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Exclusive: Patrick Brice on Creep 2

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Patrick Brice blipped onto our radar a couple of years back with his audacious horror film debut, Creep. He directed the film, plus he cowrote and co-starred in it with Mark Duplass (interview) (Baghead, Manson Family Vacation). Creep introduced Aaron, an affable serial killer who lures people to his remote cabin by placing ads promising a fun filmmaking experience… while you could see where the story was going in terms of plot, what made it so striking was the way in which it was written and directed. There’s a massive amount of dread throughout.

Brice is back for Creep 2 (review), and we caught up with him to ask about it.

Dread Central: It must have been hard to try to top Creep. Or did you already have a sequel in mind?

Patrick Brice: It’s funny, but when we made the first movie, we had no idea we would eventually be making a sequel. So we didn’t necessarily set ourselves up for an easy road that way. It ended up being something we had to reverse engineer a bit. And we had actually came up with maybe three or four other ideas for Creep 2 before we landed on the one that we ended up shooting. Including a feature length screenplay that I had written but I shelved because it didn’t feel right. And so, it was a combination of things in that we didn’t want to make a sequel until we knew there was an audience for it. Once we realized the first Creep had caught on in the way it did, that was when the idea of making one did started to come up a little bit. Then it wasn’t until we landed on the idea we landed on, sort of the approach we ended up taking, that things started to feel right and it started to make sense with going forward to making one.

DC: Is you audience mainly horror fans? Because it seems serial killer stories are mainstream now, what with “Hannibal” having been on network TV and now we have “Mindhunter” on Netflix.

PB: I’d say a lot of horror fans, and, I think people with masochistic tendencies as well. I think it’s a pretty dark endeavour for an audience to be brought into with that movie. I think because of the sort of minimalist approach, when you’re watching it, especially when you’re watching it alone, it demands a different kind of attention than a normal movie. Because the Creep is only two characters, if you’re an audience member, you essentially become the third character in the movie, bearing witness to it. So I’m grateful that people are willing to engage with this type of material in that way. I’m also just surprised by it because I think it’s a challenging film on some level. I think it’s a rewarding film. And I think if you’re willing to give in to the conceit of it and willing to take the ride, it is a rewarding experience, but I also completely understand anyone who’s not willing to do that, just because it is such a specific thing. And so going into a sequel, there was a certain amount of confidence that we had associated with a lot of the decisions we were making that would have felt strange and odd with the traditional movie being make in a traditional way, but because we were doing it this way and kind of replicating at least the production style of how we made the first one, we were willing to take that leap a little bit more than we would normally do.

DC: Would you consider dropping the found footage format if you do another Creep movie?

BP: Completely. I think that down the road that would be a nice surprise and a nice way to inject sort of a new form into the story telling. One of the things that’s been fun with Creep 2 and thinking about other Creep movies is giving in to that sort of style completely and letting that be something that informs the character. A huge thing with cracking the second movie was creating the character of Sara that Desiree Akhavan (interview) plays and giving her her own specific needs and motivations for being there, which then hopefully justifies the camera being on. That is the big challenge with found footage movies. It’s something that Jason Blum says that all the time, ‘don’t make a found footage movie unless the story dictates it.’ And so we knew we wanted to do it this way and so it was really delving into character and sort of the more emotional side of things to justify that.

DC: One of the intriguing things about Aaron is that he has no backstory. But it seems eventually audiences demand origin stories and prequels. Will you reveal how Aaron got started someday?

PB: It’s something that’s emerging, having made the second one. We have him tell two long monologues. And it’s detailed, it’s very specific, it makes sense as far as the character goes, but there is still this layer of knowing that this guy is a pathological liar and none of this could be true. And so the hope with that was to have this be a story that convinces Sara, the other character in the film, that it’s true but the audience once again, existing on this other level where they know what this guy’s capable of, they also know he’s a total liar and it may or may not be real.

DC: Do you see yourself ramping up the horror if there are more Creep sequels?

PB: I still think there’s a lot of places to go in terms of the horror aspect of it. I think we only scratched the surface with the second one. I think it made sense we sort of upped the blood and gore with the second movie but also, like you said, kept things pretty much in the space of just uncomfortable tension for eighty minutes. I think that’s something that always going to be our ultimate goal with these movies and that’s sort of the trademark of these movies. What’s nice about knowing that there’s other places things can go whether it be, further into the slasher genre, further into the supernatural, we’ve got some options and we’ve left a lot of doors open in terms of having other avenues to explore.

DC: Any horror stories on the horizon apart from Creep 2?

PB: Yes, actually. I’m going to be directing a few episodes of “Room 104” on HBO and at least two of them are horror based. I’m really excited about that, because I get a chance to delve into more pure classical horror than I’ve been able to do with Creep movies.

Written by Patrick Brice and Mark Duplass with Brice directing, Creep 2 stars Duplass, who reprises his role from the first film, and Desiree Akhavan.

Synopsis:
CREEP 2 stars Desiree Akhavan as Sara, a video artist whose primary focus is creating intimacy with lonely men. After finding an ad online for “video work,” she thinks she may have found the subject of her dreams. She drives to a remote house in the forest and meets a man claiming to be a serial killer (Mark Duplass). Unable to resist the chance to create a truly shocking piece of art, she agrees to spend the day with him. However, as the day goes on, she discovers she may have dug herself into a hole she can’t escape.

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IFC Midnight Picks Up SXSW Hit What Keeps You Alive

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Colin Minihan’s thriller What Keeps You Alive starring Hannah Emily Anderson and Brittany Allen premiered in the Midnighters section at SXSW last month and today we have word via Deadline that the film has been picked up by IFC Midnight.

I’m very excited to be working with IFC Midnight on releasing What Keeps You Alive,” Minihan said in a statement. “They are at the top of their game and consistently releasing the best the genre has to offer.”

An official release date for the film hasn’t been announced as of yet but we will make sure to pass along word once we hear it.

Are you excited to check out Colin Minihan’s What Keeps You Alive? Make sure to hit us up and let us know what you think in the comments below or on Facebook, Twitter, and/or Instagram.

The film is written and directed by Colin Minihan and based on a story by Minihan and Brittany Allen, who also composed the film’s score. Minihan also produces with Kurtis David Harder, Chris Ball, and Ben Knechtel. The film stars Emily Anderson, Brittany Allen, Martha MacIsaac and Joey Klein.

Synopsis:

A same-sex couple against one another on their one-year anniversary.

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Blumhouse’s Stephanie Starring Frank Grillo Dumped to DVD

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Blumhouse’s new kid-horror flick Stephanie starring Frank Grillo and Anna Torv is getting dumped to DVD (yep, not even a Blu-ray) without a single special feature May 1.

And to make matters worse, today we have the film’s “trailer”… which is actually only a clip. Wow.

You can check out the clip below and the movie’s DVD cover art to the right and then make sure to let us know what you think in the comments below or on Facebook, Twitter, and/or Instagram!

The film is directed by Akiva Goldsman from a screenplay written by Ben Collins and Luke Piotrowski (Siren, Super Dark Times) and stars Frank Grillo and Anna Torv. It hits DVD May 1.

BUY IT HERE

Synopsis:

A young girl, Stephanie is abandoned by her parents and forced to survive on her own. When her parents return, they are surprised to find her alive after they discover dark, supernatural forces are wreaking havoc, with Stephanie at the center of the turmoil.

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The Cast of Westworld Explains Why the Show Is a Must-Watch for Horror Fans

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“Westworld” Season 2 kicks off on Sunday, April 22nd at 9 PM on HBO, and fans of the high-concept sci-fi thriller are chomping at the bit; it’s understandable since Season 1 wrapped way back in late 2016.

While I have a wide definition of the term “horror”, believing it’s more of a sensation than a genre, many Dread Central readers may be wondering if a show about robot cowboys is worth their time and attention.

While I’d recommend “Westworld” to anyone who loves stylized violence, gore, and suspense, we challenged members of the cast to sell the series to potentially reluctant horror fans. How would they respond, for example, to a friend who dismisses the show because they watch horror almost exclusively?

Here are the responses we got from Luke Hemsworth (who plays Head of Security Ashley Stubbs), Angela Sarafyan (who plays host Clementine Pennyfeather), and Clifton Collins, Jr. (who plays both Lawrence and El Lazo).

Dread Central: Complete this sentence: “If you love horror movies, you should watch ‘Westworld’ because…”

Luke Hemsworth: If you love horror movies, you should watch “Westworld” because it’s really gory. It’s pretty dark and it’s also pretty smart.

Angela Sarafyan: You should definitely watch “Westworld” because it makes you face death. It’s a show that questions your mortality. The show not only projects these feelings, but makes you think about the boundlessness of human destruction and how far we can take our reality. Meaning: Will technology eventually be our destruction?

Clifton Collins, Jr: If you love horror movies, you should watch “Westworld” because the same rushes you get from scares in a horror movie, those thrilling and suspenseful events happen in the show. Just from reading it I can tell Season 2 is really cranked-up compared to Season 1. You’re going to have those moments where your heart palpitates or skips a beat and a lot of “Oh my gosh!” moments. There are some serious white-knuckle moments this season. It’s the same thrill you get from watching a horror film!


Westworld isn’t your typical amusement park. Intended for rich vacationers, the futuristic park — which is looked after by robotic “hosts” — allows its visitors to live out their fantasies through artificial consciousness. No matter how illicit the fantasy may be, there are no consequences for the park’s guests, allowing for any wish to be indulged. “Westworld” — which is based on the 1973 Michael Crichton movie of the same name — features an all-star cast that includes Oscar winner Anthony Hopkins and Golden Globe winner Ed Harris.

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