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‘Dead Eyes’ experiments with first-person horror and surreal imagery, but the ambitious debut never delivers the goods. Our SXSW review:
Emily Robinson's 'Ugly Cry' is a grounded, dysphoric body horror about the very real cost of fame and success.
That electric romance between Buckley’s Ida and Bale’s Frank resurrects ‘The Bride!’, even though its script is half-baked. Read our…
Daniel J. Philips' 'Diabolic' is slow-burn religious horror that eventually finds its monstrous (and gory) footing.
'This is Not a Test' comes of age in the zombie apocalypse. It’s harrowing, though assuredly not for everyone.
'Psycho Killer' has some style and benefits from a committed lead performance, but it can't outrun its own outdated instincts.…
'The Mortuary Assistant' movie is here, and it's based on one of the scariest video games ever. Does the movie…
Natasha Kermani’s 'The Dreadful' is insidious, slow-burn Gothic horror and one of the year's earliest genre delights.
'Cold Storage' offers up a lighthearted infection horror comedy that never quite heats up or succeeds on the gross-out factor.
Johnny Compton's 'Dead First' is propulsive, seductive, and terrifying. This is hard-boiled detective fiction the 2026 way.
'Twisted' hails from an all-star team of talent who elevate what could have been disposable gore schlock neatly above its…
If you can remove the sacrilegious context of the IP it dares to treat, 'The Strangers - Chapter 3' is…
A glossy, romance-first Dracula that looks the part but forgets why the monster and his love was ever dangerous in…
While 'Iron Lung' could use a trim, director Mark Fischbach impresses with his blood-soaked, atmospheric feature horror debut.
Ian Tuason’s 'undertone' uses sound and performance in perfect disharmony to craft a terrifying cinematic experience. Our full Sundance review.