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Cujo (Blu-ray)




Cujo on Blu-ray (click for larger image)Reviewed by Uncle Creepy

Starring Dee Wallace Stone, Christopher Stone, Daniel Hugh-Kelly, Danny Pintauro, Ed Lauter

Directed by Lewis Teague

Distributed by Lionsgate Home Entertainment

Man, they sure don’t make them like they used to. Or in the case of horror scribe Stephen King, they don’t write them like they used to either. Cujo, King’s most claustrophobic work, made the jump from page to screen way back in (Christ, I cannot believe I am referring to the Eighties as way back, but alas) 1983. Lionsgate has come through with another worthy addition to our ever-growing high-definition King video libraries as Cujo finally comes home in all its 1080p glory.

Meet Cujo (played with varying amounts of vigor by several different St. Bernards, the exact number of which remains a mystery). He’s just your ordinary lovable pooch until one day he sticks his drooling snout into a rabbit hole that also happens to be home to a bunch of rabid bats. Poor Cujo gets himself a bite on the nose, quickly followed by a mean case of mange and one hell of a bloodthirsty attitude. These results are especially troublesome for Donna Trenton (Wallace Stone) and her son, Tad (Pintauro), because old Cujo has made them the object of his fury by trapping them helplessly in a car for much of the movie.

Cujo on Blu-ray (click for larger image)Just like the book, these events bring to life an almost unmatched feeling of claustrophobia. Cujo works on every level that it should, and considering how poorly most of King’s work has translated (one way or another) to the screen, we need to hold onto these few good gems whenever we can.

Surprisingly the film actually looks pretty good here in high-definition. Given its age I’d hazard to say it’s never looked better. While not a stunner by any stretch of the imagination, there’s more than a reasonable amount of detail present in the visuals, and you can instantly tell that what you’re seeing is indeed a new transfer. That’s more than I can say for a lot of older films that have made their way to this new format.

Just like on its recently released DVD cousin, there aren’t a whole lot of extras to be found here. Don’t get me wrong; what’s here is noteworthy and more inclusive than anything else to date, but come on, man! We’re talking going on thirty years’ worth of memories! Surely this could merit an entire bonus disk all its own. Afraid not.

Cujo on Blu-ray (click for larger image)Things start off with an insightful and at times funny commentary with director Lewis Teague as he waxes on and on about what went into every little detail of bringing this film to life. This is a pretty good listen, and I highly recommend it for people who are looking for their behind-the-scenes fix. From there we get a three-part documentary that totals out to a scant forty-two minutes, examining everything from the origin of the dog’s name and other assorted tidbits with King biographer Douglas E. Winter to how to make the normally loving and cute as a button St. Bernard breed scary. On a more interesting note, also discussed are the details surrounding the editing of the film. For those not in the know, upon filming, Cujo, needed to switch editors because the first guy who got the gig just wasn’t cutting the proverbial mustard. Thankfully Neil Travis stepped in to deliver the project that we’ve all come to love. And with that, there’s nothing else. See what I mean? It’s like taking a bite out of a steak dinner and then leaving the table.

One thing cannot be argued, though, and that’s the fact that no matter how you slice it, this edition of Cujo is the best out there. Even better than the DVD given its high-def transfer. Double dip without fear. The water is fine. Just look out for that nasty mouth foam floating around. It’s pretty gross.

Special Features

  • Audio commentary with director Lewis Teague
  • Dog Days: The Making-of Cujo three-part documentary


    3 1/2 out of 5

    Special Features:

    2 1/2 out of 5

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    Friends Don’t Let Friends Review – A Haunting Mixture of Psychological Turmoil and Brutal Supernatural Horror



    Starring Brittany Anne Woodford, Jenny Curtis, Kanin Guntzelman, Brendan McGowan, Jake White

    Directed by James S. Brown

    We all like to think of ourselves as being surrounded by friends, but let’s face it, if we were to ever truly hit hard times, there are probably very few, if any, people we could truly rely on. So on some level, Friends Don’t Let Friends is a film we can all relate too, as it deals with this very issue.

    Stephanie is an emotionally unstable young woman who strangles her boyfriend to death after he insults and breaks up with her. She calls her friends to help her dispose the body out in the Joshua Tree National Part area, and instead of reporting her to the police, they reluctantly comply. As their car breaks down, the four friends find themselves alone at night in the Californian wilderness with the rotting corpse in need of disposal. Given their dire circumstances, they begin to become more and more aggressive towards each other, and this was where the film was really at its best. I was on the edge of my seat, wondering how far the limits of their friendship could be stretched, and who would be the first to crack and turn on the others.

    Anyway, their body disposal endeavor soon proves to be a mistake, as Stephanie’s ex rises from the grave as vengeful zombie demon thing with claws as long as knives. I’ll admit, I first I thought Friends Don’t Let Friends was going to be a movie purely about the limits of trust, so I was pretty surprised when the supernatural elements came into play. And when they did, the trust and friendship elements of the plot were somewhat downplayed in favor of a more traditional horror approach, and while it was still entertaining, I still would have preferred for the film not to have strayed from its initial path. At least the ending came as a shocker. I won’t go into spoilers, but let’s just say the even the most attentive viewers probably won’t see it coming.

    As you can probably guess from a psychologically-driven film of this kind, the performances were top notch, with Brittany Anne Woodford being on particularly top form as the manipulative and unstable Stephanie, a character who revels in the revels in the power she felt when ending another human life.

    With its mixture of psychological turmoil and brutal supernatural horror, Friends Don’t Let Friends is a film I would certainly recommend, but keep in mind that it may make you think twice when confiding in people who you think of as being your friends.

    8 out of 10.

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    Coulrophobia Review – One of the Most Entertaining Killer Clown Films in Quite Some Time



    Starring Pete Bennett, Warren Speed, Daniella D’Ville, Roxy Bordeaux

    Directed by Warren Speed

    The word ‘Coulrophobia’ refers to the fear of clowns, and if you happen to suffer from it, you might want to avoid director Warren Speed’s film of the same name. However, if you can stand the sight of clowns with gaping wounds in their manly parts, then you’re in for one heck of a fun time.

    An all-female hockey team get lost deep in the Scottish woods on their way to a match (don’t ask), and are captured and forced to participate in a series of horrific games by the Grock family of clowns. All of the members of said family are absolutely fucking insane, but the one that really stood out was Twitch (Pete Bennett), who wears jester cloths and it said to have a short attention span. He longs to be a violin player and wishes he could blend in with normal society like the other members of his family. And you almost feel sorry for him, even though he’s a mad killer with bells on his head.

    Director Warren Speed also appeared as Milo, a grunting mute who had his tongue cut out when he was a boy. As mentioned above, we see a close-up shot of a open wound in his penis being stitched up, which is not an image that will be leaving your mind anytime soon. Speed is clearly fearless when it comes to his art.

    Inter-spliced with all the torture and mayhem, we also see documentary-style telling the sad history of the family involved, and this was where the film unfortunately faltered, because these scenes seemed out of place and just didn’t flow with the rest of the plot.

    Ultimately, however, Coulrophobia almost seems like a film Rob Zombie might have made before he lost his way and started churning out trash like 31. Comparisons to House of 1000 Corpses are inevitable, and I absolutely mean that as a compliment. This is one of the most entertaining killer clown films in quite some time.

    • Film
    User Rating 2.94 (17 votes)
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    The Gatehouse Review – What Is Found in the Woods Should Be Left in the Woods



    Starring Scarlett Rayner, Simeon Willis, Linal Haft

    Directed by Martin Gooch

    Now while no one will sneeze at the prospect of bringing up a bit of a rebellious child alone, it’s those damned kids that like to tempt fate by pissing off creatures in the woods…oh kids, they do the funniest things, don’t they?

    In Martin Gooch’s moderately spooky presentation, The Gatehouse, a struggling writer named Jack (Willis) finds himself behind the 8-ball following the tragic drowning death of his beloved wife, and if that isn’t enough to torque your drawers, his young daughter, Eternity (Rayner) is becoming quite the salty soul herself. Unfortunately the little one has been finding herself bullied at school, and her recourse of sorts is to simply toss attitude around as if it was pleasantly acceptable. Her pastime has become lonely wanderings in the deep woods, digging for hopeful treasures…and we all know what problems reside in the woods, don’t we, horror fans? Well, Eternity’s father is attempting to re-start his writing career with a frightening backstory – taking the reigns on a novel that was abruptly ended when the author committed suicide, and supposedly the tome is quite the dark piece of literature.

    Eternity’s never-ending quest for fortune and glory in the forest leads her to a most interesting (and ultimately) dangerous discovery (don’t sweat it – I won’t spill it for you). Bottom line here is this: the little girl has taken possession of something that should have been left in the friggin’ woods, and now someone (or something) wants it back PRONTO. What follows is a lackluster series of “spooky” events, and far be it from me to say, I’ve seen creepier stuff watching the evening news. Gooch then tries to bombard the audience with a plethora of instances and swerving plot direction – it’s fun at the beginning but can grow a bit tiresome over a duration.

    Performance-wise, both Rayner and Willis play the perfect combination of mentally-shot dad and determined-to-be-independent daughter – their scenes are ripe with subtle contempt, and the right amount of indecision. Overall, the film is best suited for those fans of fantasy/fable-like horror, and while it might not scare the pants off of you, it definitely will give us all another reason to stay the hell out of the woods once and for all.

    • Film


    Children in a forest-setting don’t always add up to cutesy-pie encounters with furry creatures – this one’s got a few scares to keep fans of coppice-horror appeased.

    User Rating 3.56 (18 votes)
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