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The 'Shiva Baby' composer was perfect for the job.
It takes a lot of talent to sound this scary.
Ekstrand wanted parts of the score to sound like a swarm of bats.
For the latest Terror on the Turntable, Rachel Reeves takes a bit out of 'Cujo.'
Acting, composing, singing, writing—the world is truly Brittany Allen’s oyster.
Jimmy LaValle explains his process and what's like to work with Justin Benson and Aaron Moorhead.
This score is something truly special.
![E5IrU6ZXEAkAv0B 336x191 - John Harrison’s Brazenly Hopeful ‘Day of the Dead’ Score [Terror on the Turntable]](https://www.dreadcentral.com/wp-content/uploads/2022/01/E5IrU6ZXEAkAv0B-336x191.jpeg "John Harrison’s Brazenly Hopeful ‘Day of the Dead’ Score [Terror on the Turntable]")
In 'Day of the Dead,' Harrison's strangely optimistic score is the perfect fit.
For this installment of Terror On The Turntable, Rachel slides down the chimney into Douglas Pipes’ myrrh-aculous 'Krampus' score.
![gretelandhanselbanner 336x176 - The Brilliantly Subversive Sounds of ROB’s ‘Gretel & Hansel’ Score [Terror on the Turntable]](https://www.dreadcentral.com/wp-content/uploads/2019/09/gretelandhanselbanner-336x176.jpg "The Brilliantly Subversive Sounds of ROB’s ‘Gretel & Hansel’ Score [Terror on the Turntable]")
For this month's Terror on the Turntable, Rachel dives into Oz Perkins’ Gretel & Hansel and ROB’s deliciously sumptuous score.
Welcome to Terror on the Turntable! In this monthly column, join Rachel Reeves as she explores the powerful and unholy
