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Halloween Horror Nights 2014 – Hollywood Tickets On Sale Now!

Halloween Horror Nights 2014 - Tickets On Sale Now!Just a quick reminder that tickets are NOW AVAILABLE for Halloween Horror Nights Hollywood 2014! Don’t wait! Be ahead of the curve! Make sure your throat is amongst the first to be placed lovingly on the chopping block.

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Halloween Horror Nights 2014 - Tickets On Sale Now!Just a quick reminder that tickets are NOW AVAILABLE for Halloween Horror Nights Hollywood 2014! Don’t wait! Be ahead of the curve! Make sure your throat is amongst the first to be placed lovingly on the chopping block.

From the Press Release
Tickets are now on sale for “Halloween Horror Nights” at Universal Studios Hollywood as Southern California’s leading Halloween event becomes “More Dead Than Ever,” expanding to 22 select nights with more mazes than ever, from Friday, September 19 through Sunday, November 2, 2014.

Tickets to this year’s event are available for purchase at Halloween Horror Nights.com, including a Front of Line ticket option that enables guests to enjoy priority access at each “Halloween Horror Nights” maze, Terror Tram and theme park attraction. Advance purchase is recommended as event nights will sell out.

“As the movie studio that invented the horror film genre, we hold ourselves to a very high standard in producing the best and most terrifying Halloween experience,” said John Murdy, Creative Director at Universal Studios Hollywood and Executive Producer of “Halloween Horror Nights.” “Our ongoing collaboration with today’s most influential filmmakers and musicians, and movie and television horror properties, contributes to the authenticity of ‘Halloween Horror Nights’ and delivers one of the scariest, most compelling experiences anywhere. This year will be ‘More Dead Than Ever’ with more event nights and even more mazes, and we can’t wait.”

“Halloween Horror Nights” 2014 will feature a slate of all-new haunted attractions including, “The Walking Dead: The End of the Line,” inspired by Season 4 of AMC’s Golden Globe®-nominated and Emmy® Award-winning TV series. The bone-chilling maze will place guests at the heart of a harrowing journey to seek sanctuary at Terminus, an elusive destination that promises community for all. Mirroring the terror that befell the residents of the West Georgia Correctional Facility, now overrun by savage walkers, the experience will send guests fleeing from the fallen prison into unknown territory as they stage a desperate battle for survival against flesh-eating walkers and ruthless humans.

The engrossing television series will seep into other parts of Universal’s backlot with predatory walkers prowling the secluded wooded areas of the movie studio. “Terror Tram: Invaded by the Walking Dead” will take guests down the daunting path to Terminus, interspersed with landmarks and walkers from Season 4, including the “burned moonshine cabin,” “charred walkers” and “mud walkers.”

Filmmaker Robert Rodriguez’s cult film and El Rey network’s acclaimed supernatural TV series, “From Dusk Till Dawn,” will debut at this year’s event in a new maze designed to thrust guests into its deviant world where they will encounter sordid mythological creatures known as “Culebras,” serpent-like vampires who have tormented the Earth for centuries.

Celebrated Grammy® Award-winning musician, SLASH, hailed as one of the 10 best electric guitar players of all time by Time magazine, is joining forces with Universal Studios Hollywood to compose the first-ever original score for the theme park’s hypnotizing new 7D maze, “Clowns 7D Music by SLASH.”
Other marquee mazes will include, “Dracula Untold: Reign of Blood,” a terrifying new haunted attraction based on Universal Pictures’ upcoming epic action-adventure; “AVP: Alien vs. Predator,” bringing together the most deadly species spawned from two blockbuster films; “An American Werewolf in London,” inspired by Universal Pictures’ Academy Award®-winning film, and “Face Off: In the Flesh,” featuring gruesome characters from Syfy’s hit TV series.

A series of unnerving scare zones will also infiltrate “Halloween Horror Nights,” terrorizing guests as they navigate the darkness from one terrifying maze to another, beginning with “The Purge: Anarchy,” inspired by Universal Pictures’ disturbing blockbuster thriller. “The Walking Dead: Welcome to Terminus” will awaken swarms of predatory walkers in a gruesome scare zone situated adjacent to the new “The Walking Dead” maze.

Additional scare zones will include, “Mask-a-Raid,” featuring hordes of blood thirsty cannibals masquerading as French aristocrats; “Dark Christmas,” a Pagan-themed area where demonic creatures hunt disobedient children and drag them to hell; and “Skullz,” based on the Native American legend of Wendigo, a malevolent supernatural half-beast monster with an insatiable appetite for human flesh.

As a complement to the nighttime event, Universal’s most popular rides and attractions will also be open to guests, including” Transformers: The Ride-7D,” “Jurassic Park—In the Dark,” “The Simpsons Ride” and “Revenge of the Mummy—The Ride.”

“Halloween Horror Nights” dates are as follows: September 19, 20, 26, 27, October 7, 4, 5, 10, 14, 12, 16, 17, 18, 19, 27, 24, 25, 26, 70, 71, and November 1, 2, 2014.

More info on Halloween Horror Nights is available at Halloween Horror Nights.com. Updates from Creative Director John Murdy can be found on Twitter, as he reveals a running chronicle of exclusive information.

Universal Studios Halloween Horror Nights

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Vampire Hunter D: The Series Gets Writer For Pilot Episode

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It’s been a little while since we’ve heard news about “Vampire Hunter D: The Series”, the CG-animated series based on Hideyuki Kikuchi’s titular character. However, some new news broke today over at ANN as they’ve reported that Brandon Easton, who is writing the scripts for new Vampire Hunter D comics, has been tapped by Unified Pictures to write the pilot for the series. The pilot will be based on Kikuchi’s “Mysterious Journey to the North Sea” storylines, which make up the 7th and 8th titles in the book series. Unified is making this series in conjunction with Digital Frontier, the Japanese animation studio behind the CG Resident Evil titles.

Easton told the site, “I’ve had to manage the expectations of three entities: the creator Hideyuki Kikuchi, the producers at Digital Frontier and Unified Pictures, and ultimately myself. This means that you have to find new and exciting ways of telling a story that has a set of concrete rules that have been fully established by the novels.

Meanwhile, the studio has also announced that Ryan Benjamin is taking over as the artist and colorist on the Vampire Hunter D: Message From Mars series with Richard Friend inking the issues.

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Watching A Quiet Place’s John Krasinski Get Scared by Freddy on Ellen Will Brighten Your Day

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I was just researching the new Platinum Dunes horror-thriller A Quiet Place and stumbled across this video. It features the film’s writer-director and star John Krasinski getting scared by a man dressed as Freddy Krueger on “Ellen.”

It’s as much fun as it sounds, and I’m sure it will make your day. It sure as hell just brightened mine.

Give it a watch below, and then let us know what you think!

John Krasinski directs the film, which will be the opening night entry at this year’s SXSW festival in Austin, TX. Emily Blunt stars alongside Krasinski, Noah Jupe, and Millicent Simmonds.

A Quiet Place will then open wide on April 6.

Synopsis:
In the modern horror thriller A Quiet Place, a family of four must navigate their lives in silence after mysterious creatures that hunt by sound threatens their survival. If they hear you, they hunt you.

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Interview: Director Jeff Burr Revisits Leatherface: The Texas Chainsaw Massacre III

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Director Jeff Burr was gracious enough to give us here at Dread Central a few minutes of his time to discuss the Blu-ray release of his 1990 film Leatherface: The Texas Chainsaw Massacre III. Recently dropped on 2/13, the movie has undergone the white-glove treatment, and he was all-too-happy to bring us back to when the film was being shot…and eventually diced thanks to the MPAA – so settle in, grab a cold slice of bloody meat, read on and enjoy!

DC: First off – congrats on seeing the film get the treatment it deserves on Blu-ray – you excited about it?

JB: Yeah, I’m really happy that it’s coming out on Blu-ray, especially since so many people bitch and moan about the death of physical media, and this thing made the cut, and it’s great for people to be able to see probably the best-looking version of it since we saw it in the lab back in 1989.

DC: Take us back to when you’d first gotten the news that you were tabbed to be the man to direct the third installment in this franchise – what was your first order of business?

JB: It was fairly condensed pre-production for me, and there really wasn’t a whole lot of time to think about the import or the greatness of it – it was basically just roll up your sleeves and go. It was a bit disappointing because a lot of times in pre-production you have the opportunity to dream what could be – casting had already been done, but certain decisions hadn’t been made yet. A very condensed pre-production, but exciting as hell, for sure! (laughs)

DC: R.A. Mihailoff in the role of Leatherface – was it the decision from the get-go to have him play the lead role?

JB: No – I totally had someone else in mind, even though R.A. had done a role in my student film about 7 years earlier, and we’d kept in touch, and I’d felt strongly because I’d gotten to know him a bit that Gunnar Hansen should have come back and played Leatherface, which would have given a bit more legitimacy to this third movie. He and I talked, and he had some issues with the direction that it was going – he really wanted to be involved, and it ended up boiling down to a financial thing, and it wasn’t outrageous at all – it wasn’t like he asked for the moon, but the problem was that New Line refused to pay it, categorically. I think the line producer at the time was more adamant about it than anyone, and Mike DeLuca was one of the executives on the movie, and he was really the guy that was running this, in a creative sense. I made my case for Gunner to both he and the line producer, and they flat out refused to pay him what he was asking, so after that was a done “no deal” I decided that R.A would be the right guy to step into the role. Since New Line was the arbiter of the film, he had to come in and audition for the part, and he impressed everyone and got the part. He did an absolutely fantastic job – such a joy to work with, and he was completely enthusiastic about everything.

DC: Let’s talk about Viggo Mortenson, and with this being one of his earliest roles – did you know you had something special with this guy on your set?

JB: Here’s the thing – you knew he was talented, and I’d seen him in the movie Prison way back in the early stages of development and was very impressed with him, and he was one of those guys that I think we were really lucky to get him on board with us. I really believe that The Indian Runner with he and directed by Sean Penn was the movie that truly made people stand up and notice his work. Every person in this cast was one hundred percent into this film and jumped in no questions asked when it was time to roll around in the body pits.

DC: It’s no secret about the amount of shit that the MPAA put you through in order to get this film released – can you expound on that for a minute?

JB: At the time, I believe it was a record amount of times we had to go back to the MPAA after re-cutting the film – I think it was 11 times that we went back. What a lot of people don’t realize is after Bob Shaye (President of New Line) had come into the editing room and he thought that it was very disturbing, and cut out some stuff himself. He thought that it would have been banned in every country, and it was banned in a lot of countries but so were the previous two. It was definitely on the verge of being emasculated before even being submitted to the MPAA, and I would have thought just a few adjustments here and there – maybe a couple of times to go back…but eleven? It was front-page news in the trade papers then, and I think that the overall tone of the film was looked at as being nasty. The previous film (Chainsaw 2) had actually gone out unrated, and with the first film being so notorious, I think it was a combination of all of that, and now even the most unrated version of this would be rated R – that’s how far the pendulum has swung in the other direction.

DC: Looking back at the film after all this time – what would be one thing that you’d change about the movie?

JB: Oh god – any film director worth his salt would look back at any of their films and want to change stuff up, and with this being 28 years old, I can look back and say “oh yeah, I’d change this, this and this!” You grow and learn over the course of your time directing, and this was my third movie and my first without producers that I had known, so the main thing that I’d do today would be to make it a bit more politically savvy. I had always thought that they wanted me to put my vision on this film, and that wasn’t necessarily the case, so maybe I’d navigate those political waters a little better.

DC: Last thing, Jeff – what’s keeping you busy these days? Any projects to speak of?

JB: Oh yeah, I’ve got a couple of movies that I’m working on – I’m prepping a horror movie right now, and then I’ve got a comedy film that I’m doing after that. You haven’t heard the last of me! I’ve had a real up and down (mostly down) career, but I still love it – it’s what I love to do, and it’s still great that after 28 years people still want to talk about this movie, and are still watching it – that’s the greatest gift you can get, and I thank everyone that’s seen it and talked about it over all these years.

BUY IT NOW!

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