Impossible Things Is Horror Film Co-Written by a Machine - Dread Central
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Impossible Things Is Horror Film Co-Written by a Machine



We’re all for innovation and new and creative ways to tell stories, so the idea of using artificial intelligence to help write a feature film is pretty damn awesome.

Impossible Things is the first movie co-written by a machine, and you can back it here.

From the Press Release:
Producers of the first film to use artificial intelligence (AI) to help develop the storyboarding and plot twists and ensure there’s a demographic market to make the finished product a success have launched a Kickstarter campaign to reach backers for the new movie-making technology.

“Our AI software can provide powerful insights to everyone involved in filmmaking,” said Greenlight Essentials Founder and CEO Jack Zhang. “It not only evaluates and suggests plot twists and deviations, it also suggests which type of actors and actresses would make the movie more appealing, specific plot and cast combinations, and even helps us find the right target market for the film to be successful.”

Zhang, a mathematician who previously worked in the technology and finance industries, created and developed the patent pending data analytic process to begin the production of Impossible Things – a horror movie that the AI indicates will be very successful among female moviegoers under the age of 25.

“Impossible Things was engineered with our AI, which can understand the relationship between movie plots and audience taste,” Zhang said. “We used it to generate the premise and the key plot points of the film. Before a single word was written, our AI told us that if we wanted to match audience taste, we needed to make a horror film that featured both ghosts and family relationships and that a piano scene and a bathtub scene would need to be used in the movie trailer to increase the likelihood that our target audience would like it.”

When the company aired the trailer for Impossible Things on its Facebook Page, Zhang says the AI-suggested key scenes “exploded,” with more than 100,000 views on the social media site – and very positive comments from fans who are mostly young females under the age of 25.

Zhang says he created the idea of using AI because “the traditional creative process used today in filmmaking does not take advantage of the vast amount of data and information available today.”

“A little over 85 percent of movies made today don’t make a profit in box office, which is the result of a mismatch between the movies being produced and audiences’ tastes,” he said. “With Impossible Things, what you’re seeing is the merging of Big Data and filmmaking to result in an entertainment product that will entertain and be successful with a certain segment of filmgoers.”

Depending on their level of support, crowdfunding backers can receive a variety of products and recognition, including:

  • A digital copy of the script
  • A digital high-definition copy of the film
  • An exclusive backers’ T-shirt
  • A DVD or Blu-ray version of the film with rare deleted scenes
  • Full access to Greenlight Essentials AI software for six months to help potential movie-makers develop their own film
  • On-screen credit when the movie is released
  • An associate producer credit when it appears on IMDb and on its Blu-ray cover
  • Two premiere tickets
  • A “mysterious” prop that was used in the actual movie

For more information and to support this project and be part of movie-making history, visit Greenlight Essentials’ Impossible Things crowdfunding page on Kickstarter.

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Darren Lynn Bousman Teams With Russo Brothers To Expand The Tension Experience



The Russo Brothers

Recently, The Tension Experience announced that they will be teaming with Anthony and Joe Russo’s company AGBO to develop new immersive experiences, destinations and brand partnerships.

In this new joint venture, AGBO will be joining as producers of the groundbreaking show and support the development and expansion of Tension to more cities.

We’re always searching for new and innovative ways to interpret narrative,” said Anthony and Joe Russo. “We’re beyond impressed by the wholly immersive experience that Tension has brought to all of their shows, and we look forward to helping them expand their reach.”

The Tension Experience was created nearly three years ago by director Darren Lynn Bousman (Saw II, III, IV), writer Clint Sears and producer Gordon Bijelonic. The immersive theater experience allows fans become the stars of their own real-life, cinema-quality thrillers that have taken place all over the country, incorporated nearly hundreds of actors.

As a consumer, I became passive… I sit back and I watch while things happen around me,” Bousman says. “I wanted to feel more engaged. I needed something to wake me up and inspire me. Immersive theater did that. It forces the audience to be active. We want to create environments where the audiences are the stars… Their action unlocks the narrative.”

When we embarked on this journey our goal was to change and disrupt the traditional storytelling format,” said producer Gordon Bijelonic. “We wanted to give our audiences a true visceral experience incorporating all five Human Senses.”

The first planned project is the creation of a permanent destination in Las Vegas. This high-end interactive entertainment and nightlife experience will be a fully realized living and breathing world ready to react to all of the audience’s individual choices and decisions and will also incorporate new and cutting-edge technology that will be in play before, during and after you step through their doors.

This is the most fulfilling creative endeavor we could possibly be involved with. It’s unparalleled in its scope and possibilities,’ stated writer Clint Sears. “The team feels that their experience along with the unparalleled creative force of AGBO will help create the most exciting immersive collaboration in the world.”

For more information on the Tension Experience visit

About The Tension Experience:

The Experiences, a newly formed venture of the Russo Brothers’ AGBO and The Tension Experience, intend to be the leader of immersive entertainment through live theatrical experiences, brand activations and the use of unparalleled cutting-edge technology.


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Claire Foy Refuses to Cooperate in New Clip from Steven Soderbergh’s Unsane



We have already shared with you guys a number of clips from director Steven Soderbergh’s new horror-thriller Unsane starring Claire Foy, Juno Temple, and Amy Irving (Carrie). Not that that’s a bad thing…

But all the same, today is no different as, you guessed it, we have yet another Unsane clip for your viewing pleasure. The clip is called “Refusing to Cooperate” and it features star Claire Foy, you guessed it, refusing to cooperate.

All jokes aside I am looking forward to checking out this new psychological thriller once it hits theaters tomorrow, so give the new clip below and then let us know what you think!

Unsane is directed by Steven Soderbergh from a script written by Jonathan Bernstein & James Greer and stars Claire Foy, Joshua Leonard, Jay Pharoah, Juno Temple, Aimee Mullins, and Amy Irving.

The film hits theaters nationwide March 23, 2018.


A young woman is involuntarily committed to a mental institution where she is confronted by her greatest fear–but is it real, or is it a product of her delusion?


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Kip Weeks, Original Man in the Mask, Slashes The Strangers: Prey at Night




We need to quit the knee-jerk hatred towards sequels; recent follow-ups like Ouija: Origin of Evil, The Conjuring 2, and Annabelle: Creation prove that creative ideas and talented directors can exceed expectations set by an original.

But we can’t give sequels a free pass to be mediocre either. For example, the response to the follow-up to Bryan Bertino’s home invasion masterpiece, The Strangers: Prey at Night, recently debuted to extremely mixed reviews. Pessimists bemoan, “What did you expect? Most sequels are unabashed cash-grabs!” In the case of The Strangers, I expected a lot more.

Fans of the 2008 shocker have been clamoring for a sequel for years, but no one wanted the wait to end with the unceremonious dispatches of some of the 21st Century’s most iconic new villains. I’m talking about the titular Strangers themselves, the murderous trio dubbed Dollface, Pin-Up, and The Man in the Mask.

While attempts to give characters like Michael Myers and Leatherface backstories have backfired by turning manifestations of evil into melodramatic anti-heroes (thus demystified and deflating their sources of terror), such an endeavor isn’t always a liability. In the case of Prey at Night, it should have been considered a necessity. The first Strangers concluded with hints that Dollface was conflicted; simultaneously, the juxtaposition of Mormon missionaries hinted at cultish motivations (beyond the infliction of random acts of violence).

While the unknown was key to the terror of The Strangers, it was a one trick pony; the franchise could only flourish with an expansion of the implied mythology created in 2008. Of course, Prey director Johannes Roberts’ decision to assassinate these compelling masked invaders proves he really had no intention of turning Bertino’s original into a franchise, something that left me feeling extremely disheartened.

And I’m not the only one; among the lambasts of fans and critics comes a vocal response from the original Man in the Mask, Kip Weeks (replaced by Damian Maffei in Prey). I caught up with him after he chimed in on a negative review in Variety. And lest you think it’s a case of sour grapes, I wouldn’t be sharing his insights if I didn’t agree fully.

Dread Central: We were all bummed the original Strangers actors weren’t recast. Now that Prey at Night has premiered to mostly negative reviews, can we get your thoughts? Specifically, why does Prey fail where the original Strangers succeeded?

Kip Weeks: I had a long back and forth with one of the producers. I told him, “You destroyed an art form.”

DC: Did you give him any specifics?

KP: I told him: “You have no idea what it means to create a character from its core. You made a piece of shit, jump scare movie without realizing you had gold in your hands.”

DC: What should the producers have done differently?

KP: They could have made a movie about “The Strangers”: where they came from and why they became killers. Instead, they made it about some bullshit family and wasted Christina Hendricks’ acting skills. The fans wanted depth and story and honesty. They gave them shit.


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