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The Serpent’s Skin is an erotic, gothic dream; hazy and soft but unafraid to draw blood. Read Mary Beth McAndrews'…
'Every Heavy Thing' is a dizzying descent into analog depravity from indie maverick Mickey Reece. Read our review out of…
Kurtis David Harder's 'Influencers' is a near-perfect horror sequel. Read Mary Beth McAndrews' review on Dread Central.
The Netflix horror film Ziam is worth watching, but it veers so far into the unrealistic that it’s unlikely to…
Although Untamed doesn't get everything right, it’s still a worthy distraction for the right target audience.
'Sham' is Takashi Miike at his most commercial, a tense, mid-grade courtroom drama that unfolds in predictable yet interesting ways.
'Kazakh Scary Tales' melds the police procedural with Kazakh folk horror into something that feels both familiar and terrifying.
'The House With Laughing Windows' is a giallo essential that horror lovers won't want to miss. Read our review on Dread…
The Book of Sijjin And Illiyyin is a solid Indonesian black magic film, complete with a healthy body count and…
Radik Eshimov’s 'Burning' is a masterclass in tension with a gripping emotional core. This is a 'Rashomon' riff you won't…
‘Anything That Moves’ embraces sex as perfectly imperfect while depicting the chilling reality of the dangers sex workers still face…
Wes Craven's 'Vampire in Brooklyn' is a better movie than critics would have you believe. So, let's revisit this horror…
This release of Killer On The Road and The Babysitter Lives is proof of Stephen Graham Jones' ability to pick…
The Drifter is one of the year's best, and sets a new benchmark for point and click adventure titles. Read…
Hold The Fort is your sugary cereal while watching Saturday morning cartoons: devoid of nutrition, but a little treat that…
