All Articles
Dread Central discusses the many musical moods of ‘M3GAN’ with composer Anthony Willis in an extensive deep dive into the film’s music.
Rachel Reeves interviews composer Julian Scherle to discuss his tech-fueled score for the new screenlife horror-thriller, ‘Missing.’
Dread Central recently sat down with ‘The Wounded Fawn’ composer VAAAL to learn a bit more about the magic and wizard behind the curtain.
Rachel Reeves sits down with ‘The Menu’ composer Colin Stetson to talk food, black metal, subverting musical expectations, and more.
Dread Central spoke with Michael Yezerski to discuss his approach to scoring the ‘Cabinet of Curiosities’ segment “Pickman’s Model”.
Rachel Reeves examines the masterful work of Jerry Goldsmith in ‘Basic Instinct’ and how his score elevates the film.
Dread Central picked Benn Lovett’s brain about what it was like to enter the musical world of ‘Hellraiser’ and play with horror history.
We spoke with ‘Devil In Ohio’ composer Will Bates about writing music for a cult, his deep family roots in the horror genre, and more.
For this installment of Terror On The Turntable, Rachel Reeves slides into Shoji Yamashiro’s score for anime classic ‘Akira’.
In the latest Terror On The Turntable, Rachel Reeves looks at the score of Wes Craven’s ‘The Hills Have Eyes’.
In the latest Terror On The Turntable, Rachel Reeves dives deep into David Julyan’s score for the horror classic ‘The Descent’.
For this month’s Terror On The Turntable, Rachel Reeves looks at queer composer John Corigliano and his work on ‘Altered States’.
