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Daniel Cubias' 'The Amityville Horror,' the latest from DieDieBooks, is a fascinating reevaluation of the independent horror classic.
Wormtown is a unique genre experience that isn’t afraid to make you cry and nauseous at the same time. Read…
In a world of queer media bogged down by tragedy, Lesbian Space Princess is a breath of freaky queer joy…
While the story doesn’t always land, Chainsaw Man - The Movie: Reze Arc is still a disgusting spectacle perfect for…
'1000 Women in Horror' illustrates that women have always been part of horror; they just deserve more seats at the…
Kenichi Ugana's exploitative slasher 'Incomplete Chairs' is for the sickos only, and I mean that as a compliment.
HBO Max docu-series Quiet in Class showcases the cost of inaction but gets waylaid by focusing too heavily on salacious…
'Delivery Run's' concept builds a solid enough foundation, but this dull road thriller finds itself in a snowbank it can't…
Sharai is back with another Run It Back Review. This time she's advocating for the 2020 gem 'Vampires vs. the…
Check out our review of James Ross II’s 'Parasomnia,' a terrifying debut out of this year's Brooklyn Horror Film Fest.
‘Death in Apartment 603‘ reflects on a decades-long quest for justice in a case too quickly cast aside by authorities.
'Violence' had it's world premiere at Brooklyn Horror Fest and we're here to tell you if it lives up to…
'Abigail Before Beatrice' might spin its genre wheels, but star Olivia Taylor Dudley is a sensation in this cult drama.
The Weedhacker Massacre fails to follow basic narrative and screenwriting rules. The end result is a grandiose disaster.
While ‘It: Welcome to Derry’ explores fascinating themes, it fails to deliver effective scares. Read Kaiya Shunyata’s review.
