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Horror lovers will wish it had more found footage and more at-home castrations, but if you love Yorgos Lanthimos, The…
'Chum,' the latest killer shark flick, lacks identity, taste, tension, and really everything that signals a horror movie as a…
Henry Chaisson’s ‘Recluse’ is classically gothic horror with exceptional sound and a scorched-earth finale that sticks its landing.
'Turn It Up!' is a fun-but-flawed directorial debut that toes the line between indie band mumblecore comedy and existential cosmic…
The sixth ’Scary Movie’ gets the team back together, then fails to give them material that’s worth the effort. Read…
James Nunn's ferocious, wildly crowd-pleasing 'Hungry' treats its killer hippo with the reverence (and brutality) she deserves.
Matt Konopka reviews the new 'Masters of the Universe', a bloated fantasy adventure that relies on nostalgia but delivers cartoonish…
Leviticus‘s queer erasure subtext is urgent and powerful. Unfortunately, its horror mechanics are far too messy and unoriginal to work.
Yeon Sang-ho's 'Colony' is 'Train to Busan' on steroids. It's a rip-roaring, terrifying zombie epic, and the best undead movie…
A24's 'Backrooms' adaptation makes every effort to save its cat when it should've let it die to make room for…
Victorian Psycho is a nasty, happy little surprise with grotesque kills and a staunch refusal to pull back on the…
'Corporate Retreat,' now playing in theaters, is a gruesome, mean-spirited horror movie that's neither funny nor scary enough to work.
‘Passenger’ pulls through with some striking direction, but dated plot mechanics and a goofy antagonist slow things down to a…