Edward James Olmos Says Shane Black's The Predator is Really Funny, Yet Deadly - Dread Central
Connect with us

News

Edward James Olmos Says Shane Black’s The Predator is Really Funny, Yet Deadly

Published

on

When we first heard that writer-director Shane Black (Kiss, Kiss, Bang, Band, The Nice Guys) and his main collaborator Fred Dekker (Night of the Creeps, The Monster Squad) were going to be taking on a big-budget reboot/sequel of Predator we were excited as hell. As we’re sure you were as well.

We knew the film was going to be, at least in some aspects, the funniest Predator film we have seen thus far. I mean with Black and Dekker penning the script how could it NOT?

But just how funny will The Predator be?

Well, if we are to believe ScienceFiction.com and co-star Edward James Olmos, the movie is going to be hilarious… yet still deadly.

The Blade Runner actor was recently out and about promoting the new Disney film Coco, and dropped some all-new info on Shane Black’s The Predator.

“Oh, my goodness. That’s an interesting story,” Edward James Olmos told the site. “I haven’t seen any of it, but it’s gonna be funny. The kids in the thing. Yeah, the humor. Huge. Huge. I mean I was in shock, because, you know this is a really intense franchise, and it still is. Don’t get me wrong. You’re gonna be inside of it. But the characters are… what he did — Shane is an incredibly gifted writer, and he’s a great director, and so he ended up getting an incredible ensemble, and when I reached it they had already been filming for three months so they were a unit. So I jump in as the General and there were some moments where I just had to laugh in the scene and I couldn’t be laughing in the scene. ‘I’m sorry guys. Really, I’m sorry.'”

“Keegan (Michael Key) and Thomas Jane, they’re paired off in groups of three groups,” he continues. “Six guys. The way they work, they were all post-traumatic stress disorder guys who were inside of an insane asylum. A mental hospital. Then they put the lead character in there to kind of make them disappear, because they want them kind of out of the picture. And so he gets involved and then boom, the world goes crazy and these kids are released. But out of a freaky incident with some of the Predators. It’s crazy. It’s so crazy. I’m excited for it, and I don’t know what’s gonna happen. I got a good feeling about it. I mean if it’s really funny, and yet deadly like Predator is.”

I’m not surprised at all that the film is going to be funny, and the thought of a humorous Predator movie doesn’t worry me in the slightest either. I have utter faith that Black and Dekker will give us one of the best Predator films in the franchise.

What do you think? Let us know below!

The Predator stars Thomas Jane, Edward James Olmos, Sterling K. Brown, Trevante Rhodes, Boyd Holbrook, Jacob Tremblay, Olivia Munn, Alfie Allen, Yvonne Strahovski, Augusto Aguilera, and Keegan-Michael Key.

Black is directing from a script by Fred Dekker. John Davis, Joel Silver, and Lawrence Gordon — who produced the original — are producing.

The Predator comes out August 3, 2018.

Continue Reading
Comments

News

AfterShock Comics Announces First Anthology Collection Titled Shock

Published

on

AfterShock Comics continues to push boundaries by presenting Shock, its very first anthology collection featuring a slew of today’s top writers and artists. It arrives in March of next year, and we have a look at the cover plus a few interior pages for you along with quotes from several of the creators.

Presented in the “European Album” format (same as the recent Animosity: the Rise hardcover for LCSD), this handsome hardcover features the creative talents of Bill Willingham, Marguerite Bennett, Mike Carey, Jim Starlin, Michael Zulli, Charles Vess, Michael Gaydos, Andy Clarke, Andrew Robinson, Sarah Delaine, Phil Hester, Paul Jenkins, Neil Gaiman, Dalibor Talajic, Travis Moore, Brian Azzarello, Francesco Francavilla, Cullen Bunn, Marc Guggenheim, Frank Tieri, Brian Stelfreeze, and more.  The cover art is by John Cassaday.

Shock hails from Joe Pruett, the multiple Eisner and Harvey Award-nominated editor of the classic Negative Burn anthology series.

CREATOR QUOTES:

CULLEN BUNN: My story, “Blooderflies,” is a horror/dark fantasy yarn that tells a complete story in just 8 pages, but it should keep readers thinking about the setting and “what happens next” for some time to come. To me, that’s part of what makes AfterShock’s catalog so thrilling. These stories, short or long, really fire the imagination. I couldn’t be happier to be included alongside these amazing creators.

MARC GUGGENHEIM: “Metroclash” is an idea that’s been burning a hole in my notebook for years: What if cities could fight like people? It’s the kind of huge, visually-driven idea that could only be done in comics. My story centers on a clash between New York City and Chicago, and I couldn’t be more excited about getting this crazy, bombastic concept out into the world.

MIKE CAREY: My story in the anthology is an autobiographical piece about growing up in Liverpool in the middle of the last century, a time that in some ways feels as distant as the late Jurassic. I’m trying to make sense of the disconnect between the world I knew as a kid and the world I live in now. It’s also a story about the way memories work and the way we constantly try to build a coherent narrative out of the incoherent facts of our lives. I’ve slipped biographical details into stories before, but I’ve never written a fully autobiographical story. I’m excited to see how it comes out, not least because Szymon Kudranski is doing the art, and I can’t wait to see how my life looks in his gorgeous black and white palette.

FRANK TIERI: My story is called “Little Red Hood,” and you can think of it as basically “Little Red Riding Hood” as if it was a Quentin Tarantino movie. The familiar fairy tale is instead set up as a big drug deal gone horribly wrong. So in our case, Red is a drug courier delivering a package to the biggest drug dealer in town– that of course being Grandma– and then rival drug dealer “The Wolf” arrives, and everything hits the fan. It’s over-the-top, ultra-violent, and very much not the beloved Brothers Grimm yarn we all grew up with. So yeah, this ain’t a beddy bye story you’ll be reading to your kids anytime soon. Or at least it sure as hell shouldn’t be!

MARGUERITE BENNETT: AfterShock has given me the most creative freedom I’ve had in my entire career–I’m always delighted to submit these twisted pitches and hear back that this is the one place those strangest stories can find a home. For my own part, my story is a family revenge drama set in a Border town in the 1970s–a ghastly little tale about the gifts that give and the gifts that take. I’m thrilled to be a part of such a splendid anthology.

PHIL HESTER: I feel privileged to work with one of my all-time comics heroes in Jim Starlin. Our short story “Berserker” is a prime example of Jim’s unique ability to marry very personal narratives with cosmic action and timeless imponderables. I hope I can do it justice.

This Is Istanbul

Continue Reading

News

Here’s Episode One of Dan Yadin’s Stop-Motion Animated Comedy I Want to Kill

Published

on

Brooklyn-based writer/director/filmmaker Dan Yadin’s new dark and twisted animated comedy “i want to kill” has premiered and you can watch the utter madness below.

The episode stars comedians James Adomian (@midnight, Children’s Hospital, Comedy Bang! Bang!), Amber Nelson (Guy Code, Netflix’s ‘Characters’) and Clark Jones (HBO’s ‘Crashing’, Brooklyn’s 50 Funniest People).

“i want to kill” is made from cardboard sets and low-rent stop motion and it is pretty damn strange if you ask me. But if that’s your thing then I think you’ll enjoy the animated series.

Check it out below and then make sure to hit us up and let us know what you think!

Synopsis:

Astronaut Robert Holeman is fed up with Suburbia, after years of desires going unrealized and confronting his privilege, boredom, and mortality he’s been nudged into a sort of suicidal/genocidal nihilism stoked by a steady diet of drugs. The violent fantasies, anger, and fear don’t belong to just Robert, but also to his neglected girlfriend and son. “i want to kill” is about catharsis and release. Anger unchecked leads to emptiness, but boy is it funny.

Continue Reading

News

Go Christmas Caroling with The Killing of a Sacred Deer

Published

on

Given that I personally have gone Christmas caroling with various lunatics hopped up on eggnog, what the hell… why not go Christmas caroling with The Killing of a Sacred Deer? Dig on this latest clip!

Look for the flick starring Colin Farrell (Best Actor in a Motion Picture – Musical or Comedy, In Bruges, 2009) and co-starring Oscar winner Nicole Kidman (Best Actress, The Hours, 2003) to hit Blu-ray, DVD, and digital on January 23rd. Yorgos Lanthimos directs.

Special features include “An Impossible Conundrum” featurette, and the package will be priced at $24.99 and $19.98, respectively.

Synopsis:
Dr. Steven Murphy (Farrell) is a renowned cardiovascular surgeon presiding over a spotless household with his ophthalmologist wife, Anna (Kidman), and their two exemplary children, 12-year-old Bob (Sunny Suljic) and 14-year-old Kim (Raffey Cassidy). Lurking at the margins of Steven’s idyllic suburban existence is Martin (Barry Keoghan), a fatherless teen he has covertly taken under his wing.

As Martin begins insinuating himself into the family’s life in ever-more unsettling displays, the full scope of his intent becomes menacingly clear when he confronts Steven with a long-forgotten transgression that will shatter the Murphy family’s domestic bliss.

Continue Reading

Recent Comments

Advertisement

Go Ad Free!

Support Dread Central on Patreon!

Join the Box of Dread Mailing List

* indicates required

Trending