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The anti-capitalist bent of 'Grind' adds some nightmarish flavor to the fun yet somewhat uneven modern horror anthology. Our SXSW…
Meredith Alloway’s feature debut, 'Forbidden Fruits, ' is ready to be inducted into the slumber-party classics Hall of Fame. Our…
'Hokum' is gratuitously frightening horror cinema. For genre fans with a penchant for classical, gothic scares, this is groundbreaking stuff.
'Over Your Dead Body' boasts a clever premise and committed performances, but messy writing holds the thriller-comedy hostage.
'Never After Dark' has a promise, but its haunted house shenanigans soon feel too unoriginal to leave a lasting impact.…
'Pretty Lethal' is exciting, adorable, and consistently fun action mayhem from a director to watch. Our SXSW review.
Oliver Bernsen’s 'Bagworm' is a gooey, sublime portrait of contemporary meltdowns with a body horror edge. Our SXSW review:
Samara Weaving’s star shines bright in 'Ready or Not 2: Here I Come', a chaotic sequel that doubles down on…
‘Dead Eyes’ experiments with first-person horror and surreal imagery, but the ambitious debut never delivers the goods. Our SXSW review:
Emily Robinson's 'Ugly Cry' is a grounded, dysphoric body horror about the very real cost of fame and success.
That electric romance between Buckley’s Ida and Bale’s Frank resurrects ‘The Bride!’, even though its script is half-baked. Read our…
Daniel J. Philips' 'Diabolic' is slow-burn religious horror that eventually finds its monstrous (and gory) footing.
'This is Not a Test' comes of age in the zombie apocalypse. It’s harrowing, though assuredly not for everyone.
'Psycho Killer' has some style and benefits from a committed lead performance, but it can't outrun its own outdated instincts.…
'The Mortuary Assistant' movie is here, and it's based on one of the scariest video games ever. Does the movie…