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'Thrash' has the makings of an exploitative good time, but its incongruous goodwill never bloodies the waters quite as well…
John Valley's 'American Dollhouse' is gruesome Christmas carnage candy well worth unwrapping. A true slasher gift.
Faces of Death is a sick and satisfying reboot exposing the ubiquitous stench of voyeuristic violence we’ve become so desensitized…
Tense and eerie at first, Netflix's latest horror series loses its way in a maze of images that say nothing…
The Yeti's paint-by-numbers monster mayhem isn't hot enough to thaw out a B-movie worth its sauce. Read our review...
'They Will Kill You' overcomes its familiar storytelling and style with slick fight sequences and a killer lead performance from…
'Drag' is a brutally funny and startlingly original piece of body horror that introduces an all-too-relatable villain. Our SXSW review.
The anti-capitalist bent of 'Grind' adds some nightmarish flavor to the fun yet somewhat uneven modern horror anthology. Our SXSW…
Meredith Alloway’s feature debut, 'Forbidden Fruits, ' is ready to be inducted into the slumber-party classics Hall of Fame. Our…
'Hokum' is gratuitously frightening horror cinema. For genre fans with a penchant for classical, gothic scares, this is groundbreaking stuff.
'Over Your Dead Body' boasts a clever premise and committed performances, but messy writing holds the thriller-comedy hostage.
'Never After Dark' has a promise, but its haunted house shenanigans soon feel too unoriginal to leave a lasting impact.…
'Pretty Lethal' is exciting, adorable, and consistently fun action mayhem from a director to watch. Our SXSW review.
Oliver Bernsen’s 'Bagworm' is a gooey, sublime portrait of contemporary meltdowns with a body horror edge. Our SXSW review:
Samara Weaving’s star shines bright in 'Ready or Not 2: Here I Come', a chaotic sequel that doubles down on…