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Grudge 3, The (DVD)




The Grudge 3 on DVDReviewed by Heather Wixson

Starring Matthew Knight, Shawnee Smith, Gil McKinney, Johanna E. Braddy, Jadie Hobson

Directed by Toby Wilkins

Distributed by Sony Pictures Home Entertainment

Truth be told, The Grudge 3 was a sequel that I had no desire to see happen. The first Grudge film was little more than decent (this was before theaters were getting slammed regularly with Asian remakes) and its follow-up felt pretty flat and forced to me. Needless to say I’m not a huge fan of the American entries in this franchise.

That being said, the third installment of The Grudge actually exceeded my expectations mainly because everyone involved did a great job of bringing the mythology of Kayako full circle. A lot of this was due to Brad Keene’s script (which follows the spirit of Takashi Shimizu’s work in the Japanese originals) as well as the sharp direction of Toby Wilkins.

For The Grudge 3, we pick up right where part two left off. We’re back in the Chicago apartment building where Kayako’s curse of anger followed an American who had the misfortune of getting it as a souvenir while in Japan. Someone had to clean up the sinister spirit’s bloody mess and that’s exactly what the building’s landlord Max (McKinney) is expected to do. Too bad he has enough of his own problems beyond a structure full of dead bodies. He’s been looking after his sick little sister Rose (Hobson) and his other sister Lisa (Braddy) is just about to say goodbye to the Midwest and relocate to New York with her boyfriend, thus leaving poor Max holding the bag so-to-speak.

The Grudge 3 on DVDTrue to horror convention, the youngster is the first to pick up on the supernatural happenings in the building as Rose starts seeing a strange little boy haunting the halls. Enter a young Japanese woman named Naoko (Emi Ikehata) who has just arrived from Japan to rent a room in the now cursed dwelling. Coincidence? Are you kidding? This is a horror movie! It turns out Naoko just might know how to deal with the evil that has taken up residence here in old Chi-town. It’s now up to her and the others to figure out how to finally put the curse to rest before it’s too late and they become the latest set of Kayako’s victims.

The Grudge 3 doesn’t so anything profoundly groundbreaking here, and it really doesn’t need to. When it comes to the scares it’s easily on par with the first two films. Things do get kicked it up a notch within the last thirty-minutes though, and that’s what made the film for me. The gore and the violence clearly went beyond anything attempted in the first two films. Had The Grudge 3 played it as safe as its predecessors and not dared to be a little bolder, this would have been a far more disappointing experience.

The Grudge 3 on DVDDirector Wilkins (Splinter) does a noble job of creating a world that still stays true to the spirit of Shimizu’s work and yet, feels like it is his own vision. The core family here of Max, Lisa and Rose are without question the heart of the project, and they were all compelling to watch. Not once was the impression given that these were actors just pretending to be a family — everyone had great chemistry together, and that really helped to sell things.

In terms of DVD extras, there’s not much. We get two short featurettes — The Curse Continues which talks about the challenges of bringing this third chapter to life, and then there’s the strangely named Tokyahoaria which focuses on what it took to bring both Tokyo and Chicago to life in Bulgaria. Add on several deleted scenes and that’s a wrap!

The Grudge 3 isn’t perfect, and sometimes the film feels like it’s trying a little too hard to emulate Shimizu’s work. Ultimately though, the third act remedies most of the film’s short-comings and left me feeling like the series had finally come to a satisfying resolution. That is until the inevitable sequel slithers our way!

Special Features

  • Tokyahoaria featurette
  • The Curse Continues featurette
  • Deleted scenes


    3 out of 5

    Special Features:

    3 out of 5

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    Friends Don’t Let Friends Review – A Haunting Mixture of Psychological Turmoil and Brutal Supernatural Horror



    Starring Brittany Anne Woodford, Jenny Curtis, Kanin Guntzelman, Brendan McGowan, Jake White

    Directed by James S. Brown

    We all like to think of ourselves as being surrounded by friends, but let’s face it, if we were to ever truly hit hard times, there are probably very few, if any, people we could truly rely on. So on some level, Friends Don’t Let Friends is a film we can all relate too, as it deals with this very issue.

    Stephanie is an emotionally unstable young woman who strangles her boyfriend to death after he insults and breaks up with her. She calls her friends to help her dispose the body out in the Joshua Tree National Part area, and instead of reporting her to the police, they reluctantly comply. As their car breaks down, the four friends find themselves alone at night in the Californian wilderness with the rotting corpse in need of disposal. Given their dire circumstances, they begin to become more and more aggressive towards each other, and this was where the film was really at its best. I was on the edge of my seat, wondering how far the limits of their friendship could be stretched, and who would be the first to crack and turn on the others.

    Anyway, their body disposal endeavor soon proves to be a mistake, as Stephanie’s ex rises from the grave as vengeful zombie demon thing with claws as long as knives. I’ll admit, I first I thought Friends Don’t Let Friends was going to be a movie purely about the limits of trust, so I was pretty surprised when the supernatural elements came into play. And when they did, the trust and friendship elements of the plot were somewhat downplayed in favor of a more traditional horror approach, and while it was still entertaining, I still would have preferred for the film not to have strayed from its initial path. At least the ending came as a shocker. I won’t go into spoilers, but let’s just say the even the most attentive viewers probably won’t see it coming.

    As you can probably guess from a psychologically-driven film of this kind, the performances were top notch, with Brittany Anne Woodford being on particularly top form as the manipulative and unstable Stephanie, a character who revels in the revels in the power she felt when ending another human life.

    With its mixture of psychological turmoil and brutal supernatural horror, Friends Don’t Let Friends is a film I would certainly recommend, but keep in mind that it may make you think twice when confiding in people who you think of as being your friends.

    8 out of 10.

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    Coulrophobia Review – One of the Most Entertaining Killer Clown Films in Quite Some Time



    Starring Pete Bennett, Warren Speed, Daniella D’Ville, Roxy Bordeaux

    Directed by Warren Speed

    The word ‘Coulrophobia’ refers to the fear of clowns, and if you happen to suffer from it, you might want to avoid director Warren Speed’s film of the same name. However, if you can stand the sight of clowns with gaping wounds in their manly parts, then you’re in for one heck of a fun time.

    An all-female hockey team get lost deep in the Scottish woods on their way to a match (don’t ask), and are captured and forced to participate in a series of horrific games by the Grock family of clowns. All of the members of said family are absolutely fucking insane, but the one that really stood out was Twitch (Pete Bennett), who wears jester cloths and it said to have a short attention span. He longs to be a violin player and wishes he could blend in with normal society like the other members of his family. And you almost feel sorry for him, even though he’s a mad killer with bells on his head.

    Director Warren Speed also appeared as Milo, a grunting mute who had his tongue cut out when he was a boy. As mentioned above, we see a close-up shot of a open wound in his penis being stitched up, which is not an image that will be leaving your mind anytime soon. Speed is clearly fearless when it comes to his art.

    Inter-spliced with all the torture and mayhem, we also see documentary-style telling the sad history of the family involved, and this was where the film unfortunately faltered, because these scenes seemed out of place and just didn’t flow with the rest of the plot.

    Ultimately, however, Coulrophobia almost seems like a film Rob Zombie might have made before he lost his way and started churning out trash like 31. Comparisons to House of 1000 Corpses are inevitable, and I absolutely mean that as a compliment. This is one of the most entertaining killer clown films in quite some time.

    • Film
    User Rating 2.95 (19 votes)
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    The Gatehouse Review – What Is Found in the Woods Should Be Left in the Woods



    Starring Scarlett Rayner, Simeon Willis, Linal Haft

    Directed by Martin Gooch

    Now while no one will sneeze at the prospect of bringing up a bit of a rebellious child alone, it’s those damned kids that like to tempt fate by pissing off creatures in the woods…oh kids, they do the funniest things, don’t they?

    In Martin Gooch’s moderately spooky presentation, The Gatehouse, a struggling writer named Jack (Willis) finds himself behind the 8-ball following the tragic drowning death of his beloved wife, and if that isn’t enough to torque your drawers, his young daughter, Eternity (Rayner) is becoming quite the salty soul herself. Unfortunately the little one has been finding herself bullied at school, and her recourse of sorts is to simply toss attitude around as if it was pleasantly acceptable. Her pastime has become lonely wanderings in the deep woods, digging for hopeful treasures…and we all know what problems reside in the woods, don’t we, horror fans? Well, Eternity’s father is attempting to re-start his writing career with a frightening backstory – taking the reigns on a novel that was abruptly ended when the author committed suicide, and supposedly the tome is quite the dark piece of literature.

    Eternity’s never-ending quest for fortune and glory in the forest leads her to a most interesting (and ultimately) dangerous discovery (don’t sweat it – I won’t spill it for you). Bottom line here is this: the little girl has taken possession of something that should have been left in the friggin’ woods, and now someone (or something) wants it back PRONTO. What follows is a lackluster series of “spooky” events, and far be it from me to say, I’ve seen creepier stuff watching the evening news. Gooch then tries to bombard the audience with a plethora of instances and swerving plot direction – it’s fun at the beginning but can grow a bit tiresome over a duration.

    Performance-wise, both Rayner and Willis play the perfect combination of mentally-shot dad and determined-to-be-independent daughter – their scenes are ripe with subtle contempt, and the right amount of indecision. Overall, the film is best suited for those fans of fantasy/fable-like horror, and while it might not scare the pants off of you, it definitely will give us all another reason to stay the hell out of the woods once and for all.

    • Film


    Children in a forest-setting don’t always add up to cutesy-pie encounters with furry creatures – this one’s got a few scares to keep fans of coppice-horror appeased.

    User Rating 3.56 (18 votes)
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