Cabin Fever 2: Spring Fever (DVD) - Dread Central
Connect with us

Reviews

Cabin Fever 2: Spring Fever (DVD)

Published

on

cfever2.jpg

Cabin Fever 2: Spring BreakReviewed by Uncle Creepy

Starring Noah Segan, Marc Senter, Alexi Wasser, Giuseppe Andrews, Rusty Kelley

Directed by Ti West. Sort of.

Distributed by Lionsgate Home Entertainment


It’s been a long, arduous road for Cabin Fever 2: Spring Fever to see the light of day. For those not playing along … as a result of a dispute with the producers, director Ti West walked off the film just as post-production had begun, leaving them with all of his shot footage. Having seen his first cut, the powers-that-be thought the flick should go in a different direction. Said direction would be the opposite of where West was willing to go. So how did it all turn out? Before we get to that, let’s take a look at the story.

In a brief opening cameo Rider Strong reprises his character of Paul from Eli Roth’s Cabin Fever to start things off with a bang, and that’s exactly what happens. As you know by now if you saw the original film, the disease has found its way into the water supply, and a bottling company is distributing it. The delivery truck’s first stop? The local high school, which is gearing up for prom. It’s then that we’re introduced to the film’s protagonists and villains, who all in one way or another have to deal with an upcoming gory outbreak. We’re also introduced to a really weird government containment plot twist and the return of Cabin Fever‘s Deputy Winston, who shows up, much like in the first flick, to do pretty much nothing.

Cabin Fever 2: Spring BreakDespite the paper thin plot (or lack thereof), all of these strange pieces of cinema actually work together to deliver a fairly competent and extremely violent gross-out flick. At its heart Cabin Fever 2: Spring Fever is a fun-filled little experience with great music and one of the best opening title sequences we’ve seen in a while. But, man, does it have its problems, the main one being that despite having all of a director’s footage, you cannot successfully put together a film without his input. What we have here is a Ti West film without Ti West, and it plays exactly as such. Imagine if chef Bobby Flay gave you all the components of a great meal. Does that mean you can cook it better than he can? No.

The producers also saw fit to shoot an additional six-minute ending for the film that feels so out of place and tacked on that it nearly sucks the life and fun out of everything you just watched. Not a wise choice at all. Still, despite the uneven editing and really horrid decision-making that this film suffers from, you can sort of grasp what West was going for, and even with his lack of input some of that still shines through, making this a barely above average experience instead of the good one that it should have been.

In terms of special features more or less all we get are two featurettes highlighting the main thing that Cabin Fever 2: Spring Fever has going for it — its gore. Holy shit, was there a lot of it. This flick is all about going too far, and from that standpoint it completely succeeds.

In the end this movie should stand as a prime example for producers to learn from: If you hire a director to make a movie for you, you really should consider putting your egos aside and letting him or her finish the job. Too many cooks really can spoil the pot or, in this flick’s case, bring down the temperature far enough so that your supposed fever ends up running inappropriately cold.

Special Features

  • Making-of featurtte
  • Gore reel

    Film:

    3 out of 5

    Special Features:

    2 out of 5

    Discuss Cabin Fever 2: Spring Fever in our Dread Central forums!

  • Continue Reading
    Comments

    News

    American Psycho Meets Creep – Strawberry Flavored Plastic Review

    Published

    on

    Starring Aidan Bristow, Nicholas Urda, Andres Montejo

    Directed by Colin Bemis


    Recently I wrote up an article here on Dread Central which was basically an open letter to anyone who was listening called “I Miss Found Footage.” Well, it seems like someone WAS listening, as I was then sent the link to an all-new found footage film called Strawberry Flavored Plastic from first-time writer-director Colin Bemis.

    The film follows the “still-at-large crimes of Noel, a repentant, classy and charming serial killer loose in the suburbs of New York.” Basically, you could think of the flick as American Psycho meets Mark Duplass and Partick Brice’s Creep. That, or you could think of it as “Man Bites Dog in color!” However you choose to label Colin Bemis’ psychological thriller, just make sure you check out the film once it hits in the future.

    As I alluded to above, the film is basically a found footage version of American Psycho. But that said, the film sports a twist on the charming serial killer subgenre that I have yet to see play out in any of the above-mentioned classics. I’m not going to go into spoiler territory here, but I will say that the film introduces an element to the tale that spins it into much more of a character drama than a straight horror film. Not that there is anything wrong with that!

    Truth be told, the film’s turn from serial killer flick into a layered character study might have been its kiss of death, but this slight genre switch is rendered a minor issue as the film’s central narcissistic antagonist is played by Aidan Bristow. Bristow is an actor you may not have heard of before this review, but you will hear his name more and more over the years to come, I promise. The guy gives (no pun intended) a killer performance as the film’s resident serial killer Noel Rose, and time after time surprised me with how chilling, charming, or downright vulnerable he chose to play any given scene.

    Bristow’s performance is, in the end, the major element the film has going for it. But that said, as a fan of found footage, I was smiling ear to ear at first-time director Colin Bemis’ understanding of what makes a found footage suspense sequence work.

    In Strawberry Flavored Plastic director Colin Bemis is confident and content to allow full emotional scenes to play out with the camera directed at nothing more than a character’s knees. Why is this so important? Because it keeps the reality of the film going. Too many found footage directors would focus on the actors’ faces during such emotional scenes – no matter how contrived the camera angle was. In this film, however, Bemis favors the reality that says, “If you were really in this emotional state and holding a camera, you would let it drop to your side.” I agree, and it is small touches like that which make the film feel authentic and thus – once the shite hits the fan – all the scarier.

    On the dull side of the kitchen knife, the film does feel a bit long even given it’s short running time, and there doesn’t seem too much in the way of visceral horror to be found within. Again, graphic blood and gore aren’t a must in a fright flick, but a tad more of the old ultra-violence would have gone a long way in selling our main psychopath’s insanity and unpredictability. But all the same, the film does feature a rather shocking sequence where our main baddie performs a brutal home invasion/murder that puts this film firmly in the realm of horror. In fact, the particular POV home invasion scene I’m talking about holds about as much horror as you’ll ever wish to witness.

    In the end, Colin Bemis’ Strawberry Flavored Plastic is a must-see for fans of found footage and serial killer studies such as American Pyscho, Creep, and Man Bites Dog. I recommend giving it a watch once it premieres. If only to be able to point to Aidan Bristow in the near future and tell all your friends that you watched (one of) his first movies.

    Until then, check out the film’s trailer HERE, and follow the movie on Facebook.

    • Strawberry Flavored Plastic
    3.5

    Summary

    Lead actor Aidan Bristow turns in a star-making performance in Colin Bemis’ Strawberry Flavored Plastic, a found footage film that plays out like Man Bites Dog in Color before introducing a new element to the charming-serial-killer subgenre and becoming more character study than a straight horror. Think American Psycho meets Creep.

    Sending
    User Rating 3 (1 vote)
    Continue Reading

    News

    Who Goes There Podcast: Ep 148 – Inside (2017 Remake)

    Published

    on

    We’ve all heard the old saying, “in this world nothing can be said to be certain, except death and taxes.” Well, I’m here to tell you that’s only partially true. It seems there is a third certainty that had been omitted from the original quote, “It is certain, if you enjoy a movie, at some point someone will remake that movie.” Now is the time when one of my favorite movies gets reimagined, “for an American audience”.

    In the late 2000’s an explosion of “French extreme” horror films was released. Martyrs and or High Tension can often be found on any number of lists of the “most fucked up horror movies ever”. Unfortunately, the vastly superior Inside is often forgotten (as well as Frontier(s), but that’s a whole ‘nother rant). Now, ten years after it’s initial release, Inside has been Americanized. Don’t worry, we watched it so you don’t have to. You’re welcome.

    Mommy says you’re not dead. Is that true? It’s the Who Goes There Podcast episode 148!

    If you like what you hear, please consider joining our Patreon subscribers. For less than the cost of a beer, you get bonus content, exclusive merchandise, special giveaways, and you get to help us continue doing what we love.

    The Who Goes There Podcast is available to subscribe to on iTunes right here. Not an iTunes user? You can listen on our Dread Central page. Can’t get enough? We also do that social media shit. You’ll find us on FacebookTwitterInstagramTwitch, and YouTube.

    Continue Reading

    Reviews

    Totem Review – It’s Not Always A Bad Thing To Look Up From The Bottom Level, If You Like That View

    Published

    on

    Starring Kerris Dorsey, James Tupper, Ahna O’Reilly

    Directed by Marcel Sarmiento


    Following the untimely death of a family’s matriarchal figure, a young woman finds out that managing to hold all of the pieces in place becomes increasingly more difficult when otherworldly infiltrators make their presence felt. We’re going to have to work our way up this Totem, as

    17 year old Kellie is the leading lady of the home following the passing of her mother Lexy, and with a needy father and tiny tot of a baby sister, she still keeps things in working order, regardless of the rather large hole that’s been left in the dynamic due to the death. Kellie’s dad after a while decides to ask his lady-friend to move in with the family, so that everyone can move onto a more peaceful existence…yeah, because those types of instances always seem to work seamlessly. As fate would have it, Kellie’s sense of pride is now taking a beating with the new woman in the mix, and her little sister’s new “visitor” is even more disturbed by this intruder – only question is, exactly who is this supernatural pal of sorts? Is it the spirit of their dead mother standing by to keep watch over the family, or is it something that’s found its way to this group, and has much more evil intentions at hand?

    What works here is the context of something innately malicious that has found its way into the home – there are only a couple moments that come off as unsettling, but the notion of having to weave through more than half the film acting as a sullen-teen drama is rather painful. The presentation of the “broken family” is one that’s been done to death, and with better results overall, and that’s not to say that the movie is a complete loss, it just takes far too much weeding through at times stale performances and even more stagnant pacing to get to a moderately decent late-stage conclusion to the film. Under the direction of Marcel Sarmiento (Deadgirl), I’d truly hoped for something a bit more along the lines of a disturbing project such as that one, but the only thing disturbing was the time I’d invested in checking this one out. My best advice is to tune into the Lifetime channel if you want a sulky teen-melodrama with a tinge of horror, or you could simply jump into this one and work your way up…but it’s a LONG way to the top.

    • Film
    2.0

    Summary

    Sulky, moody, and ridden with teen-angst buried in the middle of a supernatural mystery – SOUNDS like a decent premise, doesn’t it?

    Sending
    User Rating 0 (0 votes)
    Continue Reading

    Recent Comments

    Advertisement

    Join the Box of Dread Mailing List

    * indicates required

    Go Ad Free!

    Support Dread Central on Patreon!

    Trending

    Copyright © 2017 Dread Central Media LLC