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There’s a Maniac Loose in Korea

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Source Name:

The IMP Awards

Source Url:

http://www.impawards.com/

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/may12/maniacs.jpg

There's a Maniac Loose in KoreaNo, we’re not talking about that immature idiot in the North who threatens nuclear devastation via Photoshop. What we’re talking about here is the Korean one-sheet for Maniac. Dig it!

Franck Khalfoun directs the script by Alexandre Aja and Gregory Levasseur, which stars Elijah Wood. Nora Arnezeder (Safe House) co-stars in Maniac (review here).

Synopsis:
Just when the streets seemed safe, a serial killer with a fetish for scalps is back and on the hunt.

Frank is the withdrawn owner of a mannequin store, but his life changes when young artist Anna appears asking for his help with her new exhibition. As their friendship develops and Frank’s obsession escalates, it becomes clear that she has unleashed a long-repressed compulsion to stalk and kill.



There's a Maniac Loose in Korea

Maniac

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Netflix’s NARCOS Star Says I LOVE ZOMBIES

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The star of Netflix hit series Narcos Juan Pablo Raba will topline black comedy-horror film I Love Zombies. Henry Rivero (El Comandante) will co-direct alongside César Oropeza (Puras joyitas), author of both the screenplay and the popular graphic novel.

On top of that, Variety reports that Goya Award winner Marcelo Pont Vergés (The Secret in Their Eyes), the comic-book illustrator, is also attached as film production designer.

The film was confirmed at Cannes by MadLove co-founders Natalia Agudelo and Nicolás Herreño with Alief‘s Miguel Govea and Brett Walker, and David Matamoros and Angeles Hernández at Zentropa Spain.

I Love Zombies not only aims to seek an audience for its main piece, the movie, but to use multiple initiatives of interaction that try to create loyal fans,” said producer Natalia Agudelo, a former director of Bogota Audiovisual Market (BAM).

The film is set to begin filming next year.

Synopsis:

The film narrates a dystopian tale of socio-political intrigue with dark humor and action, where a Central Government’s suicide expedition enters into devastated areas in what used to be a big capital city, now infested with cannibal corpses. Two intertwined stories result from that move, showing a vice-plagued and cruel post-apocalyptic world. The first involves Kid, a young man traumatized by the death of his family at the hands of a horde of walking dead; the other features Lover, a skilled zombie hunter (Raba), whose survival techniques go beyond pragmatism to assassination.

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EMANUELLE AND THE LAST CANNIBALS Blu-ray Review – Savagery & Sexuality From The Master Of Sleaze

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Starring Laura Gemser, Gabriele Tinti, Monica Zanchi, Donald O’Brien

Directed by Joe D’Amato (Arisitide Massaccesi)

Distributed by Severin Films


After taking famed sex icon Emanuelle (Laura Gemser) to Bangkok (1976), America (1976), and Around the World (1977) legendary sleaze director Joe D’Amato decided to mash up two of Italy’s most notorious genres by sending his beautiful muse down to the Amazon rainforest, cinematic home to countless hordes of cannibal tribes. The Italian cannibal craze of the late’70s was just beginning to take hold, offering D’Amato a ripe opportunity to satisfy both the bloodlust and, well, regular lust of exploitation devotees worldwide. For the most part the film plays out expectedly, with a reasonably large group of people meeting in the Amazon and trekking off on a quest. By the end, that group has dwindled down to only a few members, all of whom probably have a lot of regret about traipsing through the jungle. Aficionados will get a bit of a “been there, eaten that” vibe from the film, which hits every trademark of the genre sans animal cruelty, but Emanuelle herself spices up this cannibal comfort food with an alluring performance capped off by one helluva genius ending. The film also holds the dubious distinction of showing a penis being eaten less than 15 minutes after the opening credits. You set a high bar, Joe.

When an unlucky nurse has half of her tit eaten off by a newly-arrived mental patient, a girl found in the Amazon jungles, journalist Emanuelle (Laura Gemser) infiltrates the sanitarium to score a hot scoop. Armed with a camera concealed within a baby doll head, Emanuelle surreptitiously snaps a few shots before making the new girl talk via… digital means – and I’m not talking technology. Emanuelle takes her information to Professor Mark Lester (Gabriele Tinti), a museum curator whom she hopes will fund her expedition. He agrees. Then, she goes and screws some random guy in broad daylight down by the river. Later, she comes back and has more sex, this time with Mark. The next day they leave for the Amazon.

Upon arrival, the two are met by Isabel (Monica Zanchi) and Sister Angela (Annamaria Clementi), both of whom have altruistic plans of their own in the rainforest. Their trek soon brings them across Donald (Donald O’Brien), a hunter who is on safari with his wife and a guide. Now that the film has brought together a large group of people, some of whom are more reprehensible than others, it’s time to pick them off and watch in delight as cannibals of the Amazon gut them, skewer them, and devour their flesh while the soothing sounds of Nico Fidenco play in the background.

So many of these Italian cannibal pictures feel interchangeable because the formula is incredibly simple – send a group of naïve outsiders into the Amazon and let an indigenous tribe kill and eat them, usually in the most horrific manner possible. What sets this film apart from so many others is in the title: Emanuelle. Gemser is not only easy on the eyes but she has this magnetic presence on screen, not because she is a great actress but her looks, abilities, and personality combine to create one of exploitation cinema’s most capable and sultry sirens. It is entirely due to her ingenuity here that anyone survives at all. She isn’t a rag doll, tossed around and used for sex and companionship; Emanuelle is a woman in charge of her own sexuality and she calls the shots. This film was made during a time when women were often used as set dressing or spent most of a film being subservient, so it’s a nice change of pace to have one in the lead who takes control and it feels natural, not forced.

Don’t go thinking this is some kind of strong female-led picture that celebrates womanhood or anything. D’Amato never likes to peer too high from his gutter view, and “Emanuelle and the Last Cannibals” is a sleaze sensation; a cornucopia of cannibalism and carnal acts that culminates in the titular heroine literally becoming a god… temporarily. D’Amato takes two of humanity’s greatest loves – eating and screwing – and builds a story around them. Besides all of the aforementioned fornication, nipples are eaten as an amuse-bouche, penis tartare is part of the starter course, a vagina makes unexpected friends with the business end of a machete, a woman is gutted like a deer, and one guy learns a thin rope can still be strong enough to tear the human body in half. Nobody gets out of this thing unscathed… except, maybe, for Emanuelle who seems unfazed by every atrocity the world throws her way.

Ugly films need beautiful music and the lush, soothing sounds of Nico Fidenco make for the ultimate dichotomy of relaxation and revulsion. Fidenco’s score is less the serene soundscape Riz Ortolani composed for Cannibal Holocaust (1980) and more of a funky, porno-lite trip down ‘70s Lane. Oftentimes the composers on these rough Italian pictures delivered scores that felt like they belong to something more refined and accessible, not a movie destined for banning in multiple countries and cut to ribbons in others. Fidenco provided the score for many entries in the Black Emanuelle series and while those films might be past their prime the music is completely timeless.

Severin has provided a new 2K scan from unknown elements, delivering a 1.85:1 1080p image that falls right in line with most of their catalog. The picture has been cleaned up enough to allow for high-def improvements in clarity and coloration to (mostly) shine through, while still retaining a gritty look to remind viewers this is still a grindhouse picture. Film grain is heavy and active, swarming the picture but never becoming noisy. Contrast is variable, as is sharpness, with some scenes looking closer to HD than others. Colors are accurate but a bit anemic, too, with only a few instances of truly popping against the ever-present jungle greens. Detail is swallowed up in darkness, so don’t expect to see much of it when night falls, which thankfully isn’t often. I’ll say one thing Italy sure does make for a fine Amazon stand-in.

Audio is available in both English and Italian DTS-HD MA 1.0 mono, both of which offer a similar audible experience. The standout here is unsurprisingly hearing Fidenco’s score in lossless glory. The ADR work is typically poor and obvious, but everything is understandable and there are no noticeable issues with hissing or audio damage. Subtitles are available in English.

The World of Nico Fidenco – The legendary composer sits down for a new interview, covering his career and the Emanuelle series. In Italian with English subtitles.

A Nun Among the Cannibals – Actress Annamaria Clementi provides a new interview about her role in the film and what it was like working with D’Amato. In Italian with English subtitles.

Dr. O’Brien M.D. – This is an archival interview with Donald O’Brien, who played the wild and wily hunter, Donald, in the film.

From Switzerland to Mato Grosso – Actress Monica Zanchi gives a new interview that covers her career.

I Am Your Black Queen is an audio-only archival interview with Gemser.

A theatrical trailer (in SD) is also included.

Special Features:

  • BRAND NEW 2K REMASTER OF THE FILM prepared for this release
  • English and Italian audio tracks, with optional English subtitles
  • The World of Nico Fidenco – an interview with the composer (27 min)
  • A Run Among the Cannibals – an interview with actress Annamaria Clementi (23 min)
  • Dr. O’Brien MD – an interview with actor Donald O’Brien (19 min)
  • From Switzerland to Mato Grosso – an interview with actress Monica Zanchi (19 min)
  • I Am Your Black Queen – an audio commentary by actress Laura Gemser (11 min)
  • Original trailer
  • Emanuelle and the Last Cannibals
  • Special Features
3.0

Summary

There is no point to making complaints about plotting when watching a film with this title. D’Amato promises viewers nothing more than a sleazy time intended to induce equal parts creep and kink into a span of time. Severin’s release offers a cleaned-up picture and a solid selection of extras that catch up with a few of the principal cast and crew.

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iZOMBIE Season 5 Will Be Final Season

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Last week we let you guys know that, while The CW passed on the Supernatural spin-off Wayward Sisters, they had given a fifth season to fan-favorite zombie-comedy series iZombie.

And as cool as that news was, it looks like it comes with a caveat. Yes, it looks like the upcoming fifth season of iZombie will be it’s last.

Series star Rose McIver took to Twitter to confirm the news the other day writing: “So the fifth season of iZombie will be our last. I am therefore committed and excited to make it the best one yet! Really proud to be on a show that celebrates the misfits and I pinch myself every day that I get to be a part of the iZombie world with you guys. Thank you.”

The show, which is based upon characters created by Chris Roberson and Michael Allred, and published by DC Entertainment’s Vertigo, is rumored to return during the midseason schedule. We’ll let you know when we hear more.

Are you sad to see the series go? Make sure to hit us up and let us know what you think in the comments below or on Facebook, Twitter, and/or Instagram!

Synopsis:

Olivia “Liv” Moore (Rose McIver) was a rosy-cheeked, disciplined, over-achieving medical resident who had her life path completely mapped out…until the night she attended a party that unexpectedly turned into a zombie feeding frenzy. As one of the newly undead, Liv is doing her best to blend in and look as human as possible.

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