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Exclusive: Steve Hoban Talks Darknet and More!

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Exclusive: Steve Hoban Talks Darknet and More!From Blood and Donuts and Ginger Snaps to Splice and, his latest, Haunter, producer Steve Hoban has been a staple in the Canadian horror scene since the mid Nineties.

He’s now working again with director Vincenzo Natali on a new experimental web series called Darknet that should be making its way onto television here in the States in the near future. For now, as of 12:01am this morning, fans can watch the first installment over at Darknetfiles.com. And, believe me, it’s worth checking out. Consisting of interweaving storylines and connected characters in different instances of urban horror, the first episode runs about 25 minutes and features some really solid, well-crafted moments. Just before the debut, Hoban was kind of enough to speak with us for a few minutes to talk about the series.

Dread Central: Since the idea of the Darknet files has been kept close to the chest and the teasers don’t really show too much, can you expand on the concept and talk about what horror fans can expect from the series?

Steve Hoban: Sure. We kind of flew under the radar because of the way we put it together. We ended up shooting six episodes but really we shot them as a prototype block of six. They are an adaptation of a very successful Japanese show called “Torihada” and they really key off on what that show originally was. Their show was very lo-fi and really just had creepy or scary or horrific things that felt very immediate and felt like they were things that could happen in the real world. Our show is a little more polished than that show is but we started with that. It’s short, visceral, fast, scary things that should feel like it could happen to anybody in the audience. You should watch this show and think as you’re stepping out your door that night or the next morning, ‘Hmm, maybe I should keep my eyes open.’

DC: With “Torihada”, it’s difficult for fans here to find a version with English subtitles but apparently it’s available everywhere in Japan. Are you taking any moments from that series or is it completely original?

SH: We’ve done both. We have a combination of episodes that are literally the same stories that were in “Torihada” episodes and then we have others that are originals. Then, we have some that mix them. The biggest difference is that we could have four segments within a half-hour episode. In Darknet they tend to be interrelated, so there are characters that go from one to another or there are elements that connect the stories. So, in a way, it’s a little bit more like a pulp fiction TV-series in that there are connected episodes. We even have characters that go from one episode to another even though each segment is its own unique story with a beginning, middle, and an end.

DC: Now, how do those connections work with different directors? When they sign on, do they have to use a certain character or a certain moment?

SH: Yeah, the way we did it is that Vincenzo [Natali] and I develop the scripts in-house with six different writers, so we were developing all of the scripts. Then, we put it to the writers initially to find the connections within the segments within their episode; then, we worked with them to further enhance those. Then, we took the six scripts and said, ‘Let’s take this character – she’s in the first episode – and let’s put her in episode three and in episode six.’ So, in some cases, it was to take a character that a writer was writing in one episode and make her a slightly different character or make him a her or vice-versa. Vincenzo and I were really just marshalling along the screenwriting. Vincenzo directed the first episode and I directed the second, so we had seen so many actors by the time we got to the third episode that we had a very good idea of what actors could fill a lot of the roles. It was done as a very collaborative thing.

DC: Well, I like the inner connections like that, especially with actors playing different characters. That’s been proven successful with something like “American Horror Story.”

SH: Absolutely. In a way, I think fans of “American Horror Story” would like this show and in another way it’s very very different. “American Horror Story,” of course, gets a whole season to explore these characters. In ours, you can have a whole story, beginning and end, and never see any of the characters again or hear anything about that story in four minutes. Or, then a character can reappear a number of times. I’m a huge fan of short story fiction and have been for years, so, to me, it’s what makes short stories so fun. They’re so visceral; they’re so fast and so satisfying as opposed to waiting so long to find out what’s happening. I would say, for any of our ongoing elements, nobody needs to see an episode where a character reappears because they get everything out of every discrete episode itself.

DC: How interactive will the Darknet site actually be? After the first six episodes, the series is opening up for fans and other filmmakers to direct or to contribute, right?

SH: That’s one of the things we’re most excited about. Once we get up and running in the new year, people will be able to submit their own scripts or even finished stories or finished segments that can be compiled into other episodes. Ultimately, we’d like to have those play on the website and some of the selected ones would ultimately become part of a TV show and end up on the DVDs that will follow the broadcast of the show. It’s a real opportunity for people out there to start becoming part of the show and make the show themselves. Even though we haven’t put a call out or anything, people have become aware of the show in, I guess, a grassroots kind of way. So, the core of people that are already interested in this type of thing already know about it. We’re not at all set up right now to handle submissions; we really don’t want them yet. We may put out our ten favorite scripts online and get people to vote on them.

DC: I’ll be sure to put a little disclaimer saying, ‘Screenwriters, do NOT send your scripts in yet!’

SH: (laughs) Yes, please. Not yet. We definitely want them; we just don’t want them quite yet!

Darknet is directed by Natali, Hoban, Brett Sullivan (“Orphan Black,” Ginger Snaps 2: Unleashed), Rodrigo Gudiño (The Last Will and Testament of Rosalind Leigh) and newcomers Anthony Scott Burns and Jeremy Ball. The writers are Natali, Pascal Trottier, Doug Taylor (Splice), James Kee, Randall Cole (388 Arletta Ave) and Sarah Larsen. Darknet is executive produced by Vincenzo Natali and Steven Hoban, producers are Jensenne Roculan, Mark Smith (Haunter, 388 Arletta Ave), Paul Rapovski (Lost Girl) and supervising producer Kana Koido.

To learn more about this mysterious project, “like” Darknet on Facebook!



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Simon Pegg and Nick Frost Are Truth Seekers Playing by Slaughterhouse Rulez

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One of our favorite pairings of stars from the last twenty years is no doubt that of Simon Pegg and Nick Frost. Their chemistry is undeniable, and if you didn’t get enough of it in “Spaced,” Shawn of the Dead, Hot Fuzz, The World’s End, and Paul, you’re about to get a bellyful of it on both big and small screens.

Variety is reporting that Frost and Pegg will be starring in “Truth Seekers,” a half-hour comedy-horror TV show about a three-person paranormal investigation team.

According to the site, each installment of “Truth Seekers” will focus on a paranormal incident, a setup with clear monster-of-the-week potential. “Each episode is going to be an adventure, a potential haunting or something,” Pegg says. “It’ll start as a very parochial idea, a very small business venture for these people, but it will expand as the series goes on to be something far more global. It’s a language everyone understands, the mystery of the unknown. Shaun of the Dead was a very parochial story set in North London, and somehow it managed to get this global reach because everyone understands the language of zombie movies.

That’s not all, though… the pair are also working on the feature film Slaughterhouse Rulez, a horror-comedy now in post-production. Directed by Crispian Mills and set in a well-to-do public school, the movie is “very satirical, very much about the U.K. selling itself off,” Pegg says. “It’s about fracking as well, and that unleashes some awful subterranean demon.

Both of these projects will be released under their Stolen Picture shingle. Stay tuned, kids! More as we get it!

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Rest in Peace – Yôsuke Natsuki

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We’ve lost another Kaiju legend today as reports are coming in that famed Japanese actor Yôsuke Natsuki has passed on at age 81.

Natsuki was a familiar face in several Godzilla films including Godzilla 1985 and Ghidorah the Three-Headed Monster. Born in 1936, Yôsuke has made over 100 appearances in film with the last being in 2012’s Kirin.

We here at Dread Central would like to take this time to honor Natsuki’s friends, family members, and constituents.

すべてのことを与え、すべてのことを作成するために役立っていただきありがとうございます。簡単に休め

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NSFW Kill Clip from Volumes of Blood: Horror Stories Now Available on VOD

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VOB now available on VOD!

For those who might not know, Volumes of Blood: Horror Stories is a sequel to the indie horror anthology Volumes of Blood, produced by P.J. Starks and Eric Huskisson (The Confession of Fred Krueger) and Christopher Bower (The Dooms Chapel Horror).

It features actor Moses Moseley, best known for his role as one of Michonne’s “Pet Walkers” on AMC’s “The Walking Dead”; the acting debut of WWE legend Sir Mo from Men on a Mission; and original music by Rocky Gray (drummer for We Are the Fallen, Living Sacrifice, formerly of Evanescence) and Shane Prather (Sharknado franchise, Sinister Squad, Lavalantula).

The flick recently hit VOD and to celebrate the release, the filmmakers have shared a “Kill Clip” from the movie to spread the bloody word.

You can check out the NSFW Kill Clip called “All Torn Up” in all its gory glory below and then let us know what you think.

Volumes of Blood: Horror Stories is now available on Amazon, iTunes, YouTube, Google Play, and more!

Synopsis:

A couple plan to purchase an old home but would like one last tour before the closing. They’re guided around the estate by a creepy realtor that may have more in store than they bargained for.

Searching floor by floor, they begin to discover the remnants of its sordid and terrifying past… A popular 80’s franchise gets a modern upgrade, but at what price? On Halloween night a teen left home alone meets a trick or treater that wants more than just candy. A door to door insurance salesman makes a Thanksgiving house call with monstrous consequences. Andrew and Sara are happily married and plan on spending some quality time together, but something sinister has other plans for their evening. Carol’s Christmas Eve turns into a fight for survival when a vengeful stranger isn’t feeling the holiday spirit. Lastly, a birthday party turns bloody when some unexpected guests drop by at the wrong time.

Seven interwoven tales of terror… how many stories does your house have?

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