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Texas Chainsaw Massacre 2: Gruesome Edition (DVD)



The Texas Chainsaw Massacre 2 DVD (click for larger image)Starring Dennis Hopper, Caroline Williams, Jim Siedow, Bill Moseley, Bill Johnson, Nubbins

Directed by Tobe Hooper

Distributed by Fox Home Entertainment

The original landmark film, The Texas Chain Saw Massacre is considered by most to be a horror masterpiece. It spawned an entire series of films including a horribly butchered third sequel, a ludicrous fourth entry, a remake, and most recently a prequel. But there is one film in this franchise which undoubtedly stands out amongst the pack. The cult classic The Texas Chainsaw Massacre 2. Upon its initial release fans of the first were a bit befuddled. The original Chain Saw was a dark, realistic, and visceral experience whereas the sequel was an uber-gory black comedy. I remember back in 1986 folks were crying foul and complaining because they wanted this movie to be as nightmarish and gritty as its predecessor. But director Tobe Hooper had other plans.

We’re officially introduced to the Sawyers after Drayton “The Cook” (an unforgettable Jim Siedow) wins a chili making contest. Yep, the old family is still in the meat business, and they’re busy turning the rest of the world on to their secret recipes. A couple of hard shell peppercorns later, we find Drayton’s boys, Chop Top (Moseley) and Leatherface (Johnson), in pursuit of a local radio DJ (Williams) who has come into possession of a recording of one of their killings. Having an audio record of their exploits doesn’t sit well with the killer clan, so before you know it the blood splattering and power tool wielding are in full killer swing.

That’s the story in a nutshell. Tobe stated many times that he wanted to do something different with this telling of the tale. And different it was. Chainsaw 2 may not have been what people were initially expecting it to be, but it has stood the test of time and is probably more loved now than it ever was then. After a couple of decades it is clear that Hooper’s (then) newly chosen path was right on the money.

The Texas Chainsaw Massacre 2 DVD (click for larger image)The Texas Chainsaw Massacre 2 has been floating around the home video circuit in various forms for many years. There are hundreds of bootlegs for sale that had the fabled Joe Bob Briggs scene and the parking garage slaughter. As fans, we’re blood hungry. We want to see the missing bits we’ve all heard or read about. The trouble was that the only way to do so was by hunting down said blurry poor quality boots. Things looked even more dismal after Chainsaw 2 hit DVD a few years back with barely a single extra on it. Fans were pissed. Would we ever get the goods? It seemed as if there would never be an official definitive edition. Until now.

Fox’s Gruesome Edition is a fan’s wet dream. We get the unrated cut of the film along with several deleted scenes including the ones mentioned above. On top of that, we’re treated to not one but two feature length commentary tracks. The first is an interesting listen as Tobe Hooper chats it up with filmmaker David Gregory. There’s a lot of Chainsaw history spoken about here, and fans won’t want to miss a single moment. And while that track may be good, the second one featuring Michael Felsher, Tom Savini, Caroline Williams, and Bill Moseley is the money shot. Holy shit, what a good time! Moseley shines here, slipping effortlessly in and out of his Chop Top character much to everyone’s delight. Again, this track is nowhere near as informative as the first, but it is twice as entertaining. If you’re going to watch the movie repeatedly (and I know you are), check out both of these commentaries. This, my friends, is DVD paydirt!

But wait! It gets better, and no, I’m not talking about the still galleries or the theatrical trailer. Wise ass.

Supplemental material producers Michael Felsher, David Gregory, and Chris Roe have given us yet another gift in the form of a ninety-two-minute making-of film entitled It Runs in the Family. Now we’re talking! Family features tons of behind-the-scenes footage as well as current interviews with the cast and crew. It’s impossible to watch this and not feel the fondness that everyone involved with both the movie and this making-of feel for the subject matter. You’ll be amazed by how much heart and warmth could go into a flick that’s so very evil. To quote old Lefty (Dennis Hopper) himself, “BRAZOS!”

If you were hungering for a be all, end all compendium for this movie, look no further. If it’s out there and it’s worthy of mention, it is on this DVD somewhere. Get rid of those old fourth generation bootlegs. Use that old MGM disc as a coaster. Go ahead, double dip fearlessly!

This is the cure for your aching banana!

Special Features
Audio commentary by director Tobe Hooper and David Gregory, the director of Texas Chainsaw Massacre: The Shocking Truth
Audio commentary by actors Bill Moseley and Caroline Williams and special effects creator Tom Savini
Deleted scenes
It Runs in the Family six-part featurette
Still galleries
Original theatrical trailer

5 out of 5

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GIRLS NIGHT 2 Review – A Terrifying Halloween Treat



Starring Marina De Sousa, Vincent Conty

Directed by David Teixeira

If you love Halloween as much as I do, you probably also love horror films that take place on Halloween. French Writer/Director David Teixeira uses Halloween as the backdrop for his eerie short horror film Girls Night, which we reviewed here. The film tells the story of three friends who decide to play Bloody Mary and end up butchered by a creepy masked killer. Filmmaker Teixeira skillfully uses atmosphere and impressive cinematography to heighten the scares.

Teixeira is back with Girls Night 2 which will be released in October just in time for Halloween. The only survivor of the massacre, Jess (Marina De Sousa), is suffering from nightmares and insomnia because she was blamed for the murder of her friends. It’s a year later and Halloween and she is staying with Pierre (Vincent Conty). To calm Jess’s nerves they decide to watch a short film their friend David (David Teixeira) made, but Jess can’t stay awake. In her dreams the masked killer is back and wielding a pair of scissors. The film ends in utter confusion and a bloody mess. Is it real or is it a dream and who is the killer? You’ll have to watch the short to find out.

The performances are strong and believable and actress Marina De Sousa is remarkable as Jess. Like the original, Girls Night 2 delivers an exciting amount of intensity and panic in only around thirteen minutes. I highly suggest experiencing both of these short films while wearing headphones to really amp up the terror. Girls Night 2 is currently a semi-finalist at Los Angeles Cinefest and winner for Best Foreign Film at the $2 Dollar Film Festival. The award winning short film Girls Night is available on YouTube and you can watch the Girls Night 2 teaser trailer below.

  • Girls Night 2


Girls Night 2 delivers an impressive amount of intense scares worthy of a feature length film in just under thirteen minutes.

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PANTHER RIDGE Review – When Your New Job Takes You To Interesting Locations



Starring Chenara Imrith, Kerry Hempel, Seth Goodfellow

Written by Ryan Swantek

Directed by Ryan Swantek

Director Ryan Swantek’s graphic-take on a young woman unhappy with her looks in White Willow was in my useless opinion, one of the strongest short films to hit the horror genre in quite some time. It was brutal, unflinchingly ruthless to eyeball, and best of all for a first-time directorial effort, there was no apology for what was put before us – let’s venture over to Panther Ridge.

So what comes around in the second-time in the big guy’s chair? Well, when I’d heard that it was a sadistic look into the BDSM scene, I’ll admit I was a bit intrigued (no, I’m not into that stuff, ya kooks) – I’d just honestly hoped for a bit more than what was tossed to me. This particular short film is titled Panther Ridge, and it tells the story of a young lady who is getting a fresh start in a new career – that of a dominatrix, of sorts. As this presentation begins, she’s smack dab in the middle of a dungeon with a very unlucky prisoner and the woman who will be guiding her in her “training.” I’ll tell ya, first days on the job can be stressful, but with the correct forms of relief, you can make it through the day all the while exorcising some pent up demons as well.

Commence brutality upon this poor tied-up fool and the lass roped up across from him, for they know not what lies in store for them next, but rest assured they’ll be making a blood donation whether they want to or not. Unfortunately my self-imposed hype proved to be insurmountable as Swantek’s second time up to the plate resulted (for me, anyway) in a big swing and a miss. What worked in his maiden voyage with Willow was the notion that you were going to witness the repercussions of a tortured soul as she looked in the mirror, whereas this time we’re watching some poor sap get the snot beaten out of him, and I could honestly see the same thing in a number of other productions for a longer stretch of time (if you dig that sort of thing). I’ll await Mr. Swantek’s third production when it’s time, and hopefully it’ll pack more of a sustained punch than this quickie.

  • Panther Ridge


Swantek’s sophomore directorial endeavor unfortunately isn’t much more than shock and torture-porn crammed into an abbreviated timeframe – been down this road more than a few times.

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EMANUELLE AND THE LAST CANNIBALS Blu-ray Review – Savagery & Sexuality From The Master Of Sleaze



Starring Laura Gemser, Gabriele Tinti, Monica Zanchi, Donald O’Brien

Directed by Joe D’Amato (Arisitide Massaccesi)

Distributed by Severin Films

After taking famed sex icon Emanuelle (Laura Gemser) to Bangkok (1976), America (1976), and Around the World (1977) legendary sleaze director Joe D’Amato decided to mash up two of Italy’s most notorious genres by sending his beautiful muse down to the Amazon rainforest, cinematic home to countless hordes of cannibal tribes. The Italian cannibal craze of the late’70s was just beginning to take hold, offering D’Amato a ripe opportunity to satisfy both the bloodlust and, well, regular lust of exploitation devotees worldwide. For the most part the film plays out expectedly, with a reasonably large group of people meeting in the Amazon and trekking off on a quest. By the end, that group has dwindled down to only a few members, all of whom probably have a lot of regret about traipsing through the jungle. Aficionados will get a bit of a “been there, eaten that” vibe from the film, which hits every trademark of the genre sans animal cruelty, but Emanuelle herself spices up this cannibal comfort food with an alluring performance capped off by one helluva genius ending. The film also holds the dubious distinction of showing a penis being eaten less than 15 minutes after the opening credits. You set a high bar, Joe.

When an unlucky nurse has half of her tit eaten off by a newly-arrived mental patient, a girl found in the Amazon jungles, journalist Emanuelle (Laura Gemser) infiltrates the sanitarium to score a hot scoop. Armed with a camera concealed within a baby doll head, Emanuelle surreptitiously snaps a few shots before making the new girl talk via… digital means – and I’m not talking technology. Emanuelle takes her information to Professor Mark Lester (Gabriele Tinti), a museum curator whom she hopes will fund her expedition. He agrees. Then, she goes and screws some random guy in broad daylight down by the river. Later, she comes back and has more sex, this time with Mark. The next day they leave for the Amazon.

Upon arrival, the two are met by Isabel (Monica Zanchi) and Sister Angela (Annamaria Clementi), both of whom have altruistic plans of their own in the rainforest. Their trek soon brings them across Donald (Donald O’Brien), a hunter who is on safari with his wife and a guide. Now that the film has brought together a large group of people, some of whom are more reprehensible than others, it’s time to pick them off and watch in delight as cannibals of the Amazon gut them, skewer them, and devour their flesh while the soothing sounds of Nico Fidenco play in the background.

So many of these Italian cannibal pictures feel interchangeable because the formula is incredibly simple – send a group of naïve outsiders into the Amazon and let an indigenous tribe kill and eat them, usually in the most horrific manner possible. What sets this film apart from so many others is in the title: Emanuelle. Gemser is not only easy on the eyes but she has this magnetic presence on screen, not because she is a great actress but her looks, abilities, and personality combine to create one of exploitation cinema’s most capable and sultry sirens. It is entirely due to her ingenuity here that anyone survives at all. She isn’t a rag doll, tossed around and used for sex and companionship; Emanuelle is a woman in charge of her own sexuality and she calls the shots. This film was made during a time when women were often used as set dressing or spent most of a film being subservient, so it’s a nice change of pace to have one in the lead who takes control and it feels natural, not forced.

Don’t go thinking this is some kind of strong female-led picture that celebrates womanhood or anything. D’Amato never likes to peer too high from his gutter view, and “Emanuelle and the Last Cannibals” is a sleaze sensation; a cornucopia of cannibalism and carnal acts that culminates in the titular heroine literally becoming a god… temporarily. D’Amato takes two of humanity’s greatest loves – eating and screwing – and builds a story around them. Besides all of the aforementioned fornication, nipples are eaten as an amuse-bouche, penis tartare is part of the starter course, a vagina makes unexpected friends with the business end of a machete, a woman is gutted like a deer, and one guy learns a thin rope can still be strong enough to tear the human body in half. Nobody gets out of this thing unscathed… except, maybe, for Emanuelle who seems unfazed by every atrocity the world throws her way.

Ugly films need beautiful music and the lush, soothing sounds of Nico Fidenco make for the ultimate dichotomy of relaxation and revulsion. Fidenco’s score is less the serene soundscape Riz Ortolani composed for Cannibal Holocaust (1980) and more of a funky, porno-lite trip down ‘70s Lane. Oftentimes the composers on these rough Italian pictures delivered scores that felt like they belong to something more refined and accessible, not a movie destined for banning in multiple countries and cut to ribbons in others. Fidenco provided the score for many entries in the Black Emanuelle series and while those films might be past their prime the music is completely timeless.

Severin has provided a new 2K scan from unknown elements, delivering a 1.85:1 1080p image that falls right in line with most of their catalog. The picture has been cleaned up enough to allow for high-def improvements in clarity and coloration to (mostly) shine through, while still retaining a gritty look to remind viewers this is still a grindhouse picture. Film grain is heavy and active, swarming the picture but never becoming noisy. Contrast is variable, as is sharpness, with some scenes looking closer to HD than others. Colors are accurate but a bit anemic, too, with only a few instances of truly popping against the ever-present jungle greens. Detail is swallowed up in darkness, so don’t expect to see much of it when night falls, which thankfully isn’t often. I’ll say one thing Italy sure does make for a fine Amazon stand-in.

Audio is available in both English and Italian DTS-HD MA 1.0 mono, both of which offer a similar audible experience. The standout here is unsurprisingly hearing Fidenco’s score in lossless glory. The ADR work is typically poor and obvious, but everything is understandable and there are no noticeable issues with hissing or audio damage. Subtitles are available in English.

The World of Nico Fidenco – The legendary composer sits down for a new interview, covering his career and the Emanuelle series. In Italian with English subtitles.

A Nun Among the Cannibals – Actress Annamaria Clementi provides a new interview about her role in the film and what it was like working with D’Amato. In Italian with English subtitles.

Dr. O’Brien M.D. – This is an archival interview with Donald O’Brien, who played the wild and wily hunter, Donald, in the film.

From Switzerland to Mato Grosso – Actress Monica Zanchi gives a new interview that covers her career.

I Am Your Black Queen is an audio-only archival interview with Gemser.

A theatrical trailer (in SD) is also included.

Special Features:

  • BRAND NEW 2K REMASTER OF THE FILM prepared for this release
  • English and Italian audio tracks, with optional English subtitles
  • The World of Nico Fidenco – an interview with the composer (27 min)
  • A Run Among the Cannibals – an interview with actress Annamaria Clementi (23 min)
  • Dr. O’Brien MD – an interview with actor Donald O’Brien (19 min)
  • From Switzerland to Mato Grosso – an interview with actress Monica Zanchi (19 min)
  • I Am Your Black Queen – an audio commentary by actress Laura Gemser (11 min)
  • Original trailer
  • Emanuelle and the Last Cannibals
  • Special Features


There is no point to making complaints about plotting when watching a film with this title. D’Amato promises viewers nothing more than a sleazy time intended to induce equal parts creep and kink into a span of time. Severin’s release offers a cleaned-up picture and a solid selection of extras that catch up with a few of the principal cast and crew.

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