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Oliver Bernsen’s 'Bagworm' is a gooey, sublime portrait of contemporary meltdowns with a body horror edge. Our SXSW review:
‘Dead Eyes’ experiments with first-person horror and surreal imagery, but the ambitious debut never delivers the goods. Our SXSW review:
Emily Robinson's 'Ugly Cry' is a grounded, dysphoric body horror about the very real cost of fame and success.
That electric romance between Buckley’s Ida and Bale’s Frank resurrects ‘The Bride!’, even though its script is half-baked. Read our…
'Psycho Killer' has some style and benefits from a committed lead performance, but it can't outrun its own outdated instincts.…
'Primate' comes out swinging with some unpretentious and seriously nasty animal attack mayhem. Read our new review here.
An utterly unhinged Lou Diamond Phillips leads audiences through an entertaining, albeit shallow, descent into madness in 'Et Tu'
There's a lot to love about Steven Hugh Nelson’s 'Old Wounds,' even if this Panic Fest premiere doesn't fully come…
Crash out alongside Bill Skarsgård and Anthony Hopkins with our review of David Yarovesky’s new social thriller 'Locked.'
Check out our review of Alireza Khatami's 'The Things You Kill' from this year's 2025 Sundance Film Festival.
Megan Fox remains watchable in 'Subservience,' but a little more sex or blood might have given this thriller the charge…
The Exorcism's metatextual spin on possession narratives choose familiarity over subversion. Read the full review on Dread Central.