, Sean Astin, Ethan Embry, Lance Henriksen, Jeffrey Combs, Christopher Lloyd

Written and directed by Leigh Scott

This review is of the 108-minute theatrical cut of Dorothy and the Witches of Oz that was given a brief run in theaters several weeks back. Originally produced as a two-part TV miniseries, this director’s cut I received a screener of is the movie-length version trimmed down and given upgraded special effects. The full-length 164-minute miniseries version was released to DVD in the US this week.

I have not seen the miniseries cut that has already been released in other parts of the world for months now. Most of the reviews I read on a UK website seemed to be most critical of the pacing. I seriously doubt anybody watching the nearly hour shorter theatrical cut will ever complain about the story moving too slowly. There are so many characters and plot points that need to be worked in it hurriedly rushes from scene to scene early on in a manner that doesn’t always leave much room for character development or explanation. It all comes together in the second half quite splendidly, but getting there can be a bit dizzying.

I also cannot comment on how improved the special effects are for this theatrical version. I can say, with only a few exceptions, that I have no complaints about the special effects. Not on par with your $100 million blockbusters, but still light years better than those seen in similar productions of such modest budget. The best special effects are practical in nature – the flying monkeys. More like flying gorillas. The Wicked Witch’s flying monkey minions now look more like Planet of the Apes refugees, and I say that in the best way possible. I only wish we got more of them.

Writer-director Leigh Scott puts a different spin on Frank L. Baum’s classic Oz tales by reimagining Kansas farm girl Dorothy Gale (Paulie Rojas) as all grown up and off to New York City to strike a deal with a major publishing firm for the rights to her children’s books about the magical land of Oz. She claims the origins of her Oz stories stem from dreams she has had mixed with similar stories written by her grandfather, Frank (wink, wink). As she will come to discover, those dreams were actually suppressed memories and there was more to her grandfather’s writings than just his overactive imagination.

Dorothy and the Witches of Oz shares a concept with the popular ABC series “Once Upon a Time” in that both are based around fantasy characters that have forgotten their fantastical origins living in the real world. Except, that is, for the Wicked Witch and her minions, duped by the Wizard of Oz into venturing into our dimension in search a mystical weapon that in her hands could unleash the entire fantasy world into ours. They remember and have sinister plans that could forever alter both worlds.

Characters and elements from the further installments in Baum’s Oz series less recognizable to those only familiar with the movie The Wizard of Oz factor into this tale. The most notable is “Princess Langwidere” from Ozma of Oz, used here as sort of a bumbling Terminatrix working on behalf of the Wicked Witch. The character of Langwidere is something of a master of disguise, albeit her disguises are the menagerie of human heads she collects which she can switch into, one being that of Ferris Bueller’s girlfriend Mia Sara. Not enough decapitations in family films, I always say.

Scott has collected his own impressive array of familiar heads for his cast, especially for fans of fantasy films. In addition to Mia Sara – no stranger to fantasy, having also starred in Ridley Scott’s Legend – fans of Lord of the Rings will see two of their favorite Hobbits reunited, sort of. Billy “Pippin” Boyd plays a potential love interest for Dorothy. Sean “Sam” Astin is one half of the pint-sized mischief makers Frick & Frack, paired with Vacancy co-star Ethan Embry. Genre legends Lance Henriksen and Jeffrey Combs both make brief appearances as members of Dorothy’s family. Even ex-pro wrestler turned rising b-movie actor Al Snow brandishes a sword as the Nome King to grapple with the steampunk-inspired Tin Man.

Most importantly there’s the always reliable Christopher Lloyd; his trademark manic energy and oddball mannerisms make him perfectly cast for the all-important role of the whimsically eccentric Wizard of Oz. If you thought Christopher Lloyd was at maximum Lloyd-ness in Piranha 3D, here his Lloyd-ness is at 88 mph.

With most of the cast given ample opportunity at some point to ham it up, camp it up, and vamp it up, by virtue of being the most straight-laced character, Paulie Rojas’ Dorothy gets easily upstaged for much of the movie. Dorothy is supposed to be simple and virtuous, but Rojas renders her too much of both, making her quite the bland heroine until well into the third act when Dorothy finally displays more than just a blank slate personality. Even Billy Boyd, whose entire character and romantic story arc with Dorothy is such a non-factor he could probably have been completely excised from the movie version without it making much of an impact, outshines her in his few and often pointless appearances.

So while the yellow brick road might have a few potholes along the way, once it gets to the second half and the pieces of the puzzle reveal themselves and fall into place, Dorothy and the Witches of Oz hits its stride, turns into a visually ambitious special effects extravaganza as the Wicked Witch launches a full-scale assault on the Big Apple by unleashing all-manner of Oz-inspired creatures and becomes a good deal and even, dare I say, kind of heartfelt. As a friend of mine who watched the movie with me, a lifelong fan of Baum’s books, put it, “That was a so much better than that lousy Syfy miniseries (Tin Man).”

Again, I cannot testify to how the complete miniseries version of Dorothy and the Witches of Oz holds up (you can order it from the EvilShop below), but I quite enjoyed the movie version and hopefully everyone else will get a chance to see it in this form sooner rather than later. I hear there’s a chance it will get a separate DVD release later this year. Hopefully. Click your heels three times, and maybe it will happen.

I assume it’s the same way with both versions; be sure to stick around through the entire end credits for one last scene that might have been the funniest moment.

3 out of 5

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THE STRANGERS Blu-ray Review – Let This Stellar Release From Scream Factory Sneak Into Your Home



Starring Liv Tyler, Scott Speedman, Man in the Mask, Dollface, Pin-up

Directed by Bryan Bertino

Distributed by Scream Factory

It’s a bit odd – though somewhat fitting, given the number of waited-too-long sequels being produced these days – The Strangers (2008) finally got a follow-up after a lengthy ten-year gap. The original is a fine example of a home invasion picture done right, or at least well enough, but, as anyone who has seen the film knows, the leads probably won’t be returning and the killers have the personalities of dime store Halloween masks. The Strangers is a disturbing film in the sense the events seem like they “could happen to you” – it is, after all, “based on a true story” (not really). Plus, the situations our leads find themselves in are exactly the sort people still freak themselves out, like whenever someone enters a room with large windows at night – let’s all be honest here. The only thing scarier than things that go bump in the night is the thought those things are just out of eyesight, waiting to scare you. With the exception of a few “wait, why are you doing that?” moments The Strangers manages to activate certain primal responses to being stalked and frightened. It’s creepy.

Not-newly-engaged couple James (Scott Speedman) and Kristen (Liv Tyler) have returned to James’ childhood summer home after a day spent at a wedding, where James’ proposal to Kristen was sadly declined. They go through some awkward motions back at home, trying to figure out where their relationship stands, when there’s a sudden KNOCK at the door. James answers and finds a young girl asking for a person who has never lived there. She leaves, cryptically mumbling she’ll “see them later”. She does, along with two other “friends” – the Man in the Mask and another girl in a pin-up mask – who proceed to stalk, taunt, tease, and terrorize both Kristen and James until the morning light breaks.

There aren’t many huge surprises in this film but the less you know about how the night plays out, the better. This isn’t to suggest the main characters make smart decisions viewers aren’t expecting, though. James is initially dismissive of a series of terrorizing occurrences Kirsten experiences when he goes out to get her a pack of smokes, brushing all of it off like she has an overactive imagination; this after the weird situation with the girl moments before. And expectedly, once James is finally on board with believing something sinister is afoot it’s already too late to do much about it. Past that point he and Kristen do act like rational people (mostly) and their plight gains a little more sympathy because of their noble efforts.

I hate the scene where James’ friend, Mike (Glenn Howerton), shows up, though. Spoiler alert: any viewer can see his accidental death coming from a mile away. Since it’s established early on James has called Mike to pick him up, what would have worked better would be if all the footage of Mike’s arrival and inspection of the house was cut. That way, his reveal at James and Kristen’s makeshift stronghold in the back bedroom would have been a major surprise. Instead, it plays out so obviously the intended impact is completely muted.

While the film falters in a few areas, it manages to make up for those gaffes by stepping outside the norm. One thing is does incredibly right is refusing to give the trio of terrorizers any personality or backstory or motivation. Viewers are left just as cold once the credits roll as they were upon being introduced to these faceless miscreants. This feels especially refreshing when watching the movie today because lately it seems so many horror films have been yanking the mystique out of things; between prequels and reboots and lengthy exposition it’s rare when a film chooses to eschew all of that. The film is also dire and dour, leaving little room for hope aside from a tiny tidbit that occurs at the very end. There are no white knights; the cavalry isn’t coming – and when you are staying at a house with weak security, near the woods, with no neighbors close by, don’t expect a deus ex machina to save the day.

Universal previously issued The Strangers on Blu-ray, though it featured both cuts on a single BD-25 and used an outdated codec. This new release from Scream Factory spreads the goods out onto two discs, giving each cut a full BD-50 to maximize bit rate. As a result, the 2.35:1 1080p image looks much more refined, smoothing out past compression issues and tightening up both contrast and definition. The lion’s share of this film was shot at night and black levels maintain a rich consistency throughout, while still allowing for details to remain apparent. Nothing is lost to the shadows, which frequently bathe the actors and environments. Scream Factory touts a new 2K scan of the intermediate and the results are nearly flawless.

As viewers might expect, sound design plays a crucial role in this film and the audio options ensure they’ll be immersed in subtle and not-so-subtle sounds from every direction. Both cuts feature an English DTS-HD Master Audio track in both 2.0 and 5.1 options. As expected, the multi-channel track offers a more discreet experience, spreading out the spooky sound design to fully envelope listeners. Thuds, knocks, voices, and footsteps creep from unexpected corners of the room, placing viewers right in the action and heightening the tension. The soundtrack goes a bit overboard on the jump scares stingers but since the whole point of this film is a couple being jolt scared over and over they seem fitting. Subtitles are included in English SDH.

Just as buyers should rightfully expect, Scream Factory has included all of the previous extra features found on Universal’s release and then some.

DISC ONE: Theatrical Cut

“The Element of Terror” – This is a routine EPK, filled with behind-the-scenes footage and interviews with the cast & crew.

“Strangers at the Door” – This piece covers the film’s initial concept and shows off some of the cast & crew working on set, with a few being interviewed, too.

A reel of deleted scenes, three TV spots, and a theatrical trailer, which is quite effective, can also be found on this disc.

DISC TWO: Unrated Cut

“Defining Moments – Interview with writer/director Bryan Bertino” – This is a newly recorded chat with the director, who discusses not only the making of the film but its legacy now that so much time has passed since release.

“All the Right Movies – Interview with actor Kip Weeks (Man in the Mask) – Here, the actor discusses how he got the role and what kind of direction was given to him for the character.

“Brains and Brawn – Interview with actress Laura Margolis (Pin-up Girl) – Just as with Kip Weeks, Margolis talks about playing such a quiet character as well as discussing some changes to the trio that were made during production.

“Deep Cuts – Interview with editor Kevin Greutert” – Learn about how the film took shape, the reasoning behind cuts and sequencing, and what changes were made right up until the theatrical release date.

A still gallery is also included.

The cover art is reversible and there is a slipcover included on first pressings featuring newly commissioned artwork.

Special Features:

  • NEW 2K REMASTER of the Theatrical Version of the film
  • NEW 2K REMASTER of the Unrated Version of the film
  • NEW Defining Moments – An Interview With Writer/Director Bryan Bertino
  • NEW All The Right Moves – An Interview With Actor Kip Weeks (Man In The Mask)
  • NEW Brains And Brawn – An Interview With Actress Laura Margolis (Pin Up Girl)
  • NEW Deep Cuts – An Interview With Editor Kevin Greutert
  • The Element of Terror – Interviews With The Cast And Crew
  • Strangers At The Door – Interviews With Writer/Director Bryan Bertino And The Cast
  • Deleted Scenes
  • TV Spots
  • The Strangers
  • Special Features


Still effective only with only a modicum of true stupidity, “The Strangers” might not be the classic it’s been called in more than a few recent retrospective pieces but it does occupy a cushy spot near the top of the contemporary home invasion film list. Scream Factory’s release offers up excellent A/V quality and all the bonus features anyone could want (barring an audio commentary).

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7 GUARDIANS OF THE TOMB Review – Rest Easy, Indiana Jones, There’s Not Much To See Here



Starring Kellan Lutz, Bingbing Li, Kelsey Grammar

Directed by Kimble Rendall

If it only weren’t for those friggin’ spiders. Kimble Rendall’s adventurous flick, 7 Guardians Of The Tomb is one of those “wanted to be, yet couldn’t quite hit the mark” action-films that will probably entertain those looking for some cave-dwelling escapades caught on celluloid, but for the more picky aficionado of said slam-bang pics, this one might be viewed as a bit stagnant. Let’s strap on our mining helmets and pick around this one, shall we?

Acting as a bit of a search-and-rescue formation, the movie tails alongside Dr. Jia Lee (Li) as she hunts down the whereabouts of her missing brother after losing contact with him while he was on expedition in Western China. Apparently he was looking for a secretive Emperor’s tomb that supposedly holds a potion that can reanimate, or re-invigorate…or rehabilitate – anyway you slice it, the juice has got some pretty potent powers. So a search team is assembled, led by Mason (Grammar – glad someone got Frasier off of the barstool), and he’s latched onto all-American fella Jack (Lutz) to assist this operation. As it turns out, the initial journey is cut off fairly quick when a violent electrical storm forces the group to head underground, and that’s when things get creepy and crawly…like 8-legged style. The film is ripe with some feverish action and a few decent performances, but it’s the overall framework that acts as the big bully, tauntingly kicking sand in the little guy’s face at the beach.

We’ve got love interests, a flurry of backstories, and oh my lord, those spiders! Yep, even the heartiest of CGI can effectively ruin a good case of the willies when it comes to arachnids and their powers of sucking humans and animals dry of their lifeforce. It’s an intently goofy movie, and even the dialogue seems a bit showy at times, leaving plausibility and intelligence at the entrance to the caves. Lutz is fun to watch as the burly rescuer, and he looks as the type who is just waiting for his cinematic moment to step into the spotlight. What pains me is that this movie really could have been something much bigger, and apparently it looks as if the majority of the film’s budget was wasted on those hokey-looking computerized spiders.

All in all, 7 Guardians Of The Tomb is spotty entertainment, even if you despise those little skittering aphids racing towards you, programmed or not. Give it a peek if Raiders Of The Lost Ark isn’t readily available at your disposal…even that crappy Crystal Skull one.

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A film that could have been so much more adventure-wise instead comes off looking like a lesson in how not to waste too much time on computer imagery.

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Who Goes There Podcast: Ep 160 – A QUIET PLACE



Lately, it seems as though comedy actors are cutting their teeth as horror directors and absolutely killing it! This year’s indie horror darling comes in the form of John Krasinki’s A Quiet Place. Chris has been sick as a dog, so the haomie Christine from Horrible Imaginings Film Fest is filling in to discuss whether A Quiet Place is 2018’s horror heavyweight, or just a lot of noise.

What Bruno took was what changed me; it only amplifies your essence. It simply makes you more of what you already are. It’s the Who Goes There Podcast episode 160!

If you like what you hear, please consider joining our Patreon subscribers. For less than the cost of a beer, you get bonus content, exclusive merchandise, special giveaways, and you get to help us continue doing what we love.

The Who Goes There Podcast is available to subscribe to on iTunes right here. Not an iTunes user? You can listen on our Dread Central page. Can’t get enough? We also do that social media shit. You’ll find us on FacebookTwitterInstagramTwitch, and YouTube.


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