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'The Coffee Table' is feel-bad cinema at its finest, an anxiety-shredding experience that's both disturbing and somehow hilarious.
We weigh in on ‘Dangerous Waters’ and make a case for why it’s an intense and enjoyable affair that needs…
'Blasphemous 2' is a more polished and balanced experience, allowing players to lose themselves in the game's heretic hellscapes.
Larry Fessenden's latest film, "Blackout", is a modern exploration of Universal Monster's iconic Wolf Man.
'Starve Acre' is a beautiful facsimile of 1970s folk horror, but never goes far enough to make it stand apart.
'Herd' delivers a somber account of a deadly outbreak that's more centered around character than calamity.
With 'All You Need Is Death,' Paul Duane crafts a pitch-perfect cosmic folk horror slow burn that settles into your…
"Scala!!!" is an important and appropriately sketchy eulogy for the kind of cultural spaces that are all too rare today.
Reminiscent of late Verhoeven and early Cronenberg, 'Red Rooms' is a terrifying and propulsive look at ultra-violence in the digital…
'The Fall Of The House Of Usher' is cold and empty, a cynical look at the rich with perhaps too…
Lies of P uses an emphasis on guarding and watching enemies to make you soak in every detail of its…
We weigh in on the upcoming horror film, ‘The Puppetman’ and offer a verdict on whether or not it’s worth…
The latest season of 'Creepshow' is packed to the gills with monsters. Perhaps too many. Paul Lê reviews season four…
The look of Lords of the Fallen is incredible. Imagine Dark Souls, Bloodborne, and Doom all had this heavy metal…
Satranic Panic is Alice Maio Mackay's most ambitious and stylish film yet, tackling transphobic fear-mongering at her new creative peak.