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Lurker is a terrifying portrait of obsession in the digital age, supported by incredible performances from its stars.
Sam Van Grinsven’s 'Went Up the Hill' is one of the most affecting, stunning ghost stories in years. Check out…
'Transcending Dimensions' works hard to keep us engaged as it unfurls a sizzle reel of pastiche, philosophy, and phantasmagoria.
Saint Clare is a battle cry into our terrifying unknown. Read Mary Beth McAndrews' review on Dread Central.
She Rides Shotgun is an intense ride that manages to be every bit as thrilling as it is touching, and…
Given that it was relatively underseen and under-discussed outside of France until the late ‘00s, Jeanne Dielman, 23 quai du…
Reflection In A Dead Diamond is Hélène Cattet and Bruno Forzani's best film so far. Read Katie Rife's review on…
The Serpent’s Skin is an erotic, gothic dream; hazy and soft but unafraid to draw blood. Read Mary Beth McAndrews'…
'Every Heavy Thing' is a dizzying descent into analog depravity from indie maverick Mickey Reece. Read our review out of…
Kurtis David Harder's 'Influencers' is a near-perfect horror sequel. Read Mary Beth McAndrews' review on Dread Central.
The Netflix horror film Ziam is worth watching, but it veers so far into the unrealistic that it’s unlikely to…
Although Untamed doesn't get everything right, it’s still a worthy distraction for the right target audience.
'Sham' is Takashi Miike at his most commercial, a tense, mid-grade courtroom drama that unfolds in predictable yet interesting ways.
'Kazakh Scary Tales' melds the police procedural with Kazakh folk horror into something that feels both familiar and terrifying.
'The House With Laughing Windows' is a giallo essential that horror lovers won't want to miss. Read our review on Dread…