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Samantha Hale talks about her comedy special Samantha Hale: Horror Nerd, how horror fuels her humor, and why genre fans…
We sat down with Susan Priver, who plays the title role in DREAD's new true crime-inspired thriller 'Dorothea.' Read the…
'V/H/S/HALLOWEEN' DP Sean McDaniel discusses crafting the retro aesthetic for "Home Haunt", collaborating with the Normans, and more!
We spoke with 'Sleep Stalker' cinematographer Jeffy Can about working in the found footage style to craft the film's chilling…
We spoke with 'Call of the Void' composer Clayton Worbeck about blending music with sound design, how setting impacts the…
We spoke with 'Grafted' composer Lachlan Anderson about how he layered his own whispers to create the film's monstrous sound.
We spoke with Little Bites cinematographer Andy Patch about shooting the blood-filled finale and how the 1970s shaped the film's…
We spoke with 'Out Come the Wolves' cinematographer Christian Bielz about working with real wolves, creating a sense of isolation,…
We spoke with 'The Girl In The Pool' composer Adam Bosarge about non-orchestral scores, his favorite composers, and more.
We spoke with 'Nightwatch: Demons Are Forever' composer Ceiri Torjussen about moth sounds, working with the 'Scream' composer, and more.
We spoke with 'Killer Body Count' composter Spencer Creaghan about organ music, Riot Grrrls, and more. Read now on Dread…
Collin Brazie explains how he worked with Larry Fessenden to make their film 'Blackout' feel like a modern twist to…
