New Visitor Trailer and Stills Home to the Strange and Static Cling
A new trailer in promotion of the theatrical screenings of Drafthouse Films’ release of the 1979 weirdo-classic The Visitor is here, and if you were wondering just how bizarre this flick actually is, this latest round of eye candy will more than answer that question for you.
Check to see if you’re gonna be having a blast of insanity on the big screen by clicking here!
Drafthouse Films is releasing the phantasmagoric 1979 sci-fi/horror hybrid The Visitor in a dozen cities starting Halloween weekend before rolling it out into additional markets throughout November and the rest of the year. The repertory title will be hitting the big screen in major markets including Los Angeles, New York, Austin, Boston, Chicago, Dallas, Denver, Houston, Portland, and San Francisco. A VOD/digital and home entertainment release will follow in January, 2014.
Legendary Hollywood director/actor John Huston (The Maltese Falcon, Treasure of the Sierra Madre) stars as an intergalactic warrior battling alongside a cosmic Christ figure against a demonic eight-year-old girl and her pet hawk as the fate of the universe hangs in the balance.
In the dawn of ’70s American blockbusters, European production companies emerged Stateside, attempting to recreate box office gold by cloning Hollywood. The infamous Supreme Court-banned Jaws copy Great White, The Exorcist-esque Beyond the Door, and countless others were packaged for export and the burgeoning drive-in circuit. Producer Ovidio G. Assonitis and director/alleged bodybuilder Michael J. Paradise’s The Visitor stands as perhaps the most ambitious of all, taking its inspiration by artfully fusing The Omen, Close Encounters of the Third Kind, The Birds, Rosemary’s Baby, The Fury, and Star Wars alongside a baffling cast that includes Shelley Winters (Night of the Hunter), Glenn Ford (Superman), Lance Henriksen (Aliens), Franco Nero (Django), and Sam Peckinpah (director of The Wild Bunch).
The result is not so much a carbon copy of these films, but rather an entertainingly hallucinatory and inscrutable mash-up that repertory cinema programmers around the country have rediscovered for late-night bookings.
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