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Hopkins, Anthony (The Rite)



If there’s one thing that makes The Rite worth seeing, it’s another mad performance from Sir Anthony Hopkins. As Father Lucas Trevant, Hopkins runs the full gamut in this film, going from eccentric exorcist to full-blown possessed maniac.

Sitting down with Dread Central and a roundtable of journalists, Hopkins opened up a little about his view on theology and his God-given gift at scaring the living shit out of people.

Q: How did you initially get involved with The Rite, and was there any hesitation about doing it?

Hopkins: There was at the beginning. My agent sent me this script. I didn’t know much about it, but I didn’t know if I wanted to play another spooky guy again. I wasn’t sure. I was in the middle of doing Thor when this came up about a year ago. I read the script and met Mikael Hafstrom, and I was pretty impressed by him. He seemed like a nice guy, very intelligent, and I had seen two of his movies. So I said “yes” and he went back to England and I started to working on the part, reading it. I had a couple of ideas and would e-mail these ideas to him that helped me understand this man a little more. And that was it. I had to learn Italian and Latin, which took a bit of time.

But I don’t know what my beliefs about any of it are, really. There’s a scene in the courtyard after the first exorcism when I talk to the young priest, Father Xavier, and his character has grave doubts about anything. He thinks it’s all a bag of tricks, y’know, he thinks it’s all mumbo-jumbo and maybe there’s no such thing, which is the debate. Is there such a thing as anthropomorphic presence of the devil or is it mental disturbance? That’s the debate I guess that’s in film and probably in the world. And I say to him, “The problem with skeptics and atheists is that we never know the truth. We’re always trying to find the truth. But what would we do if we actually found it?” I asked Mikael if I could write that line to sort of describe myself as an atheist, as a skeptic, which makes the young priest turn and say “You?” and I say “Oh, yeah, every day I struggle with my belief. On some days, I don’t know whether to believe in God or Santa Claus or Tinkerbell.” Those are my lines.

The Rite – Trailer
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Because nobody knows, it gives a semblance of humanity to someone who says they don’t know. The young priest [in The Rite] says, “I believe in the truth.” The truth, oh yes, look at the trouble that got us into over the last thousand years. Hitler knew the truth. So did Stalin. So did Mao Tse-Tung. So did Torquemada of the Inquisition. They all “knew the truth” and that caused such horror. Certainty is the enemy.

It’s like anyone saying, “The debate is over.” Who says it’s over? Human beings? We know nothing. Someone said, “Well, are you an atheist?” I don’t know what I believe, but who would I be to refute someone like Dietrich Bonhoeffer, who sacrificed his life for his church and ended up in Flossenberg being executed by the Nazis…The great martyrs who died at the stake or were destroyed for their personal beliefs. So who am I to refute anything? I would hate to live in a world of certainty, of a closed circuit, of a windowless room, where I know for certain. Somebody said, “Be kind because everyone is fighting a great battle.” And whatever the Devil is or is not, when we turn our backs on our own frailty and our own humanity and say we know the truth, then we are in trouble.

Q: Was it more challenging to go through a character like this who has so many different extremes?

H: Well, I play a man who is seemingly good, a man of God, and the next moment I’m Hannibal Lecter or something like that. I suppose it’s a challenge, but I’m so adept at this sort of thing, I know how to prepare. I don’t have to become a priest. I don’t have to become possessed.

Q: You’ve become very adept as scaring people with an expression. How do you know when you’re scaring an audience?

H: [laughs] I dunno. I’ve asked myself that question many times. I guess I have a knack for it, but that’s not to say I’m a scary person. My wife’s not scared of me. [pause] I’m scared of her. [laughs] I don’t know… I just…

[he does the Hannibal Lecter stare]

When I was a kid, my father took me to see Dracula when I was five, the Bela Lugosi [version]. We all flirt with chaos. We all go to a darkened movie theater together to give ourselves a good scare. It’s like if you’re an alcoholic or a drug addict – we flirt with death. We pull ourselves towards the brink of destruction, and if we’re lucky, we pull ourselves back. We all have that within us. But that’s all I know. I just know how to scare people. It’s only a look. You deaden the eyes…it’s a trick. But I know it scares because I can sense inside what it does.

Look for The Rite in theaters courtesy of Warner Bros. on January 28th, 2011.

The Devil Hits The Rite Targets in Six New Clips

Andrew Kasch

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Danielle Harris Tried to Get Jamie Lloyd into New Halloween Movie



One of the top films all of us are looking forward to the most here at Dread Central is Blumhouse’s upcoming sequel/reboot thing to John Carpenter’s Halloween.

The new Halloween (2018) film is written by Danny McBride and David Gordon Green and is all set to be directed by Green this year. Recently we learned that original Halloween star Jamie Lee Curtis was going to be returning to the new film.

Not only that, but Curtis’ classic character Laurie Strode would have a daughter… played by Judy Greer. But what about Danielle Harris?

After all, Harris was the star of Halloween 4: The Return of Michael Myers and Halloween 5: The Curse of Michael Myers. Let alone, she had a starring role in both Rob Zombie’s remake and it’s sequel. So how about the new film?

Turns out Harris tried to get her character Jamie Llyod (aka the daughter of Jamie Lee Curtis’ Laurie Strode) from Halloween 4 and 5 into the new film… but she was turned down by Blumhouse and the new creative team. That sucks.

Harris was pretty bummed about the whole deal and took to Facebook recently to clear the air. You can check out quotes from her video, along with the video itself, below.

After that make sure to hit us up and let us know how much you would have liked to see Harris return to Halloween in the comments below or on social media!

“What I am bummed about is… [Laurie] has a daughter,” Harris says. “I was okay with it when she had a son… but they’re saying it’s the last one and… she has a daughter. And it’s not Jamie. It’s just kind of a bummer, I guess. I think somebody had said, it wouldn’t have hurt the movie to have Jamie reunited with [Laurie]. But that didn’t happen.”

“We did put in a call, thought it’d be kinda cool even just to have a little flashback…” She continues. “They were not interested. So. I tried.”

Blumhouse’s Halloween hits theaters October 19, 2018.

halloween and germany

Posted by Danielle Harris on Monday, November 6, 2017

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Through the Cracks – Trick or Treat (1986) Review



Starring Marc Price, Tony Fields, Lisa Orgolini, Glen Morgan, Gene Simmons, and Ozzy Osbourne

Directed by Charles Martin Smith

I have been a horror fan for more than half of my life at this point. Meaning I have seen most of the quality horror offerings under the sun. But that said, every once in awhile a classic sneaks past so we wanted to create this “Through the Cracks” review section for such films.

Case in point, I had never seen the Halloween horror flick Trick or Treat until last night. I know, right? How the hell did that happen? But these things do happen and so for everyone that has seen the flick a million times, this will be a review of the movie from a super horror fan that – at the age of 33 – is seeing Trick or Treat for the very first time.

Now let’s get to it.

First off you have to love the movie’s plot. Mixing horror and heavy metal seems like a given, yet preciously few films Frankenstein these two great tastes together.

Like many of you out there, I am a big metal fan as well as a big horror fan. The two seem to go together like chocolate and peanut butter. Or Jason and horny campers.

I dig bands like Black Sabbath, Judas Priest, and even those hair metal bands (Dokken forever!) and I’m well aware of the legends surrounding playing these records backward.

Off the top of my head, the only other flick that combines the two to this degree is the (relatively) recent horror-comedy Deathgasm. I say more horror-metal flicks! Or should we call it Metal-Horror? Yeah, that’s a much more metal title.

It only makes sense that someone, somewhere would take the idea of “What if Ozzy Osbourne really was evil and came back from the dead (you know, if he had passed away during his heyday) to torment a loner fan?” Great premise for a movie!

And Trick or Treat delivers on the promise of this premise in spades. Sammi Curr is an epic hybrid of the best of the best metal frontmen and his resurrection via speaker is one of the great horror birthing scenes I have seen in all my years.

Add to that the film feels like a lost entry in the Nightmare on Elm Street franchise. More specifically the film feels like it would fit snugly in between two of my favorite entries in that series, Dream Warriors and The Dream Master.

This movie is 80’s as all f*ck and I loved every minute of it.

And speaking of how this film brought other minor classics to the forefront of my brain, let’s talk about the film’s central villain, Sammi Curr. This guy looks like he could share an epic horror band with the likes of Mary Lou from Hello Mary Lou: Prom Night II and the Drill Killer rocker from Slumber Party Massacre Part II.

Picture that band for a moment and tell me they aren’t currently playing the most epic set in Hell as we speak. I say let’s see an Avengers-style series of films based on these minor horror icons sharing the stage and touring the country’s high school proms!

In the end Trick or Treat has more than it’s fair share of issues. Sammi Curr doesn’t enter the film until much too late and is dispatched way too easily. Water? Really? That’s it?

That said, the film is still a blast as director Charles Martin Smith keeps the movie rocking like an 80’s music video with highlights being Sammi’s rock show massacre at the prom and his final assault on our hero teens in the family bathroom.

Rockstar lighting for days.

Even though the film has issues (zero blood, a rushed ending) none of that mattered much to this horror hound as the film was filled to the brim with striking horror/metal imagery and a killer soundtrack via Fastway and composer Christopher Young.

Plus you’ve got to love the cameos by Gene Simmons (boy, his character just dropped right out of the movie, huh?) and Ozzy Osbourne as a mad-as-hell Preacher that isn’t going to take any more of this devil music. P.S. Watch for the post-credits tag.

More than a few of my closest horror buddies have this film placed high on their annual Halloween must-watch lists. And after (finally) viewing the film for myself, I think I just may have to add the film to mine as well. Preferably on VHS.

Trick or Treat is an 80’s horror classic. If you dig films like Popcornand if you put the film off like I did, remedy that tonight and slap a copy in the old VHS/DVD player.

Just don’t play it backward… God knows what could happen.

All said and done, I enjoyed the hell out of my first viewing of Trick or Treat. But what do YOU think of the film? Make sure to hit us up and let us know below or on social media!

Now bring on Trick or Treat 2: The Prom Band from Hell, featuring Sammi Curr, Mary Lou Maloney, and Atanas Ilitch’s Driller Killer from Slumber Party Massacre Part II!

  • Trick or Treat (1986) 3.5


Charles Martin Smith’s Trick or Treat is a sure-fire Halloween treat for fans of 80’s horror flicks, as well as fans of heavy metal music.

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Jordan Peele Is Open to the Idea of Get Out Sequel



Recently we shared the baffling news that this year, the Golden Globes were considering writer-director Jordan Peele’s psychological horror-thriller Get Out a comedy.

Hurm. While that bit of news still doesn’t make a bit of sense to me, today we have an update on Jordan Peele’s possible sequel Get Out 2. Which is always welcome.

Deadline was recently speaking with the filmmaker and Peele told them that although he still hasn’t cracked the sequel, if he comes up with a fresh spin he would have no problem revisiting the first film.

“I haven’t decided anything yet,” Peele told the site. “I am allowing the creative part to bubble up, and not force it. I know if a follow-up is meant to happen, it will. I’m open to figuring out what it is. But I also don’t want to let down the original and its fans. I simply would not do something like that for the cash.”

Good to hear!

I don’t know about you, but if Jordan Peele does decide to revisit the world of Get Out again in the future, I will be there. After reading these comments, I have faith the man will not return unless the story deserves it. Money be damned!

Unless… the sequel is called Sell Out… Ooohh. Snap. All jokes aside, in this world of sequels and remakes, it feels pretty damn good to hear a filmmaker talk this way.

What do you think of a Get Out sequel? Do you think the first film needs a continuation? Make sure to hit us up and let us know in the comments below or on social media!

You can buy Get Out on Blu-ray HERE.


Now that Chris (Daniel Kaluuya) and his girlfriend, Rose (Allison Williams), have reached the meet-the-parents milestone of dating, she invites him for a weekend getaway upstate with Missy and Dean. At first, Chris reads the family’s overly accommodating behavior as nervous attempts to deal with their daughter’s interracial relationship, but as the weekend progresses, a series of increasingly disturbing discoveries lead him to a truth that he never could have imagined.

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