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Exclusive: Patrick Brice on Creep 2

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Patrick Brice blipped onto our radar a couple of years back with his audacious horror film debut, Creep. He directed the film, plus he cowrote and co-starred in it with Mark Duplass (interview) (Baghead, Manson Family Vacation). Creep introduced Aaron, an affable serial killer who lures people to his remote cabin by placing ads promising a fun filmmaking experience… while you could see where the story was going in terms of plot, what made it so striking was the way in which it was written and directed. There’s a massive amount of dread throughout.

Brice is back for Creep 2 (review), and we caught up with him to ask about it.

Dread Central: It must have been hard to try to top Creep. Or did you already have a sequel in mind?

Patrick Brice: It’s funny, but when we made the first movie, we had no idea we would eventually be making a sequel. So we didn’t necessarily set ourselves up for an easy road that way. It ended up being something we had to reverse engineer a bit. And we had actually came up with maybe three or four other ideas for Creep 2 before we landed on the one that we ended up shooting. Including a feature length screenplay that I had written but I shelved because it didn’t feel right. And so, it was a combination of things in that we didn’t want to make a sequel until we knew there was an audience for it. Once we realized the first Creep had caught on in the way it did, that was when the idea of making one did started to come up a little bit. Then it wasn’t until we landed on the idea we landed on, sort of the approach we ended up taking, that things started to feel right and it started to make sense with going forward to making one.

DC: Is you audience mainly horror fans? Because it seems serial killer stories are mainstream now, what with “Hannibal” having been on network TV and now we have “Mindhunter” on Netflix.

PB: I’d say a lot of horror fans, and, I think people with masochistic tendencies as well. I think it’s a pretty dark endeavour for an audience to be brought into with that movie. I think because of the sort of minimalist approach, when you’re watching it, especially when you’re watching it alone, it demands a different kind of attention than a normal movie. Because the Creep is only two characters, if you’re an audience member, you essentially become the third character in the movie, bearing witness to it. So I’m grateful that people are willing to engage with this type of material in that way. I’m also just surprised by it because I think it’s a challenging film on some level. I think it’s a rewarding film. And I think if you’re willing to give in to the conceit of it and willing to take the ride, it is a rewarding experience, but I also completely understand anyone who’s not willing to do that, just because it is such a specific thing. And so going into a sequel, there was a certain amount of confidence that we had associated with a lot of the decisions we were making that would have felt strange and odd with the traditional movie being make in a traditional way, but because we were doing it this way and kind of replicating at least the production style of how we made the first one, we were willing to take that leap a little bit more than we would normally do.

DC: Would you consider dropping the found footage format if you do another Creep movie?

BP: Completely. I think that down the road that would be a nice surprise and a nice way to inject sort of a new form into the story telling. One of the things that’s been fun with Creep 2 and thinking about other Creep movies is giving in to that sort of style completely and letting that be something that informs the character. A huge thing with cracking the second movie was creating the character of Sara that Desiree Akhavan (interview) plays and giving her her own specific needs and motivations for being there, which then hopefully justifies the camera being on. That is the big challenge with found footage movies. It’s something that Jason Blum says that all the time, ‘don’t make a found footage movie unless the story dictates it.’ And so we knew we wanted to do it this way and so it was really delving into character and sort of the more emotional side of things to justify that.

DC: One of the intriguing things about Aaron is that he has no backstory. But it seems eventually audiences demand origin stories and prequels. Will you reveal how Aaron got started someday?

PB: It’s something that’s emerging, having made the second one. We have him tell two long monologues. And it’s detailed, it’s very specific, it makes sense as far as the character goes, but there is still this layer of knowing that this guy is a pathological liar and none of this could be true. And so the hope with that was to have this be a story that convinces Sara, the other character in the film, that it’s true but the audience once again, existing on this other level where they know what this guy’s capable of, they also know he’s a total liar and it may or may not be real.

DC: Do you see yourself ramping up the horror if there are more Creep sequels?

PB: I still think there’s a lot of places to go in terms of the horror aspect of it. I think we only scratched the surface with the second one. I think it made sense we sort of upped the blood and gore with the second movie but also, like you said, kept things pretty much in the space of just uncomfortable tension for eighty minutes. I think that’s something that always going to be our ultimate goal with these movies and that’s sort of the trademark of these movies. What’s nice about knowing that there’s other places things can go whether it be, further into the slasher genre, further into the supernatural, we’ve got some options and we’ve left a lot of doors open in terms of having other avenues to explore.

DC: Any horror stories on the horizon apart from Creep 2?

PB: Yes, actually. I’m going to be directing a few episodes of “Room 104” on HBO and at least two of them are horror based. I’m really excited about that, because I get a chance to delve into more pure classical horror than I’ve been able to do with Creep movies.

Written by Patrick Brice and Mark Duplass with Brice directing, Creep 2 stars Duplass, who reprises his role from the first film, and Desiree Akhavan.

Synopsis:
CREEP 2 stars Desiree Akhavan as Sara, a video artist whose primary focus is creating intimacy with lonely men. After finding an ad online for “video work,” she thinks she may have found the subject of her dreams. She drives to a remote house in the forest and meets a man claiming to be a serial killer (Mark Duplass). Unable to resist the chance to create a truly shocking piece of art, she agrees to spend the day with him. However, as the day goes on, she discovers she may have dug herself into a hole she can’t escape.

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Go Christmas Caroling with The Killing of a Sacred Deer

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Given that I personally have gone Christmas caroling with various lunatics hopped up on eggnog, what the hell… why not go Christmas caroling with The Killing of a Sacred Deer? Dig on this latest clip!

Look for the flick starring Colin Farrell (Best Actor in a Motion Picture – Musical or Comedy, In Bruges, 2009) and co-starring Oscar winner Nicole Kidman (Best Actress, The Hours, 2003) to hit Blu-ray, DVD, and digital on January 23rd. Yorgos Lanthimos directs.

Special features include “An Impossible Conundrum” featurette, and the package will be priced at $24.99 and $19.98, respectively.

Synopsis:
Dr. Steven Murphy (Farrell) is a renowned cardiovascular surgeon presiding over a spotless household with his ophthalmologist wife, Anna (Kidman), and their two exemplary children, 12-year-old Bob (Sunny Suljic) and 14-year-old Kim (Raffey Cassidy). Lurking at the margins of Steven’s idyllic suburban existence is Martin (Barry Keoghan), a fatherless teen he has covertly taken under his wing.

As Martin begins insinuating himself into the family’s life in ever-more unsettling displays, the full scope of his intent becomes menacingly clear when he confronts Steven with a long-forgotten transgression that will shatter the Murphy family’s domestic bliss.

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Which Monsters May Be Making Their TV Debut in Junji Ito Collection?

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Studio Deen’s highly-anticipated anime anthology Junji Ito Collection has been building buzz, especially since its new teaser dropped weeks ago. Eagle-eyed fans who are well-acquainted with horror mangaka Junji Ito’s body of work will spot some familiar faces in the new trailer, brought to the small screen by showrunner Shinobu Tagashira.

So, who among Ito’s famous menagerie of monsters may be making an appearance in the show when it airs next year?

Oshikiri Toru

Oshikiri is the morally-questionable highschooler who begins to question his perception of reality in Hallucinations, a series of some loosely connected one-shots. Oshikiri’s a little on the short side, with an even shorter fuse. One thing he’s not short on is moneyas evidenced by his impressive, albeit creepy, mansion. We’ve yet to see which of his adventureswhich range from murder to parallel dimensionswill be his television debut.

Yuuko

The once-chatty Yuuko falls ill and sees her worst fears come to pass in Slug Girl, the famous one-shot whose brand of body horror is sure to feel like a distant cousin (or maybe a predecessor?) to Uzumaki‘s “The Snail” chapter. It offers little in the way of answers but is best enjoyed in all its bizarre glory.

The Intersection Bishounen

In Lovesick Dead, one of Ito’s longer standalone stories, an urban legend causes a rash of suicides when young girls begin to call upon a mysterious, black-clad spirit called the Intersection Bishounen. The custom catches on quickly among teenagers, out late and eager for him to tell them their fortune in life and love, since his advice is to die for. Literally.

Souichi Tsujii

A long-running recurring character in Ito’s manga (probably second only to Tomie herself), you’ll know Souichi by the nails he sucks on or sticks out of his moutha strange habit borne out of an iron deficiency. He’s an impish kid whose fascination with the supernatural makes him the odd man out in an otherwise normal family. The morbid pranks he likes to playfunny only to him—don’t do much to endear him to his peers or relatives, either.

Fuchi

The titular character in Fashion Model, Fuchi works as a professional model for her, shall we say, unique look and Amazonian stature. When she and another actress are hired by a crew of indie filmmakers, Fuchi shows them that she doesn’t like sharing the limelight. She also makes a cameo in a couple of Souichi’s stories, and in them he finds her genuinely attractive. Beauty, after all, is in the eye of the beholder.

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Nemo Rising Signing Happening at Dark Delicacies on December 23

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Author C. Courtney Joyner will be signing copies of his new book Nemo Rising at Burkank’s Dark Delicacies horror store on Saturday, December 23 at 4pm. You can get the full details of the event and directions on Dark Delicacies’ website.

Nemo Rising will be a sequel to Jules Verne’s 1870 masterpiece Twenty Thousand Leagues Under the Sea, and will see President Ulysses S. Grant recruiting the notorious Captain Nemo to destroy a gigantic sea monster which has been responsible for sinking ships. The gigantic eight-tentacled mollusc can be seen on the book’s cover below, and it looks like Nemo will have his work cut out for him.

Joyner also worked on the screenplays for the Full Moon films Doctor Mordrid and Puppet Master vs Demonic Toys, whilst his previous books include Hell Comes To Hollywood and the Shotgun series. If you can’t make it to the signing, Nemo Rising will be released in the US on December 26, and in the UK on January 13.

Nemo Rising Dark Delicacies Signing Details:
​Nemo Rising will be released on hardcover from Tor Books on December 26th, 2017.

JUST ANNOUNCED: On December 23rd at 4:00 PM, C. Courtney Joyner will sign copies of NEMO RISING at Dark Delicacies in Burbank, California!

C. COURTNEY JOYNER is an award-winning writer of fiction, comics, and screenplays. He has more than 25 movies to his credit, including the cult films Prison, starring Viggo Mortensen; From a Whisper to a Scream, starring Vincent Price; and Class of 1999, directed by Mark Lester. A graduate of USC, Joyner’s first produced screenplay was The Offspring, which also starred Vincent Price. Joyner’s other scripts have included TV movies for CBS, USA, and Showtime. He is the author of The Shotgun western series and Nemo Rising.

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