Cannes Film Fest Releases Lineup for Its 70th Edition; Horror Entries Include Twin Peaks, Okja, and More! - Dread Central
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Cannes Film Fest Releases Lineup for Its 70th Edition; Horror Entries Include Twin Peaks, Okja, and More!

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The Cannes Film Festival has announced the lineup for its 70th edition, running May 17-28, and it includes some potentially fantastic titles. For example, there will be a screening of Sofia Coppola’s The Beguiled, Bong Joon-ho’s Okja, and David Lynch will be present to premiere the first two episodes of the “Twin Peaks” revival. There will also be a screening of Takashi Miike’s Blade of the Immortal.

Supposedly, Cannes this year will be a highly politicized event with many of the films taking on issues that are prevalent in today’s culture and climate.

The full list of films can be found below.

Opening Night Film

Ismael’s Ghost directed by Arnaud Desplechin

Competition

The Day After directed by Hong Sangsoo

Loveless directed by Andrey Zvyagintsev

Good Time directed by Benny Safdie and Josh Safdie

You Were Never Really Here directed by Lynne Ramsay

Jupiter’s Moon directed by Kornél Mandruczo

L’amant Double directed by François Ozon

The Killing of a Sacred Deer directed by Yorgos Lanthimos

A Gentle Creature directed by Sergei Loznitsa

Radiance directed by Naomi Kawase

Wonderstruck directed by Todd Haynes

Happy End directed by Michael Haneke

In the Fade directed by Fatih Akin

Rodin directed by Jacques Doillon

The Beguiled directed by Sofia Coppola

Le Redoutable directed by Michel Hazanavicius

Okja directed by Bong Joon-ho

120 Battements Par Minute directed by Robin Campillo

The Meyerowitz Stories directed by Noah Baumbach

Un Certain Regard

April’s Daughter directed by Michel Franco

Lucky directed by Sergio Castellitto

Jeune Femme directed by Léonor Serraille

Western directed by Valeska Grisebach

Wind River directed by Taylor Sheridan

Directions directed by Stephan Komandarev

After the War directed by Annarita Zambrano

Dregs directed by Mohammad Rasoulof

Out by György Kristóf

The Nature of Time directed by Karim Moussaoui

Before We Vanish directed by Kurosawa Kiyoshi

L’atelier by Laurent Cantet

Beauty and the Dogs by Kaouther Ben Hania

Barbara directed by Mathieu Amalric

Closeness directed by Kantemir Balagov

The Desert Bride directed by Cecilia Atan and Valeria Pivato

Out of Competition

Blade of the Immortal directed by by Takashi Miike

How to Talk to Girls at Parties directed by John Cameron Mitchell

Visages, Villages directed by Agnès Varda

Special Screenings

12 Jours directed by Raymond Depardon

They directed by Anahita Ghazvinizadeh

An Inconvenient Sequel directed by Bonni Cohen and Jon Shenk

Top of the Lake: China Girl directed by Jane Campion & Ariel Kleiman

Promised Land directed by Eugene Jarecki

24 Frames directed by Abbas Kiarostami

Napalm directed by Claude Lanzmann

Come Swim directed by Kristen Stewart

Demons in Paradise directed by Jude Ratman

Sea Sorrow directed by Vanessa Redgrave

Clair’s Camera directed by Hong Sangsoo

Twin Peaks directed by David Lynch

Midnight Screenings

The Villainess directed by Jung Byung Gil

The Merciless directed by Byun Sung-Hyun

Prayer Before Dawn directed by Jean Stephane Sauvaire

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Stephen King’s The Bone Church Becoming a TV Series Via David Ayer

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I’ve said it quite a few times but 2017 will go down as the “Year of Stephen King.”

With successful adaptations of his novels IT, Gerald’s Game, and 1922, and TV series based on “The Mist” and “Mr. Mercedes”, King was everywhere in 2017.

And it looks like the trend is going to continue as today we have news that Suicide Squad and Bright director David Ayer will develop King’s The Bone Church into a TV series.

Deadline reports that Ayer will exec-produce the series along with Chris Long and their Cedar Park Entertainment banner, which will also be the studio for the series as well.

I haven’t yet read Stephen King’s poem “The Bone Chruch” (which was revised and featured in King’s recent anthology The Bazaar of Bad Dreams) so I can’t comment on whether or not the poem will make for a solid series. But if it’s King, I’m there.

What do you think of “The Bone Church” becoming a TV series? Let us know below!

Synopsis:

An adventurer organizes an expedition deep into a vast jungle land to locate the mythic Bone Church. They discover a secret not meant for the eyes of strangers. Only three of the 32 travelers escaped with their lives in a tale narrated by one of the survivors, who tells stories from a bar stool to patrons who’ll buy him drinks.

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Nick Castle AKA Michael Myers Talks In-Depth About Blumhouse’s Halloween

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God bless, Nick Castle.

It was just the other day that we let you guys know that filming had wrapped on Blumhouse’s upcoming sequel to John Carpenter’s Halloween.

And today it looks like Nick Castle aka Michael Myers himself is back out and about doing the horror convention thing as our buddies over at Halloween Daily News recently caught up with Castle at Mad Monster Party and sat down for an awesome and in-depth interview.

I’ve only included the best bits and pieces from the interview here, but the whole piece is very interesting and I highly recommend checking it out in the link below.

The first bit I found really interesting was Castle speaking about how, originally, director David Gordon Green didn’t know what to make of the offer to write-direct the new Halloween.

He (Green) told me when he got this offered to him, he didn’t know what to make of it to begin with,” Castle says. “But then he went, ‘How can I turn this down? But now that I’m saying I’m going to do it, I really have to make sure I do it right.’

Fair enough. Green is one of my favorite director out there working today and I’m glad to hear that even though he wasn’t sure about taking on the film, he still couldn’t turn it down. That’s a true fan!

Next up, Castle was asked if the new film will feel like the original Carpenter flick.

Yes, and it’s very neighborhood-centric, you know, like the first one,” Castle said. “It feels a lot like (the first film). There are a lot of things coinciding (in the new film) that feel like clever ways to introduce a kind of déjà vu of the first one, without feeling like it’s being copied. The script had some very clever people working on it. They were very clear on wanting to find the tone that was in the first one. It was the first thing out of their mouths really: ‘We want to do it like John did it.’

He continues: “They had a lot of practical challenges making it 40 years later, in terms of where people were, what they’re doing, the kind of assumption of the interim period, and I think a lot of that went towards deciding when to start the film, in a way disregarding the subsequent sequels. It’s a difficult thing they’re trying to do. It is difficult. When you’re given a project that has within it certain limitations of what went on before, you have to follow a trail through that, it can get very – it can plod along and it can be just about plot. And they made some choices that I think are really bold choices about who these people are and why they are the way they are now. So I’m really looking forward it. I have high hopes.

We have high hopes too, Castle! And finally, Castle was asked if he genuinely believes all of us fans are going to be happy with this new Halloween sequel, to which he responded, “Yes. I can be unabashedly proud to be a part of it, and tell the fans I think they’re in pretty good hands. It’s kind of like fans are making the movie.

Good shit all around, right? Gotta love Nick Castle. How excited are you for Blumhoue’s Halloween? Do Castle comments make you more (or less) enthusiastic about director David Gordon Green’s film? Let us know below!

Check out the full interview HERE.

Halloween is directed by David Gordon Green based on a script he wrote with Danny McBride. Jamie Lee Curtis returns as Laurie Strode as does Nick Castle as Michael “The Shape” Myers. They are joined by Will Patton, Andi Matichak, and Judy Greer. Halloween creator John Carpenter is on board as executive producer and composer.

The anticipated release date is October 19, 2018.

Synopsis:

Jamie Lee Curtis returns to her iconic role as Laurie Strode, who comes to her final confrontation with Michael Myers, the masked figure who has haunted her since she narrowly escaped his killing spree on Halloween night four decades ago.

Trivia: Nick Castle directed Major Payne (1994)

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Ash vs Evil Dead Set Visit Part 1: It’s All Laughs and Guts

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We few, we Band of Brothers. For he who sheds his blood with me shall be my brother.” – William Shakespeare, King Henry V

Oh yes, there will be blood.” – Jigsaw, Saw II


When you step foot onto the set of STARZ’ “Ash vs Evil Dead”, the one think you know you’re going to come across is fake blood. But I’m not talking a few splashes here and there. Oh no, I’m talking about bucket after bucket and gallon after gallon. Remember that scene from Ghostbusters II where Ray is lowered into the sewers only find a river of pink, gelatinous slime? I imagine that if the “Ash vs Evil Dead” crew wanted to recreate that with fake blood, they would have enough leftover to film a completely different horror movie just for the fun of it.

That’s part of the joy of being on the set of “Ash vs Evil Dead”, which filmed last year in Auckland, New Zealand. The cast and crew are there to obviously create a professional show that STARZ will be proud to air. However, that doesn’t mean that they aren’t having fun while doing so. And who can blame them? When you’re making the third season to one of television’s most outrageous, gory, violent, irreverent, and audacious series, you’re bound to have a few laughs along the way.

That feeling permeated every square foot that “Ash vs Evil Dead’s” set took up. In between takes, crew members were laughing and smiling while setting up the next scene. Don Brooker and Shay Lawrence of PROFX, the company behind the FX of the show, couldn’t stop giggling with glee and beaming with pride as I got to see, and play with, their delightfully gruesome creations, including a head that was severed multiple times due to, “Ash stomping on a harp and the strings slicing through“, which created an accordion-like effect that I’m sure will be one of the highlights of the 3rd season. Even the cast couldn’t stop loving every second of the production. Dana DeLorenzo made sure to stop and talk with the crew as she walked through the set, cracking jokes and making what I can only assume were inside references, while Bruce Campbell was often found creating Snapchats with silly filters to keep fans engaged.

All this being said, there was a strange tension that hovered over the crew throughout this camaraderie. Sure, they were having a blast shooting the 3rd season…but would there be a 4th? The uncertainty palpably hung in the air and everyone’s faces went quickly from wide grins to concerned expressions when asked about the possibility of a return. Nothing was signed and, while everyone had their hopes up, it was really up in the air as to what the next year would bring.

Says producer Rob Tapert, who has been a part of the Evil Dead universe since Sam Raimi’s first film, “It’s a battle for the fourth [season]. I think STARZ as a subscriber-based network that skews a little bit older and a little bit more ethnic has issues trying to properly monetize this and grow their subscriber base out of it. They’re very happy critically how it’s been received. They love the show, they’ve been great partners, but I know in their own mind they go, ‘Well, we’re not certain it’s grown our subscriber base.’ It’s worked on Amazon Prime and it’s worked really, really well on Bit Torrent. On the weekends, when it’s on, it’s often the first or second most illegally downloaded show over the weekend, which doesn’t help anybody really.” This theme rang heavy over each interview, with each cast and crew member talking about how the fans drove STARZ to want to make this show in the first place but are also the same force that may potentially halt it from continuing.

If you want our show to raise your subscriptions, you’d better find out how to get your company in front of people so that they know what your company is! It’s not our job to create a brand for your company. You guys do that on your own and we’ll help out with content,” says star Bruce Campbell about STARZ. However, this attitude is not meant to be aggressive. In fact, it’s quite the opposite.

We’re always going to be grateful to STARZ, because they were the only ones who were willing to pony up, to give us the budget we needed, and the creative freedom,” he continues. “This is an unrated TV show and normally that’s not what you go into with television. Television is designed to reach the greatest audience possible. So, if this was cable, the edges would be shaved right off this thing. And it could actually be more popular! We are not the most popular show on television, by a long shot. Are we the most fervently watched? I’d put us top 10. You see the DVDs flying off the shelf. We sold more DVDs in the first season than any other show in five years!

Tapert remains hopeful, telling me, “The good news is that we’re certainly in discussions for a fourth season. They’ve been great partners so far!

So what have the cast and crew of the third season of “Ash vs Evil Dead” dreamt up for us this time? Well, the biggest reveal that’s come out so far is that Ash is a father! We’re going to be introduced to Arielle Carver-O’Neill’s character Brandy this season and see what it means for someone like Ash to pony up to that kind of responsibility.

She’s fiercely independent and very strong-willed. She doesn’t trust easily,” says Carver-O’Neill, who tells us that her character’s foundational knowledge of Ash is less than approving. “[Brandy’s] mom told her that Ash was a crack dealer who got shanked in prison! They only thing they heard about Ash is that he was a psychotic axe murderer who killed his friends. They heard these horrible stories about him, so of course she wanted to protect her daughter from that. That’s the only experience Brandy has of Ash up until she meets him.

Still, Ash is never one to give up when it comes to fighting for something…if he deems it worthy of his time, of course. “Ash starts doing something he doesn’t often do, which is try. He starts putting in active effort. He’s trying to be this great dad, this cool dad…just trying to be a dad! Because he has no idea. His only example is Brock and that wasn’t the most loving of relationships. He kinda fails miserably but, through some awful events, they come together and she realizes they have more in common than she thought,” she explains.

While I wasn’t given the full rundown of events that occur within this season, I was told that this time evil has “gone global” and, as can be expected, it’s all Ash’s fault. It’ll all lead up to a climax where we’re introduced to the giant monster known as Kandar, which will be the largest foe Ash has ever had to face. However, with greater demons come greater weapons and Ash will get to use what Campbell calls “the ultimate boomstick” when he comes into possession of a tank! I have to tell you readers that walking past a tank on a set is quite an interesting experience. It’s not often that you pass by one under any circumstance, so consider me intrigued to see what kinds of trouble Ash gets into when he gets his hands on this massive weapon of destruction.

Part II of our set visit coming soon!

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