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About Chad Collins

Chad Collins is a writer based in Florida. A staff writer for Dread Central, you can find his additional work on SlashFilm, Gayly Dreadful, Council of Zoom, and Rue Morgue. Follow him on Twitter @ChadisCollins

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Hungry
June 3, 2026
James Nunn's ferocious, wildly crowd-pleasing 'Hungry' treats its killer hippo with the reverence (and brutality) she deserves.
Blair Witch
June 2, 2026
Chad Collins revisits the first trailer for 'The Woods,' later revealed to be 'Blair Witch,' as a defining moment in…
Chum
June 1, 2026
Check out this exclusive clip from 'Chum,' Jonathan Zuck's killer shark flick, starring Alice Eve, releasing on June 5.
New ‘Colony’ Image Unleashes Pure Zombie Chaos From the Director of ‘Train to Busan’
May 29, 2026
Yeon Sang-ho's 'Colony' is 'Train to Busan' on steroids. It's a rip-roaring, terrifying zombie epic, and the best undead movie…
Team-Building Turns Into Vengeance on ‘Corporate Retreat’ Poster [Exclusive]
May 22, 2026
'Corporate Retreat,' now playing in theaters, is a gruesome, mean-spirited horror movie that's neither funny nor scary enough to work.
See No Evil
May 18, 2026
20 years after release, 'See No Evil' reemerges as a premier example of the slasher genre's beautiful, filthy past.
Saccharine
May 18, 2026
'Saccharine's' earnest attempt at tackling diet culture via body horror manages a few shocks, but its misguided ethos are past…
hokum
May 7, 2026
'Hokum' is this generation's 'The Babadook.' Deeply felt, deeply personal, and monstrously, unrelentingly scary.
Blood and Rust Cranked Up TV
Cranked Up TV is a haven for some of the most original– and extreme– horror movies streaming today. Coupled with…
Deep Water
April 29, 2026
Renny Harlin's 'Deep Water' is an intermittently fun — if oddly sentimental— killer-shark flick. Read our review here.
Weapons
April 27, 2026
After 'Weapons' and 'Barbarian,' it's time we start calling horror the genre of Zach Cregger, this generation's horror master.
Apex
April 24, 2026
'Apex,' Charlize Theron's Netflix survival thriller, gives the impression of a movie without the high-octane gusto to actually be one.