The Maestro of Horror Dario Argento and The Godfather of Punk Iggy Pop Collaborate on The Sandman - Dread Central
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The Maestro of Horror Dario Argento and The Godfather of Punk Iggy Pop Collaborate on The Sandman

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The Sandman

Could you find a more iconic pairing than Dario Argento and Iggy Pop? No, they may not be a combination that seems to naturally flow together, but they are both legendary in their fields and are teaming up for the new film The Sandman.

Just to clear things up immediately, this Sandman is not like any one you’ve seen before. The titular character behind Argento/Pop’s film is based on the original German legend of The Sandman, who steals the eyes of children who won’t go to sleep and feeds them to his children on the moon. That tale should be enough to get kiddies off to dreamland. If not, bye-bye peepers!

There is currently an Indiegogo campaign for The Sandman that is off to a great start. Check out more information on the project, as well as the killer perks they are offering donors, by clicking the link. It’s a great chance to team up with some amazing artists and help create a killer film.

From the Press Release
Legendary Italian horror director Dario Argento has launched a campaign for his latest film, The Sandman, on Indiegogo, the world’s largest crowdfunding platform. Starring iconic punk singer Iggy Pop as a serial killer dubbed The Sandman, the sleek and contemporary thriller is set in the 21st century with deep and twisted primal roots stemming from the dark forests of Germany. The campaign kicks off Indiegogo’s horror month. The month-long celebration of all things scary will feature weekly blog posts from industry insiders as well as a partnership with leading global cinema website Twitch, which just celebrated its 10th anniversary.

“I was thrilled to read the script because I recognized right away this one was written for me,” said Dario Argento, director of The Sandman. “I’m so excited that for the first time in my career, I will be able to involve my fans so early in the process and have them play an integral role in my next film. Also, working with Iggy Pop is amazing! Such an interesting and intense personality! I would not even simply say ‘actor’; that does not cover it. I would rather say ‘a unique presence’! Welcome to the unique world of The Sandman!”

“I have long been thrilled and fascinated by the amazing films of Mr. Argento,” said Iggy Pop, lead actor in The Sandman, “all of which are master works, yes, and also compellingly strange, beautiful, and full of relentless terror. If I could play The Sandman for him, it would make my life complete. I hope I’ve not just written my own epitaph.”

The script, crafted by David Tully, was specifically written for Argento to enable him to make the ultimate horror movie masterpiece with the complete directorial control for which he has long awaited. The film is brimming full of references to Argento’s past classic horror films such as Suspiria and Deep Red, while standing on its own as a sleek contemporary thriller.

Claudio Simonetti, Argento’s longtime musical collaborator (Deep Red, Suspiria, Tenebre, Phenomena), has been tapped to compose the haunting score. Scott Weiland has crafted the song “Way She Moves,” which will be the title song for the film. The song was recorded by Scott Weiland and the Wildabouts and will also appear on their new record coming in February next year.

Sandman

The Canadian and German film production team lead by producers Daniela Tully, Jeff Rogers, and Rob Heydon is looking to raise $250,000 to aid in making their and Argento’s dreams of creating the ultimate nightmare into a reality. Fans will have access to incredible rewards for contributing such as personal messages from Dario and Iggy, The Sandman set tours, and a role as a black-gloved killer in the film!

The Sandman Synopsis
The Sandman tells the story of Nathan, a young student in the city who struggles to forget his childhood trauma at the hands of the serial killer dubbed “The Sandman.” Nathan killed The Sandman (Iggy Pop) years ago, on Christmas Eve, after he witnessed the murder of his mother…until he sees the beautiful woman who lives in the apartment across the way dying at the hands of that same masked killer. This brutal murder plunges Nathan into an odyssey into the night country of his past, his dreams…and the buried secrets of The Sandman. Christmas is coming and so is The Sandman.

The Sandman

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Fearsome Facts – Dracula: Prince of Darkness (1966)

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Sir Christopher Lee returned to portray the charismatic count of Transylvania in Hammer’s Dracula: Prince of Darkness (1966) for the first time since taking on the iconic role in 1958’s Horror of Dracula – an eight year absence. 

And while Lee endured a love/hate relationship playing the Carpathian Count over the years, the actor reluctantly tackled the role a total of 10 times for the Silver Screen. Three of those performances came outside of the purview of Hammer Horror, but this list is dedicated to the first Hammer Dracula sequel to feature the return of Christopher Lee in the lead role.

Now, here are 5 Things You May Not Know About Dracula: Prince of Darkness.

5. Dracula: Speechless

Dialogue never played a crucial part in Christopher Lee’s portrayals as Count Dracula, but this film is the epitome of that contentious notion. Lee doesn’t utter a single word during Dracula: Prince of Darkness’ 90 minutes of run time. In interviews over the years, Lee said that he was so unhappy with his lines that he protested and refused to say them during the filming process. “Because I had read the script and refused to say any of the lines,” Lee said in an interview at the University College of Dublin.

However, screenwriter Jimmy Sangster insisted that the original script was written without any dialogue for Dracula. There was even a theory that circulated for a time which postulated that Hammer could not afford Lee’s growing salary, so the studio decided to limit the Count’s screen time. Did this lead to the demise of Dracula’s dialogue? Regardless of whom you want to believe, Dracula is the strong, silent type in Prince of Darkness. 

4. Double Duty for Drac

Hammer Film Productions doubled down, so to speak, on the production and post-production aspects of Dracula: Prince of Darkness. First, the studio filmed the vampire flick back-to-back with another project titled Rasputin: The Mad Monk (1966). In doing so, Hammer used many of the same sets, actors – including Francis Matthews and Suzan Farmer – and crew members to shoot both motion pictures.

Second, Dracula: Prince of Darkness was featured in a double billing alongside the film The Plague of the Zombies (1966) when it screened in London. Insert cheesy cliche: “Double your pleasure, double your fun with Doublemint Gum.” 

3. Stunt Double Nearly Drowned

Dracula: Prince of Darkness introduced a new weakness in the wicked baddie, but it nearly cost a stuntman his life. During the film, it was revealed that running water could destroy Dracula. Wait, what? Apparently, leaving the faucets on at night not only prevents frozen pipes, but blood-sucking vampires, too.

All kidding aside, it was during the climactic battle scene in which Christopher Lee’s stunt double almost succumb to the icy waters on set. Stuntman Eddie Powell stepped in as the Count during that pivotal moment, as Dracula slipped into the watery grave, but Powell was trapped under the water himself and almost died.

2. Lee Loathed What Hammer Did to Stoker’s Character

Christopher Lee’s return to Hammer’s Dracula franchise was a stroke of genius on the part of producers, but Lee was more than a little reticent when it came to initially voicing his dislike for playing the iconic role. As mentioned above, a lot of speculation swirled around the lack of dialogue given to Lee in the Prince of Darkness script. And if you don’t count the opening flashback sequence, which revisits the ending of Horror of Dracula (1958), Count Dracula doesn’t appear on screen until the 45-minute mark of the film.

Dracula’s lack of character, and presence, began to affect Lee particularly when it came to signing on to play the character in the three films following Prince of Darkness. Indeed, the lack of meaningful character development led to Lee initially turning down Dracula Has Risen From the Grave (1968), Taste the Blood of Dracula (1970) and Scars of Dracula (1970). Lee said in countless interviews that he never got to play the real version of Count Dracula created by Bram Stoker, at least via Hammer Studios. This was a true disappointment to the late actor.

But Hammer guilt Lee into taking on the role over and over again, because the studio claimed to have already sold the aforementioned films to the United States with Lee’s name attached to the projects. Hammer informed Lee that if he didn’t return the company would have to lay off many of their workers. The tactic worked, since Lee was friends with many of the Dracula crew members. Fortunately for fans, Lee kept coming back for blood.

1. Faux Pas

Outside of the character of Dracula only appearing on screen for the last half of the movie, Dracula: Prince of Darkness had even more pressing issues that unfortunately survived all the way to the final cut of the film. One of the most appalling of these occurrences happens during the picture’s climatic confrontation. Watch the skies above Dracula and you will see the trail of a jet-engine plane staining the sky.

Another faux pas occurs in this same sequence when Dracula succumbs to the icy waters. Watch closely as the camera’s long shot clearly reveals the pivots holding the ice up underneath Chris Lee. Finally, watch the dead girl who is being carried during the opening funeral sequence. She is clearly breathing and quite heavily at that.

***

Which Dracula: Prince of Darkness moments did you find the most interesting? Were there any obscure facts you would have enjoyed seeing make our list? Sound off on social media!

 

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Carnivore: Werewolf of London Howls on VOD

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Joining the ranks of The Curse of the Werewolf, An American Werewolf in London, The Company of Wolves, and Dog Soldiers, Carnivore: Werewolf of London is the latest in a long series of fantastic British werewolf movies. Directed by Knights of the Damned’s Simon Wells, the film focuses on a couple trying to save their relationship by taking a vacation in a remote cottage, but rekindling their old flame soon proves to be the least of their worries as they learn that something with lots of fur and lots of teeth is waiting for them in the surrounding woods.

Carnivore: Werewolf of London stars Ben Loyd-Holmes, Atlanta Johnson, Gregory Cox, Molly Ruskin, and Ethan Ruskin, and is available to purchase now on Google Play, Amazon Video, iTunes, and Vudu, although it doesn’t appear to have received a physical release as of yet.

More information about Carnivore: Werewolf of London is available on the film’s official Facebook account, along with a ton of production photos.

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John Carpenter … NOT DEAD!

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We currently live in a world of false alarms. Within the last several days we’ve suffered everything from warnings of doomsday to Rotten Tomatoes accidentally celebrating the passing(!) and career of the very much still alive John Carpenter.

That’s right, kids; earlier today RT tweeted, “John Carpenter would have been 70 years old today! We celebrate his birthday by looking back at his five favorite films.” The tweet… has since been deleted.

We are here to tell you… John is very much alive! Alive and well, even. Carpenter himself responded on Twitter by alerting the site that “despite how it appears, I’m actually not dead.

This is great news indeed. One of horror’s best and brightest is still bright-eyed and bushy-tailed. Now then, let’s take this time to celebrate the man’s birthday PROPERLY by talking about our favorite films of his. Speaking personally for myself…

Prince of Darkness is a movie that both unnerves and scares the hell out of me. One of Carpenter’s most thought-provoking works is just as frightening now as it was when we first received that grainy transmission as a dream from the year…

Tell us your favorite Carpenter movie in our comments section below.

…and HAPPY BIRTHDAY, JOHN!

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