Ithaca Fantastik Announces Full 2017 Lineup and Art Show - Dread Central
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Ithaca Fantastik Announces Full 2017 Lineup and Art Show



The sixth annual Ithaca Fantastik (IF) has just announced their full lineup for the 2017 edition and art show, and this year’s lineup includes such quality flicks as Let Corpses Tan, My Friend Dahmer, Pin Cushion, Kaleidoscope, November and more!

You can check out the full press release below and then let us know how excited you are about this year’s Ithaca Fantastik in the comments below.

This year’s Ithaca Fantastik will be held Nov. 3–12 in Ithaca, NY. Mark your calendars!

From press release:

Ithaca Fantastik (IF) will unleash its sixth annual film festival Nov. 3–12 in Ithaca, NY. With little more than two weeks to go IF is announcing its full features and short film lineup. With 37 films from 20 countries, the IF team promises this year’s festival will be a Fantastik ride—so buckle up!

2017 has been a prolific year for genre films and IF programmers have narrowed the field to thrill every flavor of Fantastik fan. In LET THE CORPSES TAN, Belgian duo Hélène Cattet and Bruno Forzani pay visual homage to Italian gangster films. Marc Meyers’s award-winning MY FRIEND DAHMER, based on the graphic novel of the same name, follows the teenage years of the budding serial killer. Ryan Prows’s mesmerizing and gritty LA tale LOWLIFE takes viewers on a high-energy organ-harvesting misadventure. And Deborah Haywoods’s beautifully disturbing and deeply personal PIN CUSHION explores intergenerational bullying in a small but toxic English town.

Playing to a full range of IF6’s retrospective theme—Italiano Psichedeliko—with a contemporary eye, Rupert Jones’s murder-mystery, KALEIDOSCOPE, mesmerizes with lush visuals and amazing performances from Sinead Matthews and Toby Jones. Rainer Sarnet’s NOVEMBER plunges vanguard film-lovers into a surrealist maelstrom of faith, witchcraft, and love, while German tale FREDDY/EDDY ushers in a doubled and troubled soul from the mind of Tini Tüllmann.

Any pure horror lovers in the room? Giddens Ko’s MON MON MON MONSTER blows minds with its thoughtful subtext on bullying dressed with gory violence. A Taiwanese echo to Haywoods’s PIN CUSHION, this film takes no prisoners. The same can be said about Gabriela Amaral’s FRIENDLY BEAST: What starts out as a classic social drama makes a sharp turn into more graphic territory demanding self-reflection. And for undead action, Robin Aubert’s LES AFFAMÉS—an art house Zombie film full of deep social commentary—is a brilliant homage to maestro George Romero’s ghoul metaphor.

Sometimes, real life is more Fantastik than fiction. Brad Abrahams’s documentary, LOVE AND SAUCERS, tells the improbable story of David Higgins’ intimate love for an alien and the art that followed. For sheer genre joy, Australian mockumentary TOP KNOT DETECTIVE is Aaron McCann and Dominic Pearce’s madcap love letter to late-night Japanese television—from Lone Wolf and Cub and Mute Samurai to Message from Space and Space Sheriff Gavan.

IF completes this year’s smorgasbord with the crazies:  Adolfo Kolmerer and William James’s SNOWFLAKE, the prodigal son of Pulp Fiction and Synecdoche NY, with producer Eric Sonnenburg here for the sceening; Thomas Berg and Frederik Waldeland’s super-weird, laugh-out-loud VAMPYR VIDAR; and Jimmy Henderson’s JAILBREAK with its roots in HK martial arts cinema, Jean Paul Ly’s choreography, dynamic camerawork, and the incisive power of a Tony Jaa elbow strike. These films will inspire guilty pleasure and deep love with their absolute audacity and inventiveness.

IF also shines a spotlight on BLUE UNDERGROUND, Bill Lustig’s distribution company, with the 4K restoration of Gary Sherman’s DEATH LINE, a direct transfer from the camera negative—as close as you can get to a director’s true vision! Another new 4K transfer, Bob Clark’s DEAD BY NIGHT, offers a deep meditation on the effects of war …with a zombie trope. Gary Sherman and Bill Lustig will present these respective films to a yet-to-be-blown-away audience!

Along with this incredible lineup, IF is excited to present its 2017 art show: THE STRANGE COLORS OF GILLES VRANCKX featuring the work of the Belgian poster genius behind art for Amer, The Strange Colors of Your Body’s Tears, LET THE CORPSES TAN, and more. Vranckx will appear as an IF special guest at the show’s opening reception on Thursday, November 9.


THE ENDLESS (Ithaca Premiere)

Aaron Moorhead & Justin Benson, USA

THE CRESCENT (Ithaca Premiere)

Seth A. Smith, Canada

I REMEMBER YOU (Ithaca Premiere)

Óskar Thór Axelsson, Iceland

PIN CUSHION (East Coast Premiere)

Deborah Haywood, UK

VAMPYR VIDAR (East Coast Premiere)

Thomas Aske Berg & Fredrik Waldeland, Norway

FREDDY/EDDY (East Coast Premiere)

Tini Tüllmann, Germany


Gabriela Amaral, Brazil

LES AFFAMÉS (East Coast Premiere)

Robin Aubert, Canada

SNOWFLAKE (East Coast Premiere) With producer Eric Sonnenburg in attendance!

Adolfo J. Kolmerer, Germany

Opening & Closing

TRAGEDY GIRLS (Ithaca Premiere)

Tyler McIntyre, USA

A DAY (East Coast Premiere)

Sun-Ho Cho, South Korea

Cinema Pur

HAGAZUSSA: A Heathen’s Curse (Ithaca Premiere)

Lukas Feigelfeld, Germany

INFLAME (East Coast Premiere)

Ceylan Özgün Özçelik, Turkey

LET THE CORPSES TAN (East Coast Premiere)

Bruno Forzani/Hélène Cattet, Belgium

NOVEMBER (Ithaca Premiere)

Rainer Sarnet, Iceland/Estonia  

TIGERS ARE NOT AFRAID (East Coast Premiere)

Issa López, Mexico

TOP KNOT DETECTIVE (Ithaca Premiere)

Aaron McCann & Dominic Pearce, Australia/Japan

Fantastik Documentary: FOREVER LOVE!

BIGHT OF THE TWIN (Ithaca Premiere)

Hazel Hill McCarthy III, USA

LOVE AND SAUCERS (East Coast Premiere)

Brad Abrahams, USA


BRAVESTORM (North American Premiere)

Junya Okabe, Japan

SAMURAI RAUNI (North American Premiere)

Mika Rättö, Finland

ZOMBIOLOGY (Ithaca Premiere)

Alan Lo, Hong Kong

Festival Favorite

KALEIDOSCOPE (East Coast Premiere)

Rupert Jones, UK

JAILBREAK (East Coast Premiere)

Jimmy Henderson, Cambodia

LOWLIFE (East Coast Premiere)

Ryan Prows, USA

SEQUENCE BREAK (Ithaca Premiere) With director Graham Skipper in attendance!

Graham Skipper, USA

MY FRIEND DAHMER (Ithaca Premiere)

Marc Meyers, USA

BLUE UNDERGROUND PRESENTS with Bill Lustig in attendance!

DEATHLINE (Ithaca Premiere) With director Gary Sherman in attendance!

Gary Sherman, UK 1972

DEAD OF NIGHT 4K Restoration (North American Premiere)

Bob Clark, 1974


Mon Mon Mon Monster (New York Premiere)

Giddens Ko, Taiwan



Armando Crispino, 1975


Corrado Farina, 1973


Tinto Brass, 1967


Luigi Bazzoni, Mario Fanelli 1975


Dario Argento, 1977


Michelangelo Antonioni, 1966


Mario Bava, 1968


Born of Sin

William Boodell – USA

Jenny Secoma In: The Blind Spot

Jack Warner – USA

No Man’s Land: A Folktale

Ty Turley – USA/Sierra Leone


Julien Homsy – France

Night Encounter

Ludovic de Gaillande – France


Gigi Saul Guerrero – Canada


Carlos G. Gananian – Brazil

Oh, Dear

Raquel Fogel – USA

Evocation of a Nightmare

Wally Chung – USA

Waiting for Pascale

Guillaume Harvey – Canada


Phillippe McKie – Japan

Bon Appétit

Erenik Beqiri – Albania

Zoey And The Wind-Up Boy

Marica Petrey – USA

I Am The Doorway

Robin Kasparik – Czech Republic

Miriam is Going to Mars

Michael Lippert – USA


Ashlea Wessel – Canada

It Began Without Warning

Jessica Curtright & Santiago C. Tapia – USA


L. Gustavo Cooper – USA

Killing Klaus Kinski

Spiros Stathoulopoulos – Colombia/Netherlands

What Comes From a Swamp

Tyler Macri – USA

Viola vs. The Vampire King

Kevin Fermini – USA


Daumon Khakpour & Travis Pulchinski – Canada


Eliane Lima – USA

Jules D.

Norma Vila – Spain

Signal to Noise

Jarret Blinkhorn – USA

Holiday Fear

Nicholas Santos – USA

A Father’s Day

Mat Johns – UK

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Waxwork Records Unveils Phenomenal 2018 Subscription Package



Our pals over at Waxwork Records have unveiled their 2018 subscription bundle and it’s packed to the brim with some absolutely fantastic titles! Horror fans who enjoy spinning their music on turntables can look forward to two Romero titles, Night of the Living Dead and Dawn of the Dead, Joe Dante’s The ‘Burbs, Sam Raimi’s Drag Me to Hell, and lastly they’ll have Jordan Peele’s smash success title Get Out. On top of getting those five records, those who join the subscription program will also receive a t-shirt, coffee mug, poster, notebook, magnet, enamel pin, calendar, and more.

For Night of the Living Dead, Waxwork Records worked closely with the film’s original creators, including Romero himself prior to his passing, the Museum of Modern Art, and The Criterion Collection so that they could source audio from the 4K restoration. It will be released as a 2xLP package.

Dawn of the Dead will also get a 2xLP release that will include brand new artwork, re-mastered audio, and more. The same kind of treatment is being given to The ‘Burbs. Christopher Young’s Drag Me to Hell soundtrack will be a single LP but will get the same level of attention and quality as the other titles.

As for Peele’s Get Out. Michael Abels; score will be released on a 2xLP vinyl set and will pay tribute to one of the most culturally significant movies of the past several years.

The Waxwork Records subscription package will be $250 ($285 in Canada) and will open up for sale this Friday, the 24th. More information can be found on Waxwork’s website.

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I Already Have a Dog But Now I Want a Baby Dinosaur



The first trailer for Jurassic World: Fallen Kingdom, the sequel to 2015’s Jurassic World, is rumored to be attached to Star Wars: The Last Jedi. Since that film is going to be coming out in less than a month, it’s no surprise that the marketing campaign for the dino-filled trailer is already starting and today it kicks off with a six-second teaser that is as adorable as you can get!

In the teaser, Chris Pratt’s Owen Grady is petting a baby velociraptor, which coos and twitters in the cutest of fashions. Is there anything else going on? Nah. Does something else need to happen? Nope. The movie already has me sold.

Directed by J.A. Bayona (When a Monster Calls), Jurassic World: Fallen Kingdom also stars Bryce Dallas Howard, B.D. Wong, and Toby Jones. However, the biggest and most important star of the film will be the return of Jeff Goldblum as Dr. Ian Malcolm, who is, in my humble opinion, the best character in the franchise, besting even the T-rex that seemingly cannot die.

Jurassic World: Fallen Kingdom will evolve into theaters on June 22, 2018.

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John Landis’ Rejected Pitch for American Werewolf 2 Was Brilliant



If you’re anything like us then you consider writer-director John Landis’ horror-comedy An American Werewolf in London to be one of the best f*cking movies of all-time.

Horror (or comedy), or not.

But did you know that Landis was asked back in 1991 to make a sequel to his original classic? Neither did I. But he was, and his pitch for the sequel was amazing.

“I was asked to do a sequel by PolyGram in 1991,” Landis told Digital Spy. “I entertained the idea for a little bit and then came up with something that I liked and wrote a first draft of the script.

“The movie was about the girl that the boys talk about at the beginning of the movie, Debbie Klein. She gets a job in London as a literary agent and while she’s there, starts privately investigating the circumstances surrounding the deaths of Jack and David.

“The conceit was that during the time in the first film where Jenny goes to work and David is pacing around the apartment, he actually wrote Debbie Klein a letter. It was all to do with this big secret that David had never told Jack that he had a thing with her.

“She tracks down Dr. Hirsch, who tells her that Alex now lives in Paris because she was so traumatized by what happened. She went back to the Slaughtered Lamb and everyone is still there! I think the only changes were a portrait of Charles and Diana where the five-pointed star used to be and darts arcade game instead of a board.

“It’s then when she speaks to Sgt McManus, the cop from the first movie who didn’t die, that she finds out that Jenny is still in London. She calls her and leaves an answer phone message, which we then reveal is being listened to by the skeletal corpses of Jack and David, watching TV in Alex’s apartment!

“The big surprise at the end was that Alex was the werewolf. It was pretty wild. The script had everybody in it from the first movie – including all the dead people!”

But then Landis adds:

“I gave the script to Michael Kuhn and he loathed it! He absolutely hated it and was actually pretty insulting about it. Clearly, he would have hated the script for the first movie because, like that, it was funny and scary – and if anything, a little wackier.”

Is it just me or does this sound like a perfect sequel to An American Werewolf in London? Make sure to hit us up and let us know what you think below!


David (David Naughton) and Jack (Griffin Dunne), two American college students, are backpacking through Britain when a large wolf attacks them. David survives with a bite, but Jack is brutally killed. As David heals in the hospital, he’s plagued by violent nightmares of his mutilated friend, who warns David that he is becoming a werewolf. When David discovers the horrible truth, he contemplates committing suicide before the next full moon causes him to transform from man to murderous beast.

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