Location: 460 Green Grove Rd, Olyphant, PA 18447
Web Page: http://reapersrevenge.net/
Reaper’s Revenge (RR) proudly raises the bar in haunt excellence this season. Proclaimed as “America’s Best Haunted Attraction,” RR exceeds all expectations, finding new ways to innovate, and create a memorable show that is a must visit again this season. However, this does not mean this year’s show at this point is perfect, and with some minor tweaks, this year’s show can be truly the greatest season yet. The amazing show presented by RR is the talk amongst crowds across the East Coast. Waiting in lines at other attractions, guests speak of RR with reverence, and anticipation as the word is spreading that this is the must-see attraction of 2017. Despite minor critiques and suggestions for growth which will be discussed further, RR continues to define excellence in haunt operations and embraces a “total package” approach to haunting, presenting a first-class show that continues to rise above its contemporaries. Reaper’s Revenge defies complacency using critical analysis, feedback and logistics to innovate. Each season, RR focuses on upgrading each of its four core attractions, this season focusing heavily on its three walk-through haunts; “Lost Carnival,” “Pitch Black” and “Sector 13”.
Reapers’ Revenge’s exponential growth is the result of continuous creative and structural development. From an operational standpoint, RR has mastered the art of building operating systems that allow the talent to flourish in a creative, supportive environment. Haunt managers work throughout the year to strengthen their respective departments, and a sense of pride and inter-company competition underlies this attractions success. Extensive infrastructure and development projects including the construction of full-scale make-up/costume facilities and construction of power lines which allows RR to sustain its growth for years to come. Most customers will never notice the extensive work that goes into the long-term, less glamorous aspect of haunt development, but rest assured RR is poised to grow for seasons to come.
Reaper’s Revenge is an over ninety-minute journey through four unique haunted attractions, the “Haunted Hayride,” “Lost Carnival,” “Pitch Black” and “Sector 13”. Each attraction is carefully crafted, features talented scare has, and large-scale dramatic scenes that immerse guests in unique Halloween themed environments. The initial queue line can get very long, and Reaper’s Revenge offers a VIP upgrade which may be an option to be explored on busier nights. Wait times are potentially lengthy, and RR goes out of their way to publish a calendar predicting the busiest of crowds.
“Haunted Hayride” is the central attraction featured at Reaper’s Revenge, and if you are a first-time or relatively new visitor, it is an incredible experience. For veteran RR fans, a few tweaks and upgrades over the long-term can help the attraction achieve (almost) haunt perfection. “Haunted Hayride” by and large is the same as it was last year, with resources allocated to the walk-through attractions. Despite the hayride’s familiarity, each scene is still picturesque featuring incredible scenic designs augmented by immersive, lighting and special effects that transform the trail into a hauntingly beautiful tribute to Halloween. Several scenes featured on the “Haunted Hayride” are quickly becoming “iconic” such as the adrenaline pumping trip through the “Reaper’s Castle” to the enchanting yet evil “Pumpkin Forest” several scenes need to remain a staple in this core attraction.
Tributes to horror movies such as “The Ring” and “Halloween” are equally as impressive, with each character actor playing their role to the tee. For example, the scare-actor portraying “Michael Myers” has the mannerisms and cadence of the infamous “Shape” down to the minor details such as the ominous head tilt. Scare acting, as usual, is of the highest quality, and each character plays their familiar roles to perfection.
First-time visitors will be in awe of this attraction, but those who visit year and year out will be left slightly underwhelmed, especially when the hayride was compared to subsequent attractions.“Haunted Hayride” can be tweaked slightly to provide a fresh experience, while long-term structural changes are undertaken during the offseason. Several scenes have run their course and did little to garner any reaction, and we spend lots of time studying the responses of each guest as it provides a feel for what is scary. For example, the hillbilly scene why somewhat “funny” has lost its luster(the actors are still extremely talented just need new material), and the “Suicide Forest” scene seemed to feel outdated as opposed to the newer scenes/sets featured at Reaper’s Revenge. It was also noted that of all attractions visited at RR, “Haunted Hayride” felt the least energetic of all attractions featured at Reaper’s Revenge.
Line and time management has historically been a strength of RR, but during the first weekend, workers were hell-bent on stuffing the wagon, causing guests to be stuck in the middle. Management has always stressed that they would never sacrifice the integrity of the “show” unlike other large haunts, and we hope that this was just opening week logistics issues. While we may sound critical of the “Haunted Hayride,” it is quickly becoming surpassed by the other core attractions at Reaper’s Revenge. “Lost Carnival,” “Pitch Black” and “Sector 13” have all “outshined” the core “Haunted Hayride” this season, which should be enough motivation to find ways to breathe new life in this centerpiece attraction.
“Lost Carnival” is an authentic trip through a twisted nightmare, a crew of circus freaks and their cohorts that are focused on using their dark humor and aggression to torment each guest. While many haunted attractions have “carnival” themed attractions none master the art of immersion, like the “Lost Carnival” featured at Reaper’s Revenge. The lengthy walk-through starts off with an entertaining, slightly off-color and humorous visit with RR “security” staff and then transcends into an “authentic” clown and circus freak infested nightmare.The authenticity of this attraction cannot be understated as it is designed perfectly to create horrific memories.
“Lost Carnival’s” design is second to none, as abandoned, decrepit rides; such as a funhouse, brand new Ferris wheel, and merry-go-round, create an eerie vibe and creepy environment to this “lost” attraction.This is an incredibly detailed attraction, which incorporates interaction with the actors/set pieces, and encourages one to become “lost” within each scene. As one enters into the blood-soaked “Tunnel of Love” after escaping the mind-bending “funhouse,” it is impossible to not be impressed by the surreal yet realistic insanity spawned by the “Lost Carnival.”
Historically “Pitch Black” has always been the “scariest” of attractions at RR, and we have witnessed grown men run out of emergency exits in fear. This season, extensive additions have taken this attraction from an exciting “bonus” to a full-fledged traditional haunted house that happens to target the senses of each guest. “Pitch Black” is designed to disturb, it is intended to target all of your deepest phobias, and then exploit them in a nefarious manner. While many haunts operate so-called “dark mazes” none generates panic as well as “Pitch Black.” If you fear insects, snakes, loud noises, and in general feeling the unknown you will likely beg for escape. It is easy to get lost in the darkness of this long journey which creates a narrative of personal fear.
“Pitch Black” challenges guests to escape, to not get lost and to face a variety different sensory based scares. When we state that this attraction has undergone massive changes, we do not make that claim lightly. The rise of “Pitch Black Inc.” gives way to a whole new level of fear, with set designs that border on the insane. Insects, snakes and a genuinely terrifying close encounter with spark throwing chainsaws highlight this attraction’s sinister new design. There is no break in the action at “Pitch Black, ” and every single design decision is made so to build genuine fear. Not only is it possible you will get lost, but you will be touching the unknown, and perhaps forced to face an overwhelming sensory assault that will leave you trembling. This is a unique attraction, and again another reason why you need to experience RR for yourself.
Don’t be fooled into thinking this is another “dark maze,” when you smell the gasoline used to fuel the blades when you come crashing down an elevator shaft only to walk into a blitz of disorientating sound, then perhaps you will respect the fear built at “Pitch Black.”
“Sector 13” has reached its apex, as there is no attraction like it, quite possibly in the country. While other haunts have attractions that feature “post-apocalyptic” or “outbreak” inspired themes, they cannot touch the quality, and absolute terror generated by this attraction. “Sector 13” synergistically combines on onslaught of sensory attacks, interactive scenes, and inhuman monstrosities that are focused on terrorizing each guest. This season, “Sector 13” is far and beyond one of the most aggressive, insane trips through a horrific nightmare one can ever experience. Freakish monsters, mutated infected lost souls, and tormented inmates engage guests in an all-out assault that quite frankly, is at times exhausting. The infected monstrosities confined to this grim compound are genuinely disturbing, and these creatures are unlike any you will see at other haunted attractions. The noises uttered by some of these walking-nightmares are disturbing on their own, and “Sector 13” is designed continuously build fear. Sickening pleas from the infected, and those that charge out of pure blinding light keeps the aggression level high, and this season the scare actors absolutely have taken their performances to a whole new level.
In previous seasons, we typically did not give this attraction the attention it perhaps deserved. “Sector 13” fell into the category of more “style” over “substance” and felt that it did not resonate with Zombie/mutant themes are typically not within our realm of horror interests and we never really gave Sector 13 the attention it perhaps deserved. This season we underestimated Sector 13 and were blown away by the adrenaline pumping experience created by this custom-built dungeon of the damned.
“Sector 13” brings to life a hopeless world subjected to the horrors of chemical warfare, infestation and a joyous celebration of medical torture. From a design perspective, “Sector 13” is focused on building tension, creating moments of pure fear and forcing guests to interact with a variety of horrific characters, including the various rather physical “doctors” featured along the journey. Guests are frequently locked in cages, forced onto operating tables and tortured in a manner that allows one to become truly immersed within the attraction’s theme. Sensory enhanced lighting and sound effects allow for these scenes to take on a level of pure insanity that left us in shock. “Sector 13” is not a new attraction at RR, but has undergone extensive changes, and a more aggressive stylistic approach in its execution that we left asking ourselves “what the f*ck” did we just experience. Even the finale itself left us in shock as we expected the usual chainsaw chase, but instead encountered one last battle with a barrage of aggressive, freakish mutant inhabitants.“Sector 13” always was architecturally impressive, but this season its execution stole the show. We felt fear in “Sector 13” witnessed controlled chaos and have a new found respect for this metallic dungeon of despair.
Reaper’s Revenge is once again a must visit haunted attraction which caters to a broad array of audiences fans. The set designs, the quality of actors and the dedication to detail makes the experience one of the best-haunted attractions you can visit in 2017. Reaper’s Revenge talented management, scare actors and staff team have created an attraction that continues to exceed any and all expectations.
American Psycho Meets Creep – Strawberry Flavored Plastic Review
Starring Aidan Bristow, Nicholas Urda, Andres Montejo
Directed by Colin Bemis
Recently I wrote up an article here on Dread Central which was basically an open letter to anyone who was listening called “I Miss Found Footage.” Well, it seems like someone WAS listening, as I was then sent the link to an all-new found footage film called Strawberry Flavored Plastic from first-time writer-director Colin Bemis.
The film follows the “still-at-large crimes of Noel, a repentant, classy and charming serial killer loose in the suburbs of New York.” Basically, you could think of the flick as American Psycho meets Mark Duplass and Partick Brice’s Creep. That, or you could think of it as “Man Bites Dog in color!” However you choose to label Colin Bemis’ psychological thriller, just make sure you check out the film once it hits in the future.
As I alluded to above, the film is basically a found footage version of American Psycho. But that said, the film sports a twist on the charming serial killer subgenre that I have yet to see play out in any of the above-mentioned classics. I’m not going to go into spoiler territory here, but I will say that the film introduces an element to the tale that spins it into much more of a character drama than a straight horror film. Not that there is anything wrong with that!
Truth be told, the film’s turn from serial killer flick into a layered character study might have been its kiss of death, but this slight genre switch is rendered a minor issue as the film’s central narcissistic antagonist is played by Aidan Bristow. Bristow is an actor you may not have heard of before this review, but you will hear his name more and more over the years to come, I promise. The guy gives (no pun intended) a killer performance as the film’s resident serial killer Noel Rose, and time after time surprised me with how chilling, charming, or downright vulnerable he chose to play any given scene.
Bristow’s performance is, in the end, the major element the film has going for it. But that said, as a fan of found footage, I was smiling ear to ear at first-time director Colin Bemis’ understanding of what makes a found footage suspense sequence work.
In Strawberry Flavored Plastic director Colin Bemis is confident and content to allow full emotional scenes to play out with the camera directed at nothing more than a character’s knees. Why is this so important? Because it keeps the reality of the film going. Too many found footage directors would focus on the actors’ faces during such emotional scenes – no matter how contrived the camera angle was. In this film, however, Bemis favors the reality that says, “If you were really in this emotional state and holding a camera, you would let it drop to your side.” I agree, and it is small touches like that which make the film feel authentic and thus – once the shite hits the fan – all the scarier.
On the dull side of the kitchen knife, the film does feel a bit long even given it’s short running time, and there doesn’t seem too much in the way of visceral horror to be found within. Again, graphic blood and gore aren’t a must in a fright flick, but a tad more of the old ultra-violence would have gone a long way in selling our main psychopath’s insanity and unpredictability. But all the same, the film does feature a rather shocking sequence where our main baddie performs a brutal home invasion/murder that puts this film firmly in the realm of horror. In fact, the particular POV home invasion scene I’m talking about holds about as much horror as you’ll ever wish to witness.
In the end, Colin Bemis’ Strawberry Flavored Plastic is a must-see for fans of found footage and serial killer studies such as American Pyscho, Creep, and Man Bites Dog. I recommend giving it a watch once it premieres. If only to be able to point to Aidan Bristow in the near future and tell all your friends that you watched (one of) his first movies.
Lead actor Aidan Bristow turns in a star-making performance in Colin Bemis’ Strawberry Flavored Plastic, a found footage film that plays out like Man Bites Dog in Color before introducing a new element to the charming-serial-killer subgenre and becoming more character study than a straight horror. Think American Psycho meets Creep.
Who Goes There Podcast: Ep 148 – Inside (2017 Remake)
We’ve all heard the old saying, “in this world nothing can be said to be certain, except death and taxes.” Well, I’m here to tell you that’s only partially true. It seems there is a third certainty that had been omitted from the original quote, “It is certain, if you enjoy a movie, at some point someone will remake that movie.” Now is the time when one of my favorite movies gets reimagined, “for an American audience”.
In the late 2000’s an explosion of “French extreme” horror films was released. Martyrs and or High Tension can often be found on any number of lists of the “most fucked up horror movies ever”. Unfortunately, the vastly superior Inside is often forgotten (as well as Frontier(s), but that’s a whole ‘nother rant). Now, ten years after it’s initial release, Inside has been Americanized. Don’t worry, we watched it so you don’t have to. You’re welcome.
Mommy says you’re not dead. Is that true? It’s the Who Goes There Podcast episode 148!
If you like what you hear, please consider joining our Patreon subscribers. For less than the cost of a beer, you get bonus content, exclusive merchandise, special giveaways, and you get to help us continue doing what we love.
The Who Goes There Podcast is available to subscribe to on iTunes right here. Not an iTunes user? You can listen on our Dread Central page. Can’t get enough? We also do that social media shit. You’ll find us on Facebook, Twitter, Instagram, Twitch, and YouTube.
Totem Review – It’s Not Always A Bad Thing To Look Up From The Bottom Level, If You Like That View
Starring Kerris Dorsey, James Tupper, Ahna O’Reilly
Directed by Marcel Sarmiento
Following the untimely death of a family’s matriarchal figure, a young woman finds out that managing to hold all of the pieces in place becomes increasingly more difficult when otherworldly infiltrators make their presence felt. We’re going to have to work our way up this Totem, as
17 year old Kellie is the leading lady of the home following the passing of her mother Lexy, and with a needy father and tiny tot of a baby sister, she still keeps things in working order, regardless of the rather large hole that’s been left in the dynamic due to the death. Kellie’s dad after a while decides to ask his lady-friend to move in with the family, so that everyone can move onto a more peaceful existence…yeah, because those types of instances always seem to work seamlessly. As fate would have it, Kellie’s sense of pride is now taking a beating with the new woman in the mix, and her little sister’s new “visitor” is even more disturbed by this intruder – only question is, exactly who is this supernatural pal of sorts? Is it the spirit of their dead mother standing by to keep watch over the family, or is it something that’s found its way to this group, and has much more evil intentions at hand?
What works here is the context of something innately malicious that has found its way into the home – there are only a couple moments that come off as unsettling, but the notion of having to weave through more than half the film acting as a sullen-teen drama is rather painful. The presentation of the “broken family” is one that’s been done to death, and with better results overall, and that’s not to say that the movie is a complete loss, it just takes far too much weeding through at times stale performances and even more stagnant pacing to get to a moderately decent late-stage conclusion to the film. Under the direction of Marcel Sarmiento (Deadgirl), I’d truly hoped for something a bit more along the lines of a disturbing project such as that one, but the only thing disturbing was the time I’d invested in checking this one out. My best advice is to tune into the Lifetime channel if you want a sulky teen-melodrama with a tinge of horror, or you could simply jump into this one and work your way up…but it’s a LONG way to the top.
Sulky, moody, and ridden with teen-angst buried in the middle of a supernatural mystery – SOUNDS like a decent premise, doesn’t it?
Join the Box of Dread Mailing List
Ellen Page and The Cured Come Home to VOD
#Brainwaves Episode 74 Guest Announcement: Creature Designer Mike Hill – The Shape of Water and More!
The Saw Chapter Comes to Dead By Daylight January 23!
Flying Wolf! New Rampage Trailer Swoops In
See What We Do in the Shadows on the Small Screen
Gender Bashing: The Exorcist Series and the Male Body in Possession Horror
Zak Bagans’ Paranormal-Themed Documentary Demon House Acquired: Aiming For March Release
Julie, Sweet Julie: Why Return of the Living Dead 3 Is One of the Most Inventive Sequels Ever
Decade of Horror (2010-2017): What Have We Learned in the Past 7 Years?
Devil’s Tree: Rooted Evil – Exclusive Trailer, Stills, Poster and More
News6 days ago
An Early Draft of Halloween 6 Has Been Released And It’s… Interesting
News5 days ago
The Evil Dead Trilogy Cuts a 72-Minute Super Cut in Black and White
News5 days ago
Universal’s Bride of Frankenstein Reboot Back on Track With Gal Gadot?
News5 days ago
Zac Efron Looks Extremely Wicked, Shockingly Evil and Vile as Ted Bundy
Editorials4 days ago
What’s Next? 5 Horror Trends We Expect Within 5 Years
Reviews5 days ago
Godzilla: Planet of the Monsters Review – A Timid Step Towards a Frightening Possibility
News5 days ago
Friday the 13th Part 3: In Memoriam Documentary Now Available For Free!
News5 days ago
Jigsaw Teased for Dead by Daylight