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The Carpenter's Son doesn't always work as a family drama, but its focus on supernatural religious horror makes it worth…
The Beldham, starring Patricia Heaton (Everybody Loves Raymond), is one of the creepiest indie horror releases of 2025. Read our…
‘Keeper’ is a hollow and misguided attempt at using genre to say something meaningful about domestic violence. Read our full…
Edgar Wright's 'The Running Man' works more often than it doesn't. Read our review of Wright's new Stephen King movie…
Predator: Badlands is the return to cinematic spectacle fans of the franchise have been waiting for. Read Dread Central's review.
Affection is a twisted sci-fi horror film that’s sure to keep you guessing. This is one you won’t forget anytime…
Daniel Cubias' 'The Amityville Horror,' the latest from DieDieBooks, is a fascinating reevaluation of the independent horror classic.
Wormtown is a unique genre experience that isn’t afraid to make you cry and nauseous at the same time. Read…
In a world of queer media bogged down by tragedy, Lesbian Space Princess is a breath of freaky queer joy…
While the story doesn’t always land, Chainsaw Man - The Movie: Reze Arc is still a disgusting spectacle perfect for…
'1000 Women in Horror' illustrates that women have always been part of horror; they just deserve more seats at the…
Kenichi Ugana's exploitative slasher 'Incomplete Chairs' is for the sickos only, and I mean that as a compliment.
HBO Max docu-series Quiet in Class showcases the cost of inaction but gets waylaid by focusing too heavily on salacious…
'Delivery Run's' concept builds a solid enough foundation, but this dull road thriller finds itself in a snowbank it can't…
Sharai is back with another Run It Back Review. This time she's advocating for the 2020 gem 'Vampires vs. the…
