Starring Jessica Harper, Stefania Casini, Flavio Bucci, Udo Kier
Directed by Dario Argento
Distributed by CultFilms
Although the 40th anniversary of Dario Argento’s seminal giallo masterpiece Suspiria passed only last year, plans for that milestone had been underway for years. Unbeknownst to all but the most diehard fans, restorative work was ongoing for a long while, most notably under the masterful eye of Synapse’s Don May, Jr., leading up to a grand unveiling of the all-new 4K picture that had been perfected and tweaked endlessly. That version of the film toured across the country at select events, giving fans an opportunity to watch Argento’s colorful classic with a picture more vibrant and full of pop than ever before. Even the original English 4.0 audio track from 1977 was restored to its former glory. Between all of the loving care Suspiria received, as well as the wealth of Argento reissues on Blu-ray, this is a good time to be a fan of his early works.
There are, however, actually two 4K restorations that were done for Suspiria; one, by Don May Jr., while the other was performed by TLEFilms FRPS in Germany. This is the same master used for home video release in Europe and Australia. Fans have viewed and picked apart both transfers, though you would have to be one of the ultra-purists to enter that debate and engage anyone willing to discredit either image. The job done by Synapse is extraordinary and the same can also be said for the work done by TLEFilms. This release by CultFilms features the TLEFilms restoration, making it either an attractive alternative to Synapse’s (currently OOP) steelbook release or a nice supplement for fans who wish to own both 4K versions.
Suspiria has been viewed and reviewed and discussed an endless amount of times and there are no undiscussed criticisms or introspective viewpoints I am likely to offer that haven’t been made before. Argento has long been an example of style over substance and Suspiria is his most emblematic work in that regard. American Suzy Bannion (Jessica Harper) arrives in Germany at a prestigious all-girls dance academy late one rainy night. Girls have mysteriously vanished from the compound in recent days, with more to follow. Suzy is coldly greeted and frequently uncomfortable during her stay. Eventually she uncovers a plot involving witchcraft and murder. The story is less thrilling than the ride, which is a kaleidoscope of horror. Argento uses every trick in his bag, from inventive camera movement to ingenious framing, and the use of colored filters to evoke a mood so many have attempted to replicate.
The real interest many will have with this review is in regard to the picture quality. As I said before, the 2.35:1 1080p image provided by TFEFilms’ exhaustive restoration work is nothing short of astounding. This looks like a film that might have been made last year, never mind over four decades ago. The image is razor sharp, exceedingly clear and completely free of blemishes, dirt, debris, scratches, fluctuations, and jitter. The picture could not appear more stable, with the contrast rock solid and coloration a thing of beauty. Primaries leap off the screen with vibrancy even longtime fans will admit is a shocking surprise. Watching this picture in action is a true treat. Detailing is exquisite, revealing every little nuance in Argento’s framing. Simply put, this is a flawless image that ranks among the upper echelon of reference-quality Blu-ray transfers.
Similarly, the audio is no slouch with options available in both English and Italian, each receiving both a DTS-HD MA 5.1 surround sound track and an LPCM 2.0 option. The multi-channel track is the clear winner here, proving a deep, immersive audible experience that completely envelops the viewer in both Argento’s world and Goblin’s phenomenal score. Seriously, the soundtrack for Suspiria has never been as unsettling and overpowering as it is here, filling every corner of your home theater room with a palpable sense of dread. Subtitles are, of course, available in English.
Please note: this release is locked to Region B, meaning you must have a compatible player to watch the disc.
This release also features different bonus material from the Synapse release, with an emphasis here placed on the restoration process. Completists may want to add this disc to their collection because it not only offers up a different-but-equal a/v presentation but also a new collection of bonus features.
An audio commentary is included, provided by film critics/authors Alan Jones and Kim Newman.
“The Restoration Process” is a nearly one-hour piece that examines every step along the way in bringing Suspiria back to such stunning life. Technical talk abounds here; definitely for fans who want a glimpse into the nerdier side of making movies look pretty again.
“Argento Presents His Suspiria” is a new interview with the director, who surprisingly doesn’t seem sick to death of talking about this film yet.
“Fear at 400 Degrees: The Cine-Excess of Suspiria” offers up critical appraisal of the film’s visual style, featuring interviews with critics, theorists, and others involved in making the film.
“Suspiria Perspectives” offers up more in-depth discussion of the film, covering both this feature and similar Italian pictures made during that era.
A DVD copy of the feature is also included. The two-disc set sits within a slick, shiny embossed slipcover with the film’s logo in metallic silver. It’s kinda sexy.
- The Restoration Process
- Argento Presents His Suspiria
- Fear at 400 Degrees: The Cine-Excess of Suspiria
- Suspiria Perspectives
- Audio Commentary
Looking better than ever before, Cult Films’ release of this giallo classic is welcomed as both a more affordable (current) alternative to the U.S. release and as a complement to it, since this edition has a slight variation in picture quality and a selection of different and insightful bonus features.
- Andrew Lyall I love stuff like this, keep em coming!
- Dread Central I kind of need to read this now.
- One-Eye I had the game on the venerable Commodore64 and it was shit. I could just never figure out how to play it and I got killed every time.
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- Jason Pankoke RIP the "Hollywood" R/Greenberg. He went to school and taught at the University of Illinois where I live before moving to NYC and starting his first design firm. I have a souvenir book of an exhibit...
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