On this episode of The Bonus Material Podcast, Thom Carnell and Brian Ellison take a look at The Chanbara / Jidaigeki Film (aka The Japanese Sword Drama aka The Samurai Film). We’ll go over the highlights of the genre and delve into why it continues to appeal to a worldwide audience. We’ll also go over some news and give a few movie & book recommendations.
Who Goes There Podcast: Ep 148 – Inside (2017 Remake)
We’ve all heard the old saying, “in this world nothing can be said to be certain, except death and taxes.” Well, I’m here to tell you that’s only partially true. It seems there is a third certainty that had been omitted from the original quote, “It is certain, if you enjoy a movie, at some point someone will remake that movie.” Now is the time when one of my favorite movies gets reimagined, “for an American audience”.
In the late 2000’s an explosion of “French extreme” horror films was released. Martyrs and or High Tension can often be found on any number of lists of the “most fucked up horror movies ever”. Unfortunately, the vastly superior Inside is often forgotten (as well as Frontier(s), but that’s a whole ‘nother rant). Now, ten years after it’s initial release, Inside has been Americanized. Don’t worry, we watched it so you don’t have to. You’re welcome.
Mommy says you’re not dead. Is that true? It’s the Who Goes There Podcast episode 148!
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#Brainwaves Episode 73: Powerman 5000’s Spider One – LISTEN NOW!
For the 73rd edition of Brainwaves Horror and Paranormal Talk Radio, we were joined by Powerman 5000 frontman Spider One to talk about his latest album, his career, and just what happens when worlds collide! Are you ready to go?
It’s radio without a safety net, kids. It’s Brainwaves: Horror and Paranormal Talk Radio.
Spooky, funny, touching, honest, offensive, and at times completely random, Brainwaves airs live every Wednesday evening beginning at 8:00 PM Pacific Time (11:00 midnight Eastern Time) and runs about 3 hours per episode.
Knetter and Creepy will be taking your calls LIVE and unscreened via Skype, so let your freak flags fly! Feel free to add BrainWavesTalk to your Skype account so you can reach us, or call in from a landline or cellphone – 858 480 7789. The duo also take questions via Twitter; you can reach us at @BrainwavesRadio or @UncleCreepy, @JoeKnetter, or @MrDarkDC and @JonathanBarkan using the hashtag #BrainWaves.
Have a ghost story or a paranormal story but can’t call in? Feel free to email it to me directly at UncleCreepy@dreadcentral.com with “Brainwaves Story” in your subject line. You can now become a fan of the show via the official… BRAINWAVES FACEBOOK PAGE!
Brainwaves: Horror and Paranormal Talk Radio is hosted live (with shows to be archived as they progress) right here on Dread Central. You can tune in and listen via the FREE TuneIn Radio app or listen to TuneIn right through the website!
For more information and to listen live independent of TuneIn, visit the Deep Talk Radio Network website, “like” Deep Talk Radio on Facebook, and follow Deep Talk Radio on Twitter. And don’t forget to subscribe to Brainwaves on iTunes.
Horrible Imaginings Podcast #184: M.F.A. Director Natalia Leite Subverts the Rape-Revenge Subgenre
Rape Revenge films are perhaps the most replete with conflict for conscientious audience members who find themselves, for one reason or another, drawn to them. Whether people feel comfortable admitting it or not, this especially dark and often nasty subgenre is a lucrative one, with thousands of imitations and similar stories released worldwide. Some of the most notorious have been remade, including the Day of the Woman or I Spit on Your Grave remake launching a franchise of three films, and a sequel to the 1978 original, starring Camille Keaton and directed by the original’s Meir Zarchi set to come out this year.
The profitability of rape revenge films has a lot of angry detractors, as well as a lot of supporters, a fact attributable not only to the sensationalistic and brutal nature of these movies, but also to the stark duality in their simple narrative structures. Are they about the rape or the revenge? How much time is devoted to each of those violent acts? These things have been discussed often, but one question that should always be asked is who is telling these stories and why?
Earlier this year saw the release of a film that is listed as a psychological thriller, but is certainly a rape revenge film. It is called M.F.A., and it is written by Leah McKendrick, a woman also has a role in the film, and directed by Natalia Leite. In this film, Francesca Eastwood plays Noelle an art student who suffers a brutal rape at the hands of a fellow art major. Her experiences following this trauma lead to Noelle taking matters in her own hands. I am happy to say that Leite has decided to take some time to join me to discuss her thoughts behind this challenging project, and most importantly why it is important that women take charge of telling these stories.
This episode will be in two parts, the first part being spoiler free before delving more deeply into the story of M.F.A. There will be plenty of warnings before we go too far into spoiler territory, but really you should check this film out anyway. It is available on blu-ray and VOD right now. Be sure to leave it a review! Now get to listening!
Subscribe to the Horrible Imaginings Podcast right here. You can also listen here on Dread Central or on the Horrible Imaginings website. You can help keep the podcast, the film festival, and our horror community going for only $1 per month! Become a patron at our Patreon for exclusive content and perks! Find out about San Diego horror events on our Facebook, Twitter, Instagram, and YouTube pages, and always stay scared!
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